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Logitech Proclaims Revue a “Big Mistake”, Plans No Future with Google TV
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Video demo of the Vizio VIA Plus with Google TV at CES
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Exclusive photos of the Vizio Via Plus with Google TV
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GTVHub’s Review of the Logitech Mini Controller

Android 3.2 Brings Google TV Up To Speed

by Marissa Johnson on February 6, 2012 · in Development, News, Rumors, Software
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In keeping with their promise to release more frequent Google TV updates, Google introduced Honeycomb 3.2 last week. The new software, currently for Sony devices only with the Revue soon to follow, provides the following improvements:

  • It supports hardware acceleration, making apps with animation effects move faster
  • It supports HTTP live streaming which will help with HTML5 video and make local media streaming through apps work
  • Improvements to the way Google TV identifies channels will make it easier for app developers to use their own EPGs
  • Chrome is getting a boost

This update will likely be one of many before the arrival of Android 4.0 Ice Cream Sandwich, which is rumored to occur before the end of the year. Stay tuned to see what Google rolls out throughout the next year of Google TV.

[via GigaOm]

Tagged with: Android 3.2 • Android 4.0 • google • Google TV • Honeycomb • Ice Cream Sandwich • logitech • Logitech Revue • Revue • Sony Google TV
 
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Marvell Foresight Platform Replaces Intel Chips in 2012 Google TVs

by Marissa Johnson on January 23, 2012 · in Development, Hardware, Software
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Google has stated that since the recent update, Google TV activation rates have “more than doubled”. Now boasting more than 150 dedicated apps in the Android Market, Google TV continues to adapt to meet the expectations of it’s users, now by teaming up with Marvell, a worldwide leader in chipsets, who have announced that the new Foresight Platform, powered by the Marvell ARMADA 1500 HD Media System-on-a-Chip (SoC), will be replacing Intel chips in the emerging 2012 Google TV hardware.

According to Marvell’s own announcement, the new chips offer tremendous processing power, are energy-efficient, and more affordable– perfect for allowing Google to lower their price points and reach ever more consumers.

[via InteractiveTV Today]

Tagged with: Android Market • Foresight Platform • google • Google TV • Google TV 2.0 • Marvell • Marvell ARMADA 1500 HD Media System-on-a-Chip (SoC)
 
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Blu-Ray Player, Set Top Box Breathe New Life Into Google TV-Sony Saga

by Marissa Johnson on January 16, 2012 · in Development, Hardware
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Sony took advantage of CES 2012 to affirm it’s faith in Google TV by debuting an updated version of their Blu-ray player to be released this summer, along with an all new product to fill the gap that Logitech is leaving behind: a Google TV set-top box to be released in the Spring. Both recently announced items will feature all the perks of 2.0, plus a few fancy tricks to rival the competition.

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Making dedicated space for the QWERTY keyboard seems to be at the top of the re-design list this year, as well as a touch-pad remote. Sony’s version will also be responsive to motion via a three-axis control system and will be outfitted with voice-search functionality. Sounds fancy, Sony (and it looks pretty darn good, too).

[via Cnet]

Tagged with: google • Google TV • Google TV 2.0 • logitech • sony • Sony Blu-ray player • Sony Google TV
 
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The Final Frontier: Internet TV

by Tyler Cunningham on January 10, 2012 · in Software
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The very first public TV broadcasts were served to a wide-eyed audience on July 2, 1928. The select inhabitants of Washington, D.C., who got a glimpse of the silent silhouettes that appeared on their screens knew that this invention was something special, but they could have never predicted the impact it would have on life, culture and politics.

These first experimental transmissions lacked sound and were restricted to the low definition of 48 lines of horizontal picture – a modern equivalent of 48 pixels, a mere fraction of the picture quality on a cell phone screen. Not even a century has passed and the technology has improved by leaps and bounds. Those 48 lines of mute broadcasts have gradually turned into consumers looking for HD Dell TV deals, the latest 3D TV technology and even head mounted displays with theater-quality picture and sound.

But for all these technological advancements, the delivery of the content itself has remained largely unchanged – scheduled programming sent through a specific TV channel and to a geographically identifiable audience. If you did not have access to that one channel, lived in a state or country where it does not operate or simply had to be out and about during prime time, it meant you had to miss out.

Over the last decade, this dynamic has begun to dramatically change thanks to the combined advents of the internet, increasingly faster broadband connections and streaming video. Today, being out on the night of your favorite show no longer means that you have to miss the latest episode, as most mayor networks will have them uploaded to their websites the very next day. Similarly, those who do not have access to basic cable or live in a state with no access to a certain channel can still watch hundreds of shows at any time through the broadcaster’s websites.

This has created a struggle with cable providers, who have been forced to implement new features, such as ‘On-Demand’ channels, just so they can remain competitive with online broadcasting. And perhaps, in the not too distance future, cable providers will have to gradually mutate into a conglomeration of On-Demand features.

While traditional TV broadcasts are unlikely to lose their appeal entirely (after all, who doesn’t enjoy being a weekend channel surfer), the sheer convenience of catching your favorite shows anytime and from anyplace with internet access is an extremely appealing offer for an America that has less free time every year.

Internet-based distribution is also a very appealing proposition for the broadcasters themselves. The most obvious reason for this is piracy. There are literally hundreds of video-sharing websites that distribute copyrighted material around the clock, from vintage sitcoms to the hottest new dramas. In most cases, these illegal sites have new episodes uploaded right after the original broadcast of the show. Networks have tried to take the owners of these sites to court and have had the authorities shut down their entire operations, only to have another one pop up within the week.

Obviously, the illegal distribution of network-owned shows is not going anywhere, and for the broadcasters, it has only resulted in expensive teams of corporate lawyers playing a game virtual whack-a-mole. Streaming their shows in HD over the internet has at least shifted the internet traffic to their websites instead of illegal video sharing sites, granting them additional advertisement revenue and viewer loyalty.

And this is where Internet

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