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Welcome to Issue 64 of our journal
He seemed immortal, Chris Marker. For so long the basic empirical data of his life – his name, date and place of birth, his private identity – were all up to rumour, speculation and second-guessing. Mystery trailed Chris Marker. Like
My Letter from Siberia
I went with my close friends Steve Miller and Nancy Corwin, sometime in the autumn of 1969 (when I was twenty-three), to see Chris Marker’s Letter from Siberia at the New Yorker on Manhattan’s Upper West Side. It’s almost impossible
Kubrick Creator: Alchemy in Stanley Kubrick’s Films
How one should turn to stone. – Slowly slowly become hard like a precious stone – and finally lie there still and silent, to the joy of all eternity. –Nietzsche. I. Apart from a few early documentaries, Stanley Kubrick made
“Yes, we were utopians; in a way, I still am…”: interview with Jean-Louis Comolli (Part 2)
Editor of Cahiers du cinéma between 1965 and 1973, Jean-Louis Comolli’s foundational place in the history of film theory will be assured by several key texts – among them “Technique and Ideology”, “Cinema/Ideology/Criticism” and “Young Mr Lincoln” – and his
Statues Also Die, or Schroedinger’s Black Cat">Statues Also Die, or Schroedinger’s Black Cat
As comprehensive analysis of the institutional mechanisms of museologics, Les statues meurent aussi’s (Statues Also Die, 1953) prime contention is, in effect, that anthropology and ethnology have their Schroedinger’s Cat; that the removal of an object from its spiritual context-in-community,
Welcome to Issue 64 of our journal
He seemed immortal, Chris Marker. For so long the basic empirical data of his life – his name, date and place of birth, his private
Features
Chris Marker Special Dossier: My Letter from Siberia by Murray Pomerance Séance “C.M.” by Gavin Keeney Montage as Resonance: Chris Marker and the Dialectical Image by Daniel
Key Moments in Australian Cinema
Contents: Luke Buckmaster on Dead End Drive-In Kit Harvey on Red Hill Lesley Speed on Ants in His Pants Adrian Danks on The Overlanders Stephen
Festival Reports
Contents: Jorge Mourinha on Vila do Conde International Short Film Festival Sally Shafto on Khouribga Bill Mousoulis on Karlovy Vary Alison Frank on New Horizons
Cinémathèque Annotations on Film
Contents: Tony Williams on The Extraordinary Adventures of Mr. West in the Land of the Bolsheviks Shari Kizirian on The Girl with the Hat Box
Book Reviews
Contents: Mary Harrod on Richard Linklater Mike Walsh on The Shadowcatchers: A History of Cinematography in Australia Richard Martin on David Lynch Todd Herzog on
My Letter from Siberia
I went with my close friends Steve Miller and Nancy Corwin, sometime in the autumn of 1969 (when I was twenty-three), to see Chris Marker’s
Kubrick Creator: Alchemy in Stanley Kubrick’s Films
How one should turn to stone. – Slowly slowly become hard like a precious stone – and finally lie there still and silent, to the
Claude Sautet: Purity and Invention
What is the thing in its essential nature and how is it to be treated? Those are the two fundamental questions for the artist. They
“Yes, we were utopians; in a way, I still am…”: interview with Jean-Louis Comolli (Part 2)
Editor of Cahiers du cinéma between 1965 and 1973, Jean-Louis Comolli’s foundational place in the history of film theory will be assured by several key
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