The Stanislavski Centre launches a new eJournal, Stanislavski Studies
The journal is published by The Stanislavski Centre at Rose Bruford College of Theatre and Performance in the UK, in partnership with the St Petersburg State Theatre Arts Academy in Russia.
Jonah Salz – Noh Use: Beckett & Japanese theatre space, form and rhythm.
The short play by Beckett (Come & Go) will be used as the basis for exploring the use of time and space in noh, masks and mask-like expression, stylized form and repetition, stage presence (and absence), the pregnant pause.
Richard St Peter – Harley Granville Barker and the Royal Court Theatre
Award winning stage director, producer and educator, Richard St. Peter, discusses the significance of Harley Granville Barker’s “Thousand Performance” years at the Royal Court Theatre (1904-1907).
What can Psychology learn from the arts?
Professor David Lane talks about Stanislavski and the relationship between practitioner and performance. Wednesday 18th January, 18.00 to 20.00, Studio 2.
Reflecting on Learning and Teaching in the Performing Arts
Introducing a new Open Educational Resource created at Rose Bruford College, supported by JISC and the Higher Education Academy, with the aim of enhancing the professional practice of those involved in Learning and Teaching in the Performing Arts in Higher Education.
RSC Open Stages Project
Rose Bruford College of Theatre and Performance is proud to be a contributor to the RSC Open Stages Project that aims to ‘embrace, develop and celebrate amateur theatre, re-forging the bond with the world of professional theatre’.
The Reality of Doing: A Sanford Meisner Day
A unique and exciting opportunity to explore the work of Sanford Meisner (1905-1997). Keynote lecture by Richard Hornby, Professor of Theatre, University of California Riverside. Followed by a panel discussion on Meisner’s work and legacy, and practical workshops which introduce and explore the Meisner technique.
We Are What We Wear: History of Kerala Through Costumes of Kathakali
The College’s Research Centre for Multicultural and Intercultural Performance is delighted to be collaborating with the Kala Chethena Kathakali Company as part of a Heritage Lottery Funded research project: We Are What We Wear.
LATEST CONTENT ON THEATRE FUTURES
- Stanislavski on Stage: the full programme
- Stanislavski on Stage exhibition at Pushkin House (January 2013)
The Stanislavski on Stage exhibition of photographs from the Stanislavski Archive at Rose Bruford College of Theatre and Performance, will open at Pushkin House, Bloomsbury Square, London on Tuesd. […]
- (Inter)acting with the Inner Partner – A workshop (28th November)
(Inter)acting with the inner Partner Alexander Komlosi, and Howard Lotker (DAMU Prague) Wednesday 28th November, 18.30 Room LH004 Rose Bruford College of Theatre and Performance, Lamorbey Park, Si. […]
- Contemporary Directions: Sir Richard Eyre, 29th November
The President’s Lecture, 2012 Sir Richard Eyre talks about directing Shakespeare for BBC Television Holy Trinity Church, Sidcup Thursday 29th November @ 18.30 Sir Richard Eyre, President of Rose Bru. […]
- Photographs from the Stanislavski Archive, now available from ArenaPal
Arenapal is delighted to celebrate the forthcoming 150th anniversary of the birth of Konstantin Stanislavski (17th January 1863 – 7th August 1938) – the great actor, director and dramatic theoris. […]
About Theatre Futures
Theatre Futures is devoted to theatre and performance research at Rose Bruford College. As a small specialist Higher Education Institution a research culture has been developed over the last five years that reflects the College’s identity: vocational, diverse, collaborative and inclusive. The perspective is international and multicultural, with the potential for intercultural performance in both discipline-specific and interdisciplinary contexts. Practice-based and scholarly research resulting in a variety of outcomes is complemented by research that informs or is the consequence of pedagogy, or interfaces reciprocally with the theatre industry. The research agenda is linked also to MA, MPhil and PhD programmes.
Theatre Futures contains pages on the College's eight core Centres, and provides details of past and present projects, special collections and archives, the annual Symposium, conference reports, staff profiles and personal pages, Visiting Professors and Fellows, and links to our scholarly journals and publications.
Rose Bruford College is internationally known for its pioneering work in developing training in all aspects of professional theatre and theatre-related arts. For information on degree programmes and courses, visit the College website.