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Hurricane Sandy Highlights the Problems of Digital Archives
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What If "The Scream" Came Alive?
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Rijksmuseum Leads the Way with Their New Digital Collection
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MoMA's Hilariously Bizarre Silent Screams
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It's OK to Say No
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Required Reading
Weekend
Spearheaded by John Yau, Thomas Micchelli, Claudia La Rocco and Albert Mobilio
Reactor • Weekend
Required Reading
by Hrag Vartanian on November 18, 2012
This week, the best thing you’ll read today, the dying GIF, art auction records, the insularity of the New Aesthetic, the meaning of Edgar Degas’ history paintings, and more.
Continue Reading → Reactor • Weekend
Weekend Words
by Weekend Editors on November 18, 2012
An exquisite corpse of apposite quotes from the Hyperallergic Weekend Editors. This week, as portions of the city remain decimated by Hurricane Sandy, at Sotheby’s and Christie’s nearly $1 billion was spent on contemporary art.
Continue Reading → Galleries • Weekend
Superfluous Men Can’t Get No Satisfaction
by John Yau on November 18, 2012
For all of their “nearly oppressive flawlessness,” Stichbury’s paintings and drawings do not look back to “the repository of classical ideas,” but to a world replete with cosmetic surgery, Photoshop, Facebook, Twitter and reality television, just to name a few of the ways society exhibits new and improved faces.
Continue Reading → Galleries • Weekend
Political Art, Galloping Out of the Past
by Thomas Micchelli on November 17, 2012
“The Ozymandias Parade” by Edward and Nancy Reddin Kienholz has landed in the Pace Gallery like a DIY UFO — a frenzied agitprop vessel clattering into the 21st century from the Reagan era’s heart of darkness.
Continue Reading → Galleries • Weekend
Is Mark Bradford the Best Painter in America?
by Thomas Micchelli on November 17, 2012
I didn’t expect to write about the new show from Mark Bradford, who has been called by Guy Trebay of The New York Times “if not the best painter working in America today then certainly the tallest,” when I walked into Sikkema Jenkins on Tuesday morning. Despite the whimsy of Trebay’s “best/tallest” assertions, a credible case can be made for the former.
Continue Reading → Reactor • Weekend
Required Reading
by Hrag Vartanian on November 11, 2012
This week, designing for catastrophes, Chelsea’s survival, Canada’s art biennial, Toronto’s take on street art, Jeff Koons and Basque separatists, and more.
Continue Reading → Reactor • Weekend
Weekend Words
by Weekend Editors on November 11, 2012
An exquisite corpse of apposite quotes from the Hyperallergic Weekend Editors. The election, the aftermath, the game…
Continue Reading → Books • Weekend
The Meme After the Fall of The Tower of Babel
by John Yau on November 11, 2012
Susan Wheeler: God knows, as my mother would have said. I’m beginning to get an inkling, as I’ve been writing a series of poems that use her idiomatic expressions — she grew up in Topeka, and had a strong portion of Pennsylvania Dutch as well, but who knows where she got phrases like “busier than a cranberry bog merchant.” Other things, of course: a soft spot for “colorful speech,” attempts to “read” idioms in order to fit into a group or out of one, an awe of good talkers, especially those who use highly idiomatic speech, Catullus — (laughter) What does Armand Schwerner say? “Extension of the dramatic monologue into plurilogue.”
Continue Reading → Galleries • Weekend
Cartoons of Paintings Which Aren’t Cartoons After All
by John Yau on November 11, 2012
Tom Burckhardt’s current exhibition of paintings done on cast plastic molds expands upon the show he had at Pierogi in 2011. It is not a huge change, but it is a significant one as it further clarifies the artist’s intention.
Continue Reading → Music • Weekend
Fagen’s Critical Catalogue: Run-DMC Special
by Lucas Fagen on November 10, 2012
CHICAGO — Inspired by Michael Tatum’s Downloader’s Diary, where Tatum has so far published two full-artist reviews, I tried my hand at this form, and this is where it got me. It’s a great excuse to extensively play records I otherwise wouldn’t have enough time for, not to mention a way to understand a type of chronological progression that most people listening to music retrospectively often miss. Why I picked this one specifically I’m not quite sure, but it was worth it. Ladies and gentlemen, I give you Run-DMC, the hardest-rocking band in hip-hop.
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