Weekend


Spearheaded by John Yau, Thomas Micchelli, Claudia La Rocco and Albert Mobilio

Reactor • Weekend

Required Reading

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  • by Hrag Vartanian on November 18, 2012

    This week, the best thing you’ll read today, the dying GIF, art auction records, the insularity of the New Aesthetic, the meaning of Edgar Degas’ history paintings, and more.

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    Reactor • Weekend

    Weekend Words

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  • by Weekend Editors on November 18, 2012

    An exquisite corpse of apposite quotes from the Hyperallergic Weekend Editors. This week, as portions of the city remain decimated by Hurricane Sandy, at Sotheby’s and Christie’s nearly $1 billion was spent on contemporary art.

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    Galleries • Weekend

    Superfluous Men Can’t Get No Satisfaction

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  • by John Yau on November 18, 2012

    For all of their “nearly oppressive flawlessness,” Stichbury’s paintings and drawings do not look back to “the repository of classical ideas,” but to a world replete with cosmetic surgery, Photoshop, Facebook, Twitter and reality television, just to name a few of the ways society exhibits new and improved faces.

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    Galleries • Weekend

    Political Art, Galloping Out of the Past

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  • by Thomas Micchelli on November 17, 2012

    “The Ozymandias Parade” by Edward and Nancy Reddin Kienholz has landed in the Pace Gallery like a DIY UFO — a frenzied agitprop vessel clattering into the 21st century from the Reagan era’s heart of darkness.

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    Galleries • Weekend

    Is Mark Bradford the Best Painter in America?

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  • by Thomas Micchelli on November 17, 2012

    I didn’t expect to write about the new show from Mark Bradford, who has been called by Guy Trebay of The New York Times “if not the best painter working in America today then certainly the tallest,” when I walked into Sikkema Jenkins on Tuesday morning. Despite the whimsy of Trebay’s “best/tallest” assertions, a credible case can be made for the former.

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    Reactor • Weekend

    Required Reading

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  • by Hrag Vartanian on November 11, 2012

    This week, designing for catastrophes, Chelsea’s survival, Canada’s art biennial, Toronto’s take on street art, Jeff Koons and Basque separatists, and more.

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    Reactor • Weekend

    Weekend Words

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  • by Weekend Editors on November 11, 2012

    An exquisite corpse of apposite quotes from the Hyperallergic Weekend Editors. The election, the aftermath, the game…

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    Books • Weekend

    The Meme After the Fall of The Tower of Babel

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  • by John Yau on November 11, 2012

    Susan Wheeler: God knows, as my mother would have said. I’m beginning to get an inkling, as I’ve been writing a series of poems that use her idiomatic expressions — she grew up in Topeka, and had a strong portion of Pennsylvania Dutch as well, but who knows where she got phrases like “busier than a cranberry bog merchant.” Other things, of course: a soft spot for “colorful speech,” attempts to “read” idioms in order to fit into a group or out of one, an awe of good talkers, especially those who use highly idiomatic speech, Catullus — (laughter) What does Armand Schwerner say? “Extension of the dramatic monologue into plurilogue.”

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    Galleries • Weekend

    Cartoons of Paintings Which Aren’t Cartoons After All

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  • by John Yau on November 11, 2012

    Tom Burckhardt’s current exhibition of paintings done on cast plastic molds expands upon the show he had at Pierogi in 2011. It is not a huge change, but it is a significant one as it further clarifies the artist’s intention.

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    Music • Weekend

    Fagen’s Critical Catalogue: Run-DMC Special

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  • by Lucas Fagen on November 10, 2012

    CHICAGO — Inspired by Michael Tatum’s Downloader’s Diary, where Tatum has so far published two full-artist reviews, I tried my hand at this form, and this is where it got me. It’s a great excuse to extensively play records I otherwise wouldn’t have enough time for, not to mention a way to understand a type of chronological progression that most people listening to music retrospectively often miss. Why I picked this one specifically I’m not quite sure, but it was worth it. Ladies and gentlemen, I give you Run-DMC, the hardest-rocking band in hip-hop.

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