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Flash Points
Fear Itself: How Did the Big Screen Become Linked to a Crime Scene?
By Steven Aoun
The social discourse around the Aurora shooting at the screening of The Dark Knight Rises reveals a schizophrenic culture struggling with the issue of its own sanity. With so many different voices vying for attention, it has found itself contending with confusing impulses and messages. [7.Sep.12]
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By the Book
A New Kind of Bleak: Journeys Through Urban Britain
By Owen Hatherley
Owen Hatherley writes with unrivalled aggression about the disarray of modern Britain, and yet this remains a book about possibilities remembered, about unlikely successes in the midst of seemingly inexorable failure. [7.Sep.12]
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Canon Fodder
A Light-Hearted Romp through John Hustonian Darkness
By Michael Barrett
John Huston understands the crushing success of failure. In the rarely seen films Sinful Davey and Fat City, he observes the self-destructive behaviors and interactions of stunned and blasted losers as closely as Jane Austen would. [7.Sep.12]
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Counterbalance No. 97: Neil Young's 'Harvest'
By Jason Mendelsohn and Eric Klinger
The 97th most acclaimed album of all-time packed it in, bought a pick-up truck and took it down to L.A. Neil Young’s 1972 commercial breakthrough is the subject of this week’s Counterbalance. [7.Sep.12]
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Back to Before the Beginning: Exclusive Preview of "Superboy #0"
By shathley Q
With the first week of DC's Zero month already concluded, the company once again makes a statement about the role of vitality in popculture. Perhaps nowhere more so than Superboy #0[7.Sep.12]
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Fear Itself: How Did the Big Screen Become Linked to a Crime Scene?
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A New Kind of Bleak: Journeys Through Urban Britain
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A Light-Hearted Romp through John Hustonian Darkness
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Counterbalance No. 97: Neil Young's 'Harvest'
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Back to Before the Beginning: Exclusive Preview of "Superboy #0"
Today's Articles
7.Sep.12
Musicspacer
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Roxy Music: The Complete Studio Recordings
If you haven’t heard a lot of Roxy Music but you love glam, prog or new wave, this collection is a great introduction to a band that took on all those genres simultaneously and influenced an entire generation of musicians.
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Blu & Exile: Give Me My Flowers While I Can Still Smell Them
One of the rap underground's more controversial figures reunites with the muse that birthed his following and displays the artistic growth he's mostly fought to obscure since 2009.
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Taj Mahal: The Hidden Treasures of Taj Mahal 1969-1973
This two-disc set offers more than a few revealing studio gems, while the Royal Albert Hall show from 1970 is an absolute knock out, an essential concert from a blues legend.
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OMBRE: Believe You Me
OMBRE's Believe You Me is a most lovely palette cleanser that beckons to be experienced.
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The Dicks: Kill From the Heart / These People
Reissues of two Reagan-era punk records turn out to be the perfect tonic for 21st century American problems.
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Faal: The Clouds Are Burning
Life is difficult, and toil and trouble abound, but Faal's argument that it can always get worse is hard to dispute.
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Counterbalance No. 97: Neil Young's 'Harvest'
The 97th most acclaimed album of all-time packed it in, bought a pick-up truck and took it down to L.A. Neil Young’s 1972 commercial breakthrough is the subject of this week’s Counterbalance.
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Ungdomskulen - "Facemask" MP3 (PopMatters Premiere)
Ungdomskulen blend hard-charging rock with dance beats and a twist of prog rock to produce songs that have both an experimental edge and frenetic intensity.
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Filmspacer
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'Bachelorette': Drinking, Vomiting, and Getting Married
Like so many other high school friends gathered for special occasions in movies, these three bridesmaids wreak havoc, until they don't.
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'Hello I Must Be Going' Showcases Melanie Lynskey
Todd Louiso's Hello I Must Be Going chronicles Amy's time between divorce and a new life, often with understated wit.
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