Past Issues

Light Comes Through a Hole in the World: Palestinian film director Elia Suleiman’s film The Time That Remains
by Daniel Garrett
Luchino Visconti’s The Leopard and Those Who Are Not Rich in A Country of Arrangements
by Daniel Garrett
Props, Things and Do the Right Thing
by Donato Totaro
The Representation of Non-Violent Political Activism in Bloody Sunday and Omagh
by David Hanley
The Evolution of “Third Cinema” in a Brazilian Context: from Santos to Bianchi
by Zain Jamshaid

The Turin Horse and the End of Civilization As We Know It
by David Hanley
The Turin Horse: A Numbers Game
by Donato Totaro
Melancholia, a speculative film on spirit and space by Lars von Trier
by Daniel Garrett
Inquietude
by Nathaniel Carlson
Nature and Grace, Image and Thought: Terrence Malick’s The Tree of Life
by Daniel Garrett

2001: A Space Odyssey Uncovering the intelligence from what may appear to be an unintelligible text
by Leon Saunders Calvert
Connection between Different Realities through Video Screens
by Elena V. Rodina
A.I.: Artificial Intelligence (Steven Spielberg, 2001) as Intertextual, Reflexive Monster
by Donato Totaro
History and Imagination: the book Steven Spielberg’s America by Frederick Wasser
by Daniel Garrett
Horror in History: The film Schindler’s List by Steven Spielberg
by Daniel Garrett

Colin Low, an Anglophone in Quebec
by Pierre Pageau
Colin Low: Canadian Renaissance Artist
by Donato Totaro
Not the Long Goodbye: Some Thoughts on the Role of the Web in the Survival of Celluloid
by Paul W. Salmon
No Texting, No Talking: VIFF 2011
by Mike Archibald
Teaching the World: World Affairs in Foreign Films: Getting the Global Picture
by Daniel Garrett

Fellinian Horror
by Donato Totaro
Bloodcurdling Holiness in Black Narcissus
by Adam Bagatavicius
Strangers in Strange Lands: Encountering the Exotic in I Know Where I’m Going! and Black Narcissus
by David Hanley
A Tale for Our Times: The Criterion 2-disc edition of Powell and Pressburger’s A Canterbury Tale
by Paul W. Salmon
The Woman in Black (2012) and Hammer has risen from the grave
by Mark Penny

Rediscovering Brunello Rondi
by Roberto Curti
Francesco Barilli Interview
by Roberto Curti
Francesco Barilli’s Dual Gems: The Perfume of the Lady in Black (1974) and Pensione Paura (1977)
by Donato Totaro
“Unknown Soldier”: The Films of Marcello Aliprandi
by Roberto Curti
Warren Kiefer – The Man Who Wasn’t There
by Roberto Curti

A Genealogy of Italian Popular Cinema: the Filone
by Donato Totaro
Virgil and Dante at the Cinecittà: The Influence of Epic Poetry on Italian Popular Cinema
by Kieran Macnamara
Turning the Western on its head: Simple subversion in Sergio Corbucci's The Great Silence (1968)
by James Newton
Roberto Curti's Phantom Lovers
by Donato Totaro
Exquisite Corpses
by Roberto Curti

Elegies for the vagrant souls: Reading Reza Allamezadeh’s films of exile
by Ramin S. Khanjani
The Neighbor: Naghmeh Shirkhan’s Choreography of Iranian Women’s Life in Migration
by Najmeh Khalili Mahani
The Feminist Portrayal of Woman in Iranian Cinema
by Mojgan Eyvazi
R.I.P. Film (not “Cinema”), 2011: Montreal, the year in review
by Peter Rist
Bye-Bye Celluloid?
by Donato Totaro

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