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RyNTH [n3] Planetarium Projection
RyNTH [n3]
RyNTH [n3] is new version of my Superformula sonification designed specially for projection onto a planetarium dome surface. I will accompany the video with live audio for the Beyond Space event at Sonic Acts XIII – The Poetics of Space, in Amsterdam. Outputting video from VVVV at 2048×2048 at the best possible quality takes considerable time and CPU power with 1 minute of video taking around 3 hours of render time [Core2 Duo 2.66GHz 4GB RAM, NVIDIA GeForce GTX 280M 1GB]. The final 17 minute cut was shipped to Sonic Acts XIII on 11 DVDs to be converted to Dome Masters.
RyNTH [n3]
New features were added to the patch to give a greater variety to the shapes generated. A range of sonic material was fed into the patch during the rendering process ensuring that the final video conformed to specific frequency-forms. More stills of Rynth [n3] can be found HERE
RyNTH [n3]
Beyond Space
Sunday 28 Feb 2010. 19:30. Planetarium Artis
‘An extraordinary programme in a remarkable location: the Beyond Space event in the Planetarium at the Amsterdam Zoo (Artis) includes the international premiere of a composition by the recently deceased innovative composer Maryanne Amacher in acknowledgement of her lifelong dedication to her craft; a new audiovisual work by the Italian multi-talent TeZ; Evelina Domnitch and Dmitry Gelfand explore the potential of laser and light projections on the Planetarium dome and on soap bubbles, accompanied by live audio by Francisco López; and the British designer Paul Prudence guides the visitors through a visual spectacle specially designed for the Planetarium dome.
RyNTH [n3]
RyNTH uses parameters from real-time sound analysis to generate transformations and deformations of the ‘superformula’ (a generic geometric transformation equation that encompasses a wide range forms found in nature). Its dynamic surface texture is generated by incoming audio frequencies resulting in a kind of synaesthetic surface tension and modulation. The result morphing geometric construction pays homage to gyroscopic devices and anti-gravity mechanics. The periodicity of the individual elements in RyNTH, and their harmonic relationships with respect to sound alludes to the ancient concept of ‘The Music of the Spheres’.
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On 04.29.11 Rynth – realtime audio-visual performance : Steelberry Clones wrote:
[...] Amsterdam for Sonic Acts XIII – The Poetics of Space, Amsterdam 2010. Info can be found here: paulprudence.com/?p=63 and a review can be found here: [...]
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On 09.11.11 Rynth by Paul Prudence | le fantôme entre nous wrote:
[...] paulprudence.com | transphormetic.com [...]
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On 06.07.12 Paul Prudence [BLOG] » Blog Archive » Lectures/Performances in Denver, Colorado wrote:
[...] with the sound artists Francisco Lopez. For the Gates Planetarium performance I brought along Rynth – a full-dome work originally developed for the Planetarium Artis and performed during the Sonic [...]
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