Blow Up

Shadow Box 4
Blow-up is a high resolution interactive display that is designed to fragment a surveillance camera view into 2400 virtual cameras that zoom into the exhibition space in fluid and autonomous motion. Inspired by Antonioni, the piece is intended as a an exercise to underline the construction of presence through a simulated, live compound eye.

The piece exists in a shadow box format and as a large installation.
Name in spanish: Blow Up
Year of Creation: 2007
Technique: High resolution interactive display with built-in computerized surveillance system
Dimensions: Shadow box 104.5 x 80 x 12 centimeters
Installation variable
Edition: 6 copies + 1 AP
Keywords: indoor, interactive, tracker.
Collections: Speyer Family Collection (NYC), Grazyna Kulcyzk (Poznan), and private collectors
Photo library (click to expand)
2012 - Fundación Telefónica, Buenos Aires, Argentina
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2011 - La Gaîté Lyrique, Paris, France
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2007 - Antimodular Research
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Exhibitions

  • Trackers, Fundación Telefónica, Buenos Aires, Argentina, 2012.
  • Trackers, La Gaîté Lyrique, Paris, France, 2011.
  • "Turn and Widen, 5th Seoul International Media Art Bienniale", Seoul Museum of Art, Seoul, South Korea, 2008.
  • Blow-Up Hall 5050 Hotel, Grazyna Kulczyk Foundation, Poznan, Poland, 2008 - up to now.
    1. (permanent installation).
  • Art Basel Miami, OMR Gallery, Miami, Florida, United States, 2007.

Credits

  • Conroy Badger - programming
  • Pierre Fournier, Stephan Schulz, David Lemieux, Natalie Bouchard, Olfa Driss - production support



Links

  • Blow Up's manual
  • Blow Up Hall 5050

Bibliography

  • "Blow-up, shadow box #4" and "Reporters with borders, shadow box #6", Seoul, South Korea, 2008 (english). Text of 1 page. (Book)
Related searches:
shadow oacute research rafael poznan
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