"one of America's finest young baritones"
--New York Newsday
"He is a singer of forthright clarity, his voice powerful and
resonant. Was it art or entertainment? By the end of the evening,
marked by Meglioranza's earnest, compelling artistry, it hardly
mattered."
--The Boston Globe
"Lovely singing. Let me tell you, that you gave me much pleasure on a
healthy and beautiful sounding way with these difficult songs. Your
accompanist [Reiko Uchida] is of the best qualitites, strictly in the
style called for in these songs. Your German is excellant so that I
assume you are of German ancestors."
--Dietrich Fischer-Dieskau
"an immaculate and inventive recitalist"
--The New Yorker
"The
unfussy beauty of his voice - his upper range suggests the tone of the
great Gerard Souzay - makes him a phone-book baritone able to make the
thinnest repertoire alluring. Few recitalists are so at home onstage
with a physical freedom to thoroughly characterize the song without
fear of possible embarrassment. I'd trust him in any program in which he trusts himself."
--The Philadelphia Inquirer
"Slim and athletic, with saturnine features, Thomas Meglioranza took on
Giovanni with a dark, masculine timbre. Even Aspen's notorious altitude
and the physical demands of the role didn't faze the singer."
--Opera News
"as Prior Walter [in Eötvös' Angels in America], afraid of death and eager to live, Thomas Meglioranza
was immensely touching, and even suggested Prior's mordant, all-seeing
wit."
--The Boston Globe
"Mr. Babbitt's world demands esoteric performing skills. Conservatory
solfege was, I suspect, of little use to the baritone Thomas
Meglioranza's stunning negotiation of Two Sonnets. One's jaw dropped."
--The New York Times
"the young American baritone has become a critic's darling for his
mellifluous voice and sterling diction."
--The New Yorker
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