Issue 35

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Digital artifact: inadvertent superimposition of two consecutive frames from the final shot/reverse shot volley of Raúl Ruiz’s Shattered Image (aka Jessie, 1998), featuring Anne Parillaud in a double role.

 

Uploaded 23 December, 2012.

First Release

Hanging Here and Groping There: On Raúl Ruiz’s “The Six Functions of the Shot”
by Adrian Martin

The Art of Falling Apart: Petulia and the Fate of Richard Lester
by Adrian Danks

Tending the Wounds of the Nation: Gender in Contemporary Iranian War Cinema
by Michelle Langford

Ensemble Film, Postmodernity and Moral Mapping
by Lorraine Sim

JLG/Jean Améry
by Alan Wright

Malick’s Music of the Spheres: The Tree of Life
by Roger Hillman

The Sydney and Melbourne Film Festivals, and the Liberalisation of Film Censorship in Australia
by Cathy Hope and Adam Dickerson

Vikki Riley (1962-2012): Early Writings

VOLA X (Introduction)
by Adrian Martin

The Canonisation of Junk (1982)
by Vikki Riley

Poetics of Pop: The Titles of Things (1982)
by Vikki Riley

‘This Magazine is for Airing Personal Complaints’ (1983)
by Vikki Riley

Caught … Sunless and The State of Things (1984)
by Vikki Riley

Classics and Re-runs

Which Hollywood? Which Ophuls?
by Adrian Martin

The Six Functions of the Shot
by Raúl Ruiz

Web-teque

Adrian Martin interview about his book Last Day Every Day: Figural Thinking from Auerbach and Kracauer to Agamben and Brenez,
interviewer Anna Dzenis

Reviews

Ecce Homo: The Male-Body-In-Pain as Redemptive Figure
by Jeremy V. Adolphson

One Night on TV is Worth Weeks at the Paramount: Popular Music on Early Television
by Lauren Anderson

Ephemeral Media: Transitory Screen Culture from Television to YouTube
by Rebecca Bell-Metereau

A Post-May Adolescence: A letter to Alice Debord
by Jan Bryant

Sergio Leone Something To Do With Death (reprint edition)
by Patrick Condliffe

Moving Color: Early Film, Mass Culture, Modernism
by Maura Edmond

Fantasy Film: A Critical Introduction
by Michael Grant

Glimpses of Freedom: Independent Cinema in Southeast Asia.
by David Hanan

Science Fiction Film: A Critical Introduction
by Adam Knee

British Film Design: A History
by Brian McFarlane

New Philosophies of Film: Thinking Images
by Sarinah Masukor

David Lynch
by Josh Nelson

The Neorealist body in Postwar Italian cinema
by Luca Peretti

Olivier Assayas
by Claire Perkins

The Miracle Woman
by Eloise Ross

Jedda
by Shane Smithers

Fashion in Film
by Sue Thomas

Alfred Hitchcock’s Frenzy: The Last Masterpiece
by Jay Daniel Thompson

Cinema’s Alchemist: The Films of Péter Forgács
by Jeni Thornley

Film Trilogies: New Critical Approaches
by John Vanderhoef

Shadow Economies of Cinema: Mapping Informal Film Distribution
by Mike Walsh

Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodore Adorno
by Tyson Wils

South African Cinema 1896-2010
by Suzanne Woodward

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