Photo by Geoffrey Silver, Acis Productions (c)

• SOPRANO soloist in Handel's Messiah with Trinity Wall Street Choir at Alice Tully Hall - 2011

• Treble soloist in Bernstein's Chichester Psalms at Avery Fisher Hall, presented by Distinguished Concerts International New York (DCINY) - 2012

• Soloist/ensemble with Yale Choral Artists under guest conductors William Christie & Mark Morris - 2012

• Doodle in The Scarlet Ibis by Stefan Weisman & David Cote, co-produced by HERE and American Opera Projects (AOP) - 2012

• Alto soloist at the Boulder Bach Festival - 2012

• Soloist in Hannah Lash's Requiem for Extinct Birds at Park Avenue Christian Church - 2012

• Soprano soloist in Messiah at the Cathedral of St. John's in Albuquerque, NM - 2010 & 2012

• Soprano and alto soloist in various Bach Cantatas in Trinity Wall Street's Bach at 1pm concert series - 2011-2012

• Soloist/ensemble on Guggenheim Fellow Toby Twining's new CD EURYDICE (Cantaloupe Music), & area appearances with Toby Twining Music - 2011-2012

• D.A.V.E. in Kamala Sankaram's chamber opera, Miranda - 2011-2012

• Beast in Blood Rose, by Hannah Lash, as part of the New York City Opera VOX showcase at Le Poisson Rouge, NYC - 2011

• Arbate in Mozart's Mitridate with Little Opera Theatre of New York

• Hercules in Handel's The Choice of Hercules and various roles in Purcell's The Fairy Queen with Big Apple Baroque

• Alto soloist in Handel's Messiah & soprano soloist on new recording, Oh Sing Unto the Lord, with the Saint Thomas Choir

• Alto soloist in New (York) Music concert at Trinity Wall Street Church

• featured work on Sean R. Ferguson's soundtrack for the film Heathens and Thieves

• Grandma AND Grandpa Prairie Dog in Rachel Peters' and Royce Vavrek's Prairie Dogs

American soprano/countertenor Eric S. Brenner's voice has been described as "dazzling," "startlingly true," and "arrestingly beautiful." A Long Island, New York native, Eric began his training on violin and viola before beginning to sing — as a tenor — in high school. Several years later, he discovered his soprano/countertenor voice, and all of the remarkable repertoire (both very old, and very new) available to him.

Some career highlights include performances of Copland's In the Beginning and Mozart's Laudate Dominum with the choirs of University of Honolulu, Manoa; alto solos in Messiah & soprano solo in Purcell's Evening Hymn with the St. Thomas choir in New York; solo & ensemble work on Toby Twining's Chrysalid Requiem, and on his music to Sarah Ruhl's play, Eurydice; a one-on-a-part performance of Monteverdi's Vespers with New York Collegium; Jonathan Miller's semi-staged production of Bach's St. Matthew Passion with the BAM Baroque Ensemble, and; Erica/Valkyrie/Zombie in Rob Reese's Survivor: Vietnam, with Amnesia Wars, NY. Eric is a frequent soloist with such groups as Early Music New York, Voices of Ascension, St. Patrick's Cathedral, and Trinity Wall Street. He made his solo debut at Carnegie Hall in 1999 singing Bernstein's Chichester Psalms with the New York City Gay Men's Chorus. Eric has also been a soloist and guest clinician with Studio Arsis Vocal Workshop in Tokyo, Japan.

A fervent lover of ensemble music, Eric spent three seasons with the Grammy award winning ensemble Chanticleer. During that time, Eric sang dozens of premieres, taught master classes to individual singers, choirs, and conductors, and traveled all over the world, performing in major halls throughout Europe, Asia, and the United States. He also appears on three Chanticleer recordings — Sound in Spirit; And on Earth Peace — A Chanticleer Mass; and Let It Snow. Eric also co-founded and sang soprano on repertoire ranging from medieval chant to the Beatles with all male vocal quartet Consensus. More recently, he has been a regular guest singing soprano with the male vocal quartet New York Polyphony.

Eric is represented in the US by Wade Artist Management.

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