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- Mousse (105)
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Mousse #32 and Ten Fundamental Questions of Curating VIII now available on the App Store
March 5~2012
Mousse #32 and the eight chapter of Ten Fundamental Questions of Curating are now available on the iTunes App Store.
Download Mousse #32 with Abbey Road, Aaron Angell,The Assistants, Luis Camnitzer, Céline Condorelli, Natalie Czech, Mark di Suvero, Stephan Dillemuth, Stan Douglas, Sam Durant, Hollis Frampton, Theaster Gates, Barbara Hammer, Mark Handforth, A Handful of Clay, Yngve Holen, Iman Issa, The Limitations of the Alternative, Sarah Lucas, Tom McCarthy, The New International, Charlemagne Palestine, Eddie Peake, David Robbins,September 11, California State of Mind, and Cheyney Thompson.
In Ten Fundamental Questions of Curating VIII, Chus Martínez tries to answer the question “What is the future of art?”
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Mousse digital is serious reading, made entertaining.
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Mousse #32 out now
February 8~2012
February – March 2012
In this issue…
Stan Douglas has a fascinating method for producing his series: identification. For “Midcentury Studio”, Douglas dons the garb of a Canadian news photographer and war veteran. In a conversation with Monika Szewczyk, the artist discusses this work and the recent “Disco Angola”.
Elisabeth Lebovici converses with Barbara Hammer to retrace the artist’s career and delve into two recent works, one on Claude Cahun and Marcel Moore, the other on Maya Deren, touching on themes of gender, role and discrimination.
In Buffalo, in March 1984, Susan Krane and Bruce Jenkins interviewed Hollis Frampton, shortly before his death. The tapes, which Jenkins has retrieved from his archives 28 years later, offer an extraordinary conversation/performance of the American artist in LOST & FOUND.
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TONIGHT – Mousse Flea Market
January 12~2012
Ten Fundamental Questions of Curating and Mousse #31 now available on the App Store
January 5~2012
Big news! The new digital issue of Mousse is now available at the App Store. And from now on, you can also download the current issue of Ten Fundamental Questions of Curating, a project distributed with the international edition of Mousse, aimed at exploring the multifaceted physiognomy of the curator.
The seventh of ten dossiers presents Sofía Hernández Chong Cuy, who asks: “What about collecting?” The text is accompanied by the visual concept of Mario Garcia Torres. For further information about the current and back issues, click here.
Mousse Issue #31 Out Now
November 29~2011
Jonathas de Andrade, in a conversation with Stuart Comer, thinks about the condition of stiffness that inhibits his generation and explains how his work sets the goal – identified by Suely Rolnik – of grasping a new political-creative flux.
Chantal Akerman has addressed issues like otherness and confinement, starting with her own biography and that of her mother, a survivor of the Nazi camps. Elisabeth Lebovici met with the artist to talk about how her extraordinary filmography has been able to shed light on the Other as Subject.
The Arab Image Foundation is an expanding collection of photographs from the Arab region. Alessandro Rabottini talked with its co-founder, the artist Akram Zaatari, who explains why the images produced by everyday people are so important in his work.
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Mousse #30 on iPad
November 9~2011
As you may already know, Mousse has doubled. From now on, you can read, scroll, tap and swipe Mousse on your iPad. Mousse on iPad comes with much more images, dedicated videos, and a bespoke layout.
While we feel happy about it, we definitely want to hear from you whether or not Mousse can be equally rewarding when experienced digitally. If you like, please share your love or hate about Mousse on iPad at digital@moussemagazine.it
The digital version of the current issue is free – download it here
Mousse at Artissima 18
November 4~2011
For Artissima 18, Mousse is happy to present an exhibition of artist books and ephemera by Allan Kaprow.
“Artists’ books, which have testified to the complex relationship between figurative art and publishing ever since the historical avant-gardes, characterized much of the experimentation that took place in the ’60s and ’70s. In that chapter of history, they claimed the status of artworks, bringing to bear all the tools – writing, drawing, photography – capable of serving a form of expression based on conceptual thinking, elemental signs, narrative and action. In that period, Allan Kaprow (1927–2006), taking a seemingly contradictory approach, repeatedly downgraded his books from the loftier category of art objects to that of tools aiding his main activity as a constructor of Happenings. In other words, he created a direct link between his events and books.”
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Artissima 18 App now available on the App Store
November 4~2011
Mousse is happy to announce the first digital guide to Artissima. Download the Artissima 18 App on your iPhone and discover a rich and comprehensive resource to live the fair. Arrange your visit, create your personal catalogue and navigate the constellation of projects and exhibitions in and outside the Oval.
Artissima 18 is a free application, and was developed by Mousse.
Mousse at FIAC
October 20~2011
From today through October 23, Mousse is in Paris at FIAC
Come visit us and find Mousse #30 and our latest publications at our booth at the Grand Palais
Mousse in London
October 11~2011
Dear Friends,
Many of us will be spending this week in London. If in town, Mousse strongly recommends…
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SUNDAY party, London
October 6~2011
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SUNDAY and MOUSSE
invite you to chat and dance
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ICA, The Mall, London SW1Y 5AH
FROM 9PM
WEDNESDAY
12 OCTOBER 2011
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SUNDAY art fair:
13-16 October 2011 at Ambika P3,
35 Marylebone Road,
London NW1 5LS
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TEN FUNDAMENTAL QUESTION OF CURATING Chapter VI – What Is an Exhibition?
October 4~2011
In the sixth chapter of Ten Fundamental Question of Curating, Elena Filipovic investigates the meaning and the function of the exhibition. Instead of being a neutral “device”, every exhibition offers a subjective and personal reading of the artworks. Focusing on the hermeneutic power of displaying works of art, Filipovic poses questions about the final purpose of an exhibition: generating doubts rather than statements and highlighting unconventional ways of looking at art.
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Mousse #30 out now
September 29~2011
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Mousse at the New York Art Book Fair
September 27~2011
Dear Friends,
Please join us at the 2011 New York Art Book Fair
September 30 – October 2, 2011
Preview: Thursday, Sept. 29, 6–9 p.m.
You will find us at 3rd floor, T10.
We will be presenting brand new and recent publications, and the new issue of Mousse.
We very much look forward to meeting you at the P.S.1!
Dear Friends,
Please join us at the 2011 New York Art Book Fair.
September 30 – October 2, 2011
Preview: Thursday, Sept. 29, 6–9 p.m.
You will find us at 3rd floor, T10.
We will be presenting brand new and recent publications, and the new issue of Mousse.
We very much look forward to meeting you at the P.S.1!
Fresh books in the Library
July 6~2011
OUT NOW / LUMA Award 2011 by Mousse Publishing
July 1~2011
The publication for the LUMA Award 2011, designed with Liam Gillick, documents the work of fifteen artists, all working with the image and the archive, selected by Tom Eccles, Liam Gillick, Hans Ulrich Obrist, Philippe Parreno, and Beatrix Ruf.
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Ten Fundamental Questions of Curating / Chapter V – What Is the Public?
June 16~2011
Text – Juan A. Gaitàn
Visuals – Christodoulos Panayiotou
In the fifth installment of Ten Fundamental Questions of Curating, Juan A. Gaitàn reflects on the meaning of the “viewing public”, offering a brief overview of how viewers’ roles and attitudes have changed in relation to museum events, and emphasizing the elements of fragmentation and lack of identification that can be seen in the public’s approach to contemporary art shows.
Mousse and The Danish Pavilion at the 54th Venice Biennale
June 8~2011
This year’s group exhibition “Speech Matters“ gathers 19 artists and refers to Denmark’s longstanding reputation of freedom of speech and issues the state of civil liberties in a time where censorship is on the rise. Hence, the show picks up a – not only within Denmark – highly controversial topic and explores how artists question the borders of freedom of speech and expression in their works.
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