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Interview with Emily Roysdon

Katie Geha

Emily Roysdon is an artist who lives in Stockholm and New York, when she’s not traveling around the globe, mounting collaborative and site-specific projects. Roysdon was an artist in residence at the University of Texas’s Visual Arts Center this fall, where she developed the installation Pause, Pose, Discompose. While she was in the midst of [...]

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“Cryosphere,” Liz Ward at Moody Gallery

Joshua Fischer

The cryosphere is the area of the earth’s surface where water is in solid form, such as glaciers, ice caps, ice sheets, sea ice and permafrost. It exists in a close relationship of climactic linkages and feedback loops to the hydrosphere, earth’s areas of liquid water. The works in this exhibition explore the fluctuating zone [...]

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Inter(re)view with Sally Frater, curator of “There is no archive in which nothing gets lost”

Carrie Schneider

The videos curated by Sally Frater in There is no archive in which nothing gets lost at the Glassel School of Art speak my language: repetitive gestures performed by women across time. In this post, I describe the videos through my eyes, then I interview Frater about her process. You can hear more from her [...]

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350 Words: “Cosmopolitanism” at Conduit Gallery

Colette Copeland

The word “cosmopolitanism” conjures up worldly, cultured and possibly elitist connotations. The idea that all humanity belongs to a single moral community is a lesser-known definition of the word. Theoretically I buy into that idea, but on a practical level, trying to achieve consensus on the definition of morality would prove impossible. Curator Ben Lima’s [...]

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City Council Meeting: Interview with Aaron Landsman and Mallory Catlett

Carrie Schneider

City Council Meeting is a participatory performance work created by Aaron Landsman, Mallory Catlett and Jim Findlay. For the past few weeks, I’ve been working with them as a “staffer” for the piece and it has given me even more questions than I started with. Carrie Schneider: Can you give us an overview of what City [...]

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FUTURAMA: “Visions of the Future” at the Ransom Center

Christina Patoski

  ATTENTION FUTURISTS:  Report to Austin, Texas on Thursday November 1 by 7:30 p.m. for author/futurist/design visionary Bruce Sterling‘s kick-off speech at this year’s Harry Ransom Center’s Flair Symposium, “Visions of the Future”.  This event is free and open to the public at Jessen Auditorium, across the plaza from the Ransom Center at 300 West [...]

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“Visible Unseen,” Regina Agu at Fresh Arts Gallery

Garry Reece

We need to get a few things straight about Afro-Futurism. Afro-Futurism is an attempt to link the future to the past/present. It considers what “blackness” and “liberation” might look like in the future, real or imagined. Deeply rooted in history and African cosmologies, its culls pieces of the past/present, technological or analog, to build on [...]

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“Lucian Freud: Portraits” at The Modern

Kelly Klaasmeyer

The Modern Art Museum of Fort Worth is the only U.S. venue for Lucian Freud: Portraits. If you haven’t seen it yet, go now. It closes this Sunday, October 28th. It’s a stunning exhibition, covering portraits from the late 1940s until just before his death last year at age 88. Arranged chronologically, the show opens [...]

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Andy Coolquitt at Devin Borden Gallery

Hesse Caplinger

Moving between Austin, TX and New York City, Andy Coolquitt is an artist whose work is not merely a bricolage of urban compost: severed plunger handles, discarded bourbon bottles, pipes, wooden planks, spent lighters, scavenged poles and display cases; but a conceptual bricolage as well, drawing together tatters of intellectual principals from his disparate interests [...]

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Vincent Valdez: Excerpts for John

Angela Guerra and Mark Walley

Vincent Valdez: Excerpts for John is the eighth film in a series of short documentaries produced by Walley Films in association with Glasstire. Filmmakers Mark and Angela Walley began documenting the creation of a large scale painting by artist Vincent Valdez in the fall of 2010. The painting depicts Valdez’s best friend from childhood, John [...]

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“Paper Space: Drawings by Sculptors” at Inman Gallery

Elliott Zooey Martin

Giorgio Vasari defined drawing as “the animating principle of all creative processes,” and since the Renaissance, drawing has been seen as the foundation of artistic invention, as the most immediate form of artistic expression and as a window into the mind of the working artist. This is often all the more true with drawings by [...]

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Interview with Colby Bird

Katie Geha

Colby Bird  is an artist born and raised in Austin, now living in Brooklyn, New York. He often blends the discourses of photography and sculpture, and is currently exhibiting 100 handmade house lamps at the Texas State Galleries in San Marcos. I met up with him to discuss the comfort of a studio practice, craft [...]

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Eric Zimmerman: Endless Disharmony & Telltale Ashes at Art Palace

Rachel Hooper

After a two-year stint in New York and Nebraska, Eric Zimmerman returns to Texas with the multi-site project Endless Disharmony & Telltale Ashes at Art Palace in Houston, The Reading Room in Dallas and online at endlessdisharmony.tumblr.com. His fragmentary integration of myths and systems of understanding with his exquisite drawing technique makes for an engrossing [...]

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“Silence” at the Menil Collection

Hills Snyder

The Program Will Begin Shortly… Silence is Toby Kamps’ first major exhibition at The Menil Collection since becoming curator of modern and contemporary art two years ago. You should not miss it. It’s been too long since you visited the Chapel anyway. But silence can be hard to find. We arrive at the Rothko Chapel [...]

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“In Plain Sight” at McClain Gallery

Hesse Caplinger

  In Plain Sight at McClain Gallery, organized by Aaron Parazette, is an exhibition of 40 paintings by 40 Houston artists. Its essential premise, apart from a group photo-op, is that painting is alive and well, and the reports of its demise have been greatly exaggerated. Its thematic heft—principally offered by Frances Colpitt’s catalogue essay—follows [...]

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On Art, Economic Impact, and the Dark Side of Free Market Capitalism

Rainey Knudson

Three things: 1. Amid the brouhaha following Paul Schimmel’s departure from MoCA this summer, Eli Broad was quoted in the LA Times as estimating the value of MoCA’s exhibits by the cost per attendee: Total cost of exhibition ÷  Number of attendees  =   cost per attendee Broad complained that some of MoCA’s shows had cost over $100 [...]

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“Mimi Kato: One Ordinary Day of an Ordinary Town” at Conduit Gallery

Garry Reece

  One Ordinary Day of an Ordinary Town, Mimi Kato’s current exhibition on view at Conduit Gallery, is a continuation of the hybrid digital landscapes she first presented at ArtPace in 2009. Kato takes subject matter and format from traditional Japanese art history and then creates stylized illustrations within the context of her contemporary world. [...]

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Claire Ruud Interviews New Artadia Director Carolyn Ramo

Claire Ruud

Carolyn Ramo, Artadia’s new director, spent the last 12 years of her career in the New York gallery world, first at Nicole Klagsbrun, then as a production director at David Zwirner, and most recently as a partner at Taxter & Spengemann. When they brought her on board at T&S, Kelly Taxter explained, “Carolyn brings a [...]

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The Marfa Dialogues: Art, Science, Drought, Food and Beer

Michael Odom

It wasn’t ’til Sunday morning that I got the point of the Marfa Dialogues, an extended look at art, culture and climate change over Labor Day weekend. We were trooping across the chaparral on Mimm’s ranch north of town in the company of Dr. Bonnie Warnock, a range scientist with Sul Ross University. Warnock described [...]

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2012 Fall Preview

GT contributors

Glasstire contributors offer up their picks for Fall 2012! AUSTIN Emily Roysdon: Pause Pose Discompose Visual Arts Center September 21 – December 8, 2012 Super smart curator and art historian Andy Campbell invited New York- and Stockholm-based artist Emily Roysdon to take over the VAC’s Vaulted Gallery for the fall semester. I first heard of Roysdon in [...]

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