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In January of 2012, I decided that I wanted to talk about science fiction and fantasy cover art, particularly the ways women were portrayed. At first, I thought about writing a long blog post, talking about how saturated we were with imagery that emphasized women as sexual objects at the expense of power, agency, realism, and so on.

Then I decided there might be a more effective way to encourage discussion. With assistance and surprisingly little eye-rolling or laughter from my wife, I contorted myself into the poses of women on various SF/F covers.

Things snowballed from there. I did several follow-up photoshoots, ran a cover-posing fundraiser, and was even honored with a Hugo award that year. (Which I accepted with all due dignity.)

The Blog Posts

  • Striking a Pose (Women and Fantasy Covers): The post that started it all.
  • Posing Like a Man: In which I try to respond to arguments like “What about romance covers” and “But men are sexualized too!”
  • Cover Posing for a Good Cause: The SF/F community helped to raise more than $15,000 for the Aicardi Syndrome Foundation. Highlights of the fundraiser included:
    • A pose-off with John Scalzi
    • A Christmas-themed rematch with Scalzi
    • A group pose with Pat Rothfuss, Charles Stross, John Scalzi, Mary Robinette Kowal, and myself
  • Wait, What Were We Laughing At? The absurdity of the poses vs. the uncomfortable laughter of ingrained homophobia and dudes stepping out of traditionally masculine roles.
  • Cover Art – So Where’s the Problem? Exploring the many different layers to sexist cover art and where it comes from, and providing examples of covers done well.

The Gallery

I used Flickr to collect all of my cover poses into a single photo set.

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The Calendar

As part of the fundraiser, I promised that if we raised at least $15,000, I’d put together a calendar of cover poses. Well, you donated more than that, which led to the 2014 “Year of the Poser” calendar. These calendars were autographed by me and author Patrick Rothfuss, and every dollar made went directly to the Aicardi Syndrome Foundation.

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The Takeaway

It’s easy to point and blame the artists, but publishing a book is like making sausage, and there’s an awful lot that goes into the final product. The art director at gives the artist a certain direction. The sales department has ideas about what they need to make it marketable. Bookstore chains have been known to reject books based on covers they didn’t think would sell. Then there are the readers-if they keep buying boob-and-butt books, publishers will keep putting them out. And of course, all of this is happening in a society still struggling with sexism.

There’s a big conversation to be had here, and I believe it’s an important one. I’m both grateful and overwhelmed by the response to this project and the discussion it’s generated.

To be clear, nobody’s saying sexuality is bad, or that poses showing off a model’s body are bad. But wouldn’t it be nice if we could get cover art that

  1. Was true to the book and characters
  2. Didn’t routinely reduce women to sexual objects
  3. Didn’t emphasize women’s sexuality at the expense of strength or agency
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