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'Artifactual' web sites

The dangers of 8216;technology 8217; leo marx
2016-02-19 ⚑tech
artifactual embodiments transportation technology by automobiles, airplanes, and railroads; nuclear technology by reactors, power plants, and bombs; information technology by computers, mobile telephones, and television; and so on. By consigning technologies to the realm of things, this well.established iconography distracts attention from the human socioeconomic and political relations which largely determine who uses them and
Http://justinpickard.net/blog/
artifactual embodiments transportation technology by automobiles, airplanes, and railroads; nuclear technology by reactors, power plants, and bombs; information technology by computers, mobile telephones, and television; and so on. By consigning technologies to the realm of things, this well.established iconography distracts attention from the human socioeconomic and political relations which largely determine who uses them and
Http://justinpickard.net/blog
artifactual embodiments transportation technology by automobiles, airplanes, and railroads; nuclear technology by reactors, power plants, and bombs; information technology by computers, mobile telephones, and television; and so on. By consigning technologies to the realm of things, this well.established iconography distracts attention from the human socioeconomic and political relations which largely determine who uses them and
Stationmuseum.com. home
2012-05-21 ⚑music ⚑video
artifactual Realities. March 17. July 15, 2012 02 Crude Andrei Molodkin Past Exhiubition Andrei Molodkin CRUDE. November 5, 2011. February 12, 2012 03 Witness To War George Gittoes George Gittoes Witness to War 04 Past Exhibitions Defending Democracy Installation 05 Media Defending Democracy opening Pause Frontpage Slideshow version 1.7.2. Copyright 2006.2008 by JoomlaWorks Newsletter Subscriber Subscribe to our newsletter to
Stationmuseum.com. web links
artifactual Realities. March 17. July 15, 2012 02 Crude Andrei Molodkin Past Exhiubition Andrei Molodkin CRUDE. November 5, 2011. February 12, 2012 03 Witness To War George Gittoes George Gittoes Witness to War 04 Past Exhibitions Defending Democracy Installation 05 Media Defending Democracy opening Pause Frontpage Slideshow version 1.7.2. Copyright 2006.2008 by JoomlaWorks Newsletter Subscriber Subscribe to our newsletter to
Paleontological research corporation
2012-03-26 ⚑r&d
artifactual assemblages and paleontological remains. 6. Grant and research proposal composition. 7. Research and bibliography construction. Not a member yet. Join the Quest. Read About Membership Benefits Ask Dr. Klenck to speak at your organization. Volunteer for future excavations surveys.Join future expeditions. This site is designed, developed, hosted, maintained, and copyrighted for the Paleontological Research Corporation by
Common tongues. elmcip
2013-03-02 ⚑books ⚑tech
artifactual , archival and sculptural components of the installation, copies of two print.on.demand publications made from certain processes of its reading through the exhaustively annotated How It Is in Common Tongues, and The Image both Providence NLLF Press, 2012, see child links under Web URL to the left. The latter book is composed of screenshots from the search.driven, phrase.by.phrase readings of The Image in How It Is. It
Kualoa field school
2014-11-14 ⚑r&d
artifactual , and other materials. Students will participate in this range of data acquisition and learn a breadth of skills essential to cutting.edge field research. Dr. Terry Hunt, of the University of Oregon and Dr. Carl Lipo, Professor at California State University Long Beach, will offer Archaeological Field Techniques for undergraduate or graduate students course listings ANTH 381 or ANTH 668, each 6 credits. In addition to
jasonbairdjackson.com
Shreds and patches
2014-11-09 ⚑r&d
artifactual Crossroads Real Meets Virtual Museum Partners will be responsible for their own travel arrangements to and from Bloomington, Indiana, and are expected to participate actively in the full workshop and in associated follow.on activities. Prior to attending, each shall develop an institutional profile that includes an account of challenges your museum faces relative to the three crossroads Cultural, Disciplinary,
Biologic institute
2013-02-06
artifactual in living cells, it still looks really cool. Tweet January 21, 2013, 4 18pm Permalink Tags science genome intelligent
Http://www.wordcircuits.com/dir/authors.htm
2016-01-20 ⚑tech ⚑video
artifactual hypertext story of our far future, layering diaries, letters, confessions, and fragments with commentary and cross.references. Written in Storyspace. Windows and Mac. An excerpt from the work is available in the Word Circuits Gallery. John Cayley Canadian poet living in England, author of electronic poetry as well as a translator of Classical Chinese verse. He runs Wellsweep Press, which publishes his electronic poetry
insitu.fruitfly.org
Berkeley drosophila genome project
2011-11-04
artifactual . What are the images on top and the bottom of the homepage. It is The Amazing Embryo Roulette. The links are randomly generated and will change every time you reload the page. How should the data be cited. Please cite the Berkeley Drosophila Genome Project and the following publications Tomancak P, Beaton A, Weiszmann R, Kwan E, Shu S, Lewis SE, et al. Systematic determination of patterns of gene expression during
The barcode of life blog general
2016-01-08 ⚑blog
artifactual amino acid diversity is expected when error rate x dataset size is equal to or greater than 1, conditions that may be met by large datasets particularly those containing older sequences as in this COI alignment. These results reinforce our published observation that a frequency matrix approach is a useful and important tool for analyzing error among large datasets. We hope that others will utilize this approach.
The barcode of life blog
artifactual amino acid diversity is expected when error rate x dataset size is equal to or greater than 1, conditions that may be met by large datasets particularly those containing older sequences as in this COI alignment. These results reinforce our published observation that a frequency matrix approach is a useful and important tool for analyzing error among large datasets. We hope that others will utilize this approach.
Http://justinpickard.net/blog/
artifactual embodiments transportation technology by automobiles, airplanes, and railroads; nuclear technology by reactors, power plants, and bombs; information technology by computers, mobile telephones, and television; and so on. By consigning technologies to the realm of things, this well.established iconography distracts attention from the human socioeconomic and political relations which largely determine who uses them and
Http://justinpickard.net/blog
artifactual embodiments transportation technology by automobiles, airplanes, and railroads; nuclear technology by reactors, power plants, and bombs; information technology by computers, mobile telephones, and television; and so on. By consigning technologies to the realm of things, this well.established iconography distracts attention from the human socioeconomic and political relations which largely determine who uses them and
The barcode of life blog general
2016-01-08 blog
artifactual amino acid diversity is expected when error rate x dataset size is equal to or greater than 1, conditions that may be met by large datasets particularly those containing older sequences as in this COI alignment. These results reinforce our published observation that a frequency matrix approach is a useful and important tool for analyzing error among large datasets. We hope that others will utilize this approach.
The barcode of life blog
artifactual amino acid diversity is expected when error rate x dataset size is equal to or greater than 1, conditions that may be met by large datasets particularly those containing older sequences as in this COI alignment. These results reinforce our published observation that a frequency matrix approach is a useful and important tool for analyzing error among large datasets. We hope that others will utilize this approach.
Stationmuseum.com. home
2012-05-21 music ⚑video
artifactual Realities. March 17. July 15, 2012 02 Crude Andrei Molodkin Past Exhiubition Andrei Molodkin CRUDE. November 5, 2011. February 12, 2012 03 Witness To War George Gittoes George Gittoes Witness to War 04 Past Exhibitions Defending Democracy Installation 05 Media Defending Democracy opening Pause Frontpage Slideshow version 1.7.2. Copyright 2006.2008 by JoomlaWorks Newsletter Subscriber Subscribe to our newsletter to
Stationmuseum.com. home
2012-05-21 ⚑music video
artifactual Realities. March 17. July 15, 2012 02 Crude Andrei Molodkin Past Exhiubition Andrei Molodkin CRUDE. November 5, 2011. February 12, 2012 03 Witness To War George Gittoes George Gittoes Witness to War 04 Past Exhibitions Defending Democracy Installation 05 Media Defending Democracy opening Pause Frontpage Slideshow version 1.7.2. Copyright 2006.2008 by JoomlaWorks Newsletter Subscriber Subscribe to our newsletter to
Http://www.wordcircuits.com/dir/authors.htm
2016-01-20 ⚑tech video
artifactual hypertext story of our far future, layering diaries, letters, confessions, and fragments with commentary and cross.references. Written in Storyspace. Windows and Mac. An excerpt from the work is available in the Word Circuits Gallery. John Cayley Canadian poet living in England, author of electronic poetry as well as a translator of Classical Chinese verse. He runs Wellsweep Press, which publishes his electronic poetry
Stationmuseum.com. web links
artifactual Realities. March 17. July 15, 2012 02 Crude Andrei Molodkin Past Exhiubition Andrei Molodkin CRUDE. November 5, 2011. February 12, 2012 03 Witness To War George Gittoes George Gittoes Witness to War 04 Past Exhibitions Defending Democracy Installation 05 Media Defending Democracy opening Pause Frontpage Slideshow version 1.7.2. Copyright 2006.2008 by JoomlaWorks Newsletter Subscriber Subscribe to our newsletter to
Common tongues. elmcip
2013-03-02 books ⚑tech
artifactual , archival and sculptural components of the installation, copies of two print.on.demand publications made from certain processes of its reading through the exhaustively annotated How It Is in Common Tongues, and The Image both Providence NLLF Press, 2012, see child links under Web URL to the left. The latter book is composed of screenshots from the search.driven, phrase.by.phrase readings of The Image in How It Is. It

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