I’m delighted to say that online bookstores are shipping copies of Here Comes Everybody today, and that it has gotten several terrific notices in the blogosphere:

Cory Doctorow:

Clay’s book makes sense of the way that groups are using the Internet. Really good sense. In a treatise that spans all manner of social activity from vigilantism to terrorism, from Flickr to Howard Dean, from blogs to newspapers, Clay unpicks what has made some “social” Internet media into something utterly transformative, while other attempts have fizzled or fallen to griefers and vandals. Clay picks perfect anecdotes to vividly illustrate his points, then shows the larger truth behind them.

Russell Davies:

Here Comes Everybody goes beyond wild-eyed webby boosterism and points out what seems to be different about web-based communities and organisation and why it’s different; the good and the bad. With useful and interesting examples, good stories and sticky theories. Very good stuff.

Eric Nehrlich:

These newly possible activities are moving us towards the collapse of social structures created by technology limitations. Shirky compares this process to how the invention of the printing press impacted scribes. Suddenly, their expertise in reading and writing went from essential to meaningless. Shirky suggests that those associated with controlling the means to media production are headed for a similar fall.

Philip Young:

Shirky has a piercingly sharp eye for the spotting the illuminating case studies - some familiar, some new - and using them to energise wider themes. His basic thesis is simple: “Everywhere you look groups of people are coming together to share with one another, work together, take some kind of public action.” The difference is that today, unlike even ten years ago, technological change means such groups can be form and act in new and powerful ways. Drawing on a wide range of examples Shirky teases out remarkable contrasts with what has been the expected logic, and shows quite how quickly the dynamics of reputation and relationships have changed.

I’ve written a book, called Here Comes Everybody: The Power of Organizing Without Organizations, which is coming out in a month. It’s coming out first in the US and UK (and in translation later this year in Holland, Portugal and Brazil, Korea, and China.)

Here Comes Everybody is about why new social tools matter for society. It is a non-techie book for the general reader (the letters TCP IP appear nowhere in that order). It is also post-utopian (I assume that the coming changes are both good and bad) and written from the point of view I have adopted from my students, namely that the internet is now boring, and the key question is what we are going to do with it.

One of the great frustrations of writing a book as opposed to blogging is seeing a new story that would have been a perfect illustration, or deepened an argument, and not being able to add it. To remedy that, I’ve just launched a new blog, at HereComesEverybody.org, to continue writing about the effects of social tools.

Wow. What a great response — we’ve given out all the copies we can, but many thanks for all the interest. Also, I’ve convinced the good folks at Penguin Press to let me give a few review copies away to people in the kinds of communities the book is about. I’ve got half a dozen copies to give to anyone reading this, with the only quid pro quo being that you blog your reactions to it, good bad or indifferent, some time in the next month or so. Drop me a line if you would like a review copy — clay@shirky.com.

It gives me unquantifiable amounts of joy to announce that the JCMC special theme issue on “Social Network Sites” is now completely birthed. It was a long and intense labor, but all eight newborn articles are doing just fine and the new mommies are as proud as could be. So please, join us in our celebration by heading on over to the Journal for Computer-Mediated Communication and snuggling up to an article or two. The more you love them, the more they’ll prosper!

JCMC Special Theme Issue on “Social Network Sites”
Guest Editors: danah boyd and Nicole Ellison
jcmc.indiana.edu/vol13/issue1/

• “Social Network Sites: Definition, History, and Scholarship” by danah boyd and Nicole Ellison
• “Signals in Social Supernets” by Judith Donath
• “Social Network Profiles as Taste Performances” by Hugo Liu
• “Whose Space? Differences Among Users and Non-Users of Social Network Sites” by Eszter Hargittai
• “Cying for Me, Cying for Us: Relational Dialectics in a Korean Social Network Site” by Kyung-Hee Kim and Haejin Yun
• “Public Discourse, Community Concerns, and Civic Engagement: Exploring Black Social Networking Traditions on BlackPlanet.com” by Dara Byrne
• “Mobile Social Networks and Social Practice: A Case Study of Dodgeball” by Lee Humphreys
• “Publicly Private and Privately Public: Social Networking on YouTube” by Patricia Lange

Please feel free to pass this announcement on to anyone you think might find value from this special issue.

In June, I wrote a controversial blog essay about how U.S. teens appeared to be self-dividing by class on MySpace and Facebook during the 2006-2007 school year. This piece got me into loads of trouble for all sorts of reasons, forcing me to respond to some of the most intense critiques.

While what I was observing went beyond what could be quantitatively measured, certain aspects of it could be measured. To my absolute delight, Eszter Hargittai (professor at Northwestern) had collected data to measure certain aspects of the divide that I was trying to articulate. Not surprising (to me at least), what she was seeing lined up completely with what I was seeing on the ground.

Her latest article “Whose Space? Differences Among Users and Non-Users of Social Network Sites” (published as a part of Nicole Ellison and my JCMC special issue on social network sites) suggests that Facebook and MySpace usage are divided by race/ethnicity and parent education (two common measures of “class” in the U.S.). Her findings are based on a survey of 1060 first year students at the diverse University of Illinois-Chicago campus during February and March of 2007. For more details on her methodology, see her methods section.

While over 99% of the students had heard of both Facebook and MySpace, 79% use Facebook and 55% use MySpace. The story looks a bit different when you break it down by race/ethnicity and parent education:

While Eszter is not able to measure the other aspects of lifestyle that I was trying to describe that differentiate usage, she is able to show that Facebook and MySpace usage differs by race/ethnicity and parent education. These substitutes for “class” can be contested, but what is important here is that there is genuinely differences in usage patterns, even with consistent familiarity. People are segmenting themselves in networked publics and this links to the ways in which they are segmented in everyday life. Hopefully Eszter’s article helps those who can’t read qualitative data understand that what I was observing is real and measurable.

(We are still waiting for all of the JCMC articles from our special issue to be live on the site. Fore more information on this special issue, please see the Introduction that Nicole and I wrote: Social Network Sites: Definition, History, and Scholarship.)

Discussion: Apophenia

My class in the fall is called “User-generated”, and it looks, among other things, at the tension surrounding that phrase, and in particular its existence as an external and anxiety-ridden label, by traditional media companies, for the way that advertising can be put next to material not created by Trained Professionals™.

All right-thinking individuals (by which I basically mean Anil Dash and Heather Champ) hate that phrase. Now my friend Kio Stark* has come up with what seems like a nice, and more anthropologically correct version: Indigenous Content (which is to say “Created by the natives for themselves.”)

* ObKio: Best. Tagset. Evar.

As many of you know, Nicole Ellison and I are guest editing a special issue of JCMC. As a part of this issue, we are writing an introduction that will include a description of social network sites, a brief history of them, a literature review, a description of the works in this issue, and a discussion of future research. We have decided to put a draft of our history section up to solicit feedback from those of you who know this space well. It is a work-in-progress so please bear with us. But if you have suggestions, shout out.

history of social network sites (a work-in-progress)

In particular, we want to know: 1) Are we reporting anything inaccurately? 2) What are we missing?

I have never understood Nick Carr’s objections to the cultural effects of the internet. He’s much too smart to lump in with nay-sayers like Keen, and when he talks about the effects of the net on business, he sounds more optimistic, even factoring in the wrenching transition, so why aren’t the cultural effects similar cause for optimism, even accepting the wrenching transition in those domains as well?

I think I finally got understood the dichotomy between his reading of business and culture after reading Long Player, his piece on metadata and what he calls “the myth of liberation”, a post spurred in turn by David Weinberger’s Everything Is Miscellaneous.

Carr discusses the ways in which the long-playing album was both conceived of and executed as an aesthetic unit, its length determined by a desire to hold most of the classical canon on a single record, and its possibilities exploited by musicians who created for the form — who created albums, in other words, rather than mere bags of songs. He illustrates this with an exegesis of the Rolling Stones’ Exile on Main Street, showing how the overall construction makes that album itself a work of art.

Carr uses this point to take on what he calls the myth of liberation: “This mythology is founded on a sweeping historical revisionism that conjures up an imaginary predigital world - a world of profound physical and economic constraints - from which the web is now liberating us.” Carr observes, correctly, that the LP was what it was in part for aesthetic reasons, and the album, as a unit, became what it became in the hands of people who knew how to use it.

That is not, however, the neat story Carr wants to it be, and the messiness of the rest of the story is key, I think, to the anxiety about the effects on culture, his and others.

The LP was an aesthetic unit, but one designed within strong technical constraints. When Edward Wallerstein of Columbia Records was trying to figure out how long the long-playing format should be, he settled on 17 minutes a side as something that would “…enable about 90% of all classical music to be put on two sides of a record.” But why only 90%? Because 100% would be impossible — the rest of the canon was too long for the technology of the day. And why should you have to flip the record in the middle? Why not have it play straight through? Impossible again.

Contra Carr, in other words, the pre-digital world was a world of profound physical and economic constraints. The LP could hold 34 minutes of music, which was a bigger number of minutes than some possibilities (33 possibilities, to be precise), but smaller than an infinite number of others. The album as a form provided modest freedom embedded in serious constraints, and the people who worked well with the form accepted those constraints as a way of getting at those freedoms. And now the constraints are gone; there is no necessary link between an amount of music and its playback vehicle.

And what Carr dislikes, I think, is evidence that the freedoms of the album were only as valuable as they were in the context of the constraints. If Exile on Main Street was as good an idea as he thinks it was, it would survive the removal of those constraints.

And it hasn’t.

Here is the iTunes snapshot of Exile, sorted by popularity:

While we can’t get absolute numbers from this, we can get relative ones — many more people want to listen to Tumbling Dice or Happy than Ventilator Blues or Turd on the Run, even though iTunes makes it cheaper per song to buy the whole album. Even with a financial inducement to preserve the album form, the users still say no thanks.

The only way to support the view that Exile is best listened to as an album, in other words, is to dismiss the actual preferences of most of the people who like the Rolling Stones. Carr sets about this task with gusto:

Who would unbundle Exile on Main Street or Blonde on Blonde or Tonight’s the Night - or, for that matter, Dirty Mind or Youth and Young Manhood or (Come On Feel the) Illinoise? Only a fool would.

Only a fool. If you are one of those people who has, say, Happy on your iPod (as I do), then you are a fool (though you have lots of company). And of course this foolishness extends to the recording industry, and to the Stones themselves, who went and put Tumbling Dice on a Greatest Hits collection. (One can only imagine how Carr feels about Greatest Hits collections.)

I think Weinberger’s got it right about liberation, even taking at face value the cartoonish version Carr offers. Prior to unlimited perfect copyability, media was defined by profound physical and economic constraints, and now it’s not. Fewer constraints and better matching of supply and demand are good for business, because business is not concerned with historical continuity. Fewer constraints and better matching of supply and demand are bad for current culture, because culture continually mistakes current exigencies for eternal verities.

This isn’t just Carr of course. As people come to realize that freedom destroys old forms just as surely as it creates new ones, the lament for the long-lost present is going up everywhere. As another example, Sven Birkerts, the literary critic, has a post in the Boston Globe, Lost in the blogosphere, that is almost indescribably self-involved. His two complaints are that newspapers are reducing the space allotted to literary criticism, and too many people on the Web are writing about books. In other words, literary criticism, as practiced during Birkerts’ lifetime, was just right, and having either fewer or more writers are both lamentable situations.

In order that the “Life was better when I was younger” flavor of his complaint not become too obvious, Birkerts frames the changing landscape not as a personal annoyance but as A Threat To Culture Itself. As he puts it “…what we have been calling “culture” at least since the Enlightenment — is the emergent maturity that constrains unbounded freedom in the interest of mattering.”

This is silly. The constraints of print were not a product of “emergent maturity.” They were accidents of physical production. Newspapers published book reviews because their customers read books and because publishers took out ads, the same reason they published pieces about cars or food or vacations. Some newspapers hired critics because they could afford to, others didn’t because they couldn’t. Ordinary citizens didn’t write about books in a global medium because no such medium existed. None of this was an attempt to “constrain unbounded freedom” because there was no such freedom to constrain; it was just how things were back then.

Genres are always created in part by limitations. Albums are as long as they are because that Wallerstein picked a length his engineers could deliver. Novels are as long as they are because Aldus Manutius’s italic letters and octavo bookbinding could hold about that many words. The album is already a marginal form, and the novel will probably become one in the next fifty years, but that also happened to the sonnet and the madrigal.

I’m old enough to remember the dwindling world, but it never meant enough to me to make me a nostalgist. In my students’ work I see hints of a culture that takes both the new freedoms and the new constraints for granted, but the fullest expression of that world will probably come after I’m dead. But despite living in transitional times, I’m not willing to pretend that the erosion of my worldview is a crisis for culture itself. It’s just how things are right now.

Carr fails to note that the LP was created for classical music, but used by rock and roll bands. Creators work within whatever constraints exist at the time they are creating, and when the old constraints give way, new forms arise while old ones dwindle. Some work from the older forms will survive — Shakespeare’s 116th sonnet remains a masterwork — while other work will wane — Exile as an album-length experience is a fading memory. This kind of transition isn’t a threat to Culture Itself, or even much of a tragedy, and we should resist attempts to preserve old constraints in order to defend old forms.

One month ago, I put out a blog essay that took on a life of its own. This essay addressed one of America’s most taboo topics: class. Due to personal circumstances, I wasn’t online as things spun further and further out of control and I had neither the time nor the emotional energy to address all of the astounding misinterpretations that I saw as a game of digital telephone took hold. I’ve browsed the hundreds of emails, thousands of blog posts, and thousands of comments across the web. I’m in awe of the amount of time and energy people put into thinking through and critiquing my essay. In the process, I’ve also realized that I was not always so effective at communicating what I wanted to communicate. To clarify some issues, I decided to put together a long response that addresses a variety of different issues.

Responding to Responses to: “Viewing American class divisions through Facebook and MySpace”

Please let me know if this does or does not clarify the concerns that you’ve raised.

(Comments on Apophenia)

im Spalding at LibraryThing has introduced a new wrinkle in the tagosphere…and wrinkles are welcome because they pucker space in semantically interesting ways. (Block that metaphor!)

At LibraryThing, people list their books. And, of course, we tag ‘em up good. For example, Freakonomics has 993 unique tags (ignoring case differences), and 8,760 total tags. Now, tags are of course useful. But so are subject headings. So, Tim has come up with a clever way of deriving subject headings bottom up. He’s introduced “tagmashes,” which are (in essence) searches on two or more tags. So, you could ask to see all the books tagged “france” and “wwii.” But the fact that you’re asking for that particular conjunction of tags indicates that those tags go together, at least in your mind and at least at this moment. Library turns that tagmash into a page with a persistent URL. The page presents a de-duped list of the results, ordered by interestinginess, and with other tagmashes suggested, all based on the magic of statistics. Over time, a large, relatively flat set of subject headings may emerge, which, subject to further analysis, could get clumpier and clumpier with meaning.

You may be asking yourself how this differs from saved searches. I asked Tim. He explained that while the system does a search when you ask for a new tagmash, it presents the tagmash as if it were a topic, not a search. For one thing, lists of search results generally don’t have persistent URLs. More important, to the user, tagmash pages feel like topic pages, not search results pages.

And you may also be asking yourself how this differs from a folksonomy. While I’d want to count it as a folksonomic technique, in a traditional folksonomy (oooh, I hope I’m the first to use that phrase!), a computer can notice which terms are used most often, and might even notice some of the relationships among the terms. With tagmashes, the info that this tag is related to that one is gleaned from the fact that a human said that they were related.

LibraryThing keeps innovating this way. It’s definitely a site to watch.

Joel Spolsky approvingly quotes Dave Winer on the subject of blog-comments:

The cool thing about blogs is that while they may be quiet, and it may be hard to find what you’re looking for, at least you can say what you think without being shouted down. This makes it possible for unpopular ideas to be expressed. And if you know history, the most important ideas often are the unpopular ones…. That’s what’s important about blogs, not that people can comment on your ideas. As long as they can start their own blog, there will be no shortage of places to comment.

Joel then adds his own observations:

When a blog allows comments right below the writer’s post, what you get is a bunch of interesting ideas, carefully constructed, followed by a long spew of noise, filth, and anonymous rubbish that nobody … nobody … would say out loud if they had to take ownership of their words.

This can be true, all true, as any casual read of blog