OSU:pro

Current OSU Appointment

Assistant Professor, History of Art

Chapters In Books

Kris Paulsen. 2011. Electric Grid: Erwin Redl's Fetch. In Erwin Redl. Edited by Ann Bremmer. Columbus, OH, USA: The Wexner Center for the Arts.

Degrees

2000	B.A., Brown University, History of Art & Architecture / Art-Semiotics

2003	M.A., University of California, Berkeley, Rhetoric

2009	Ph.D., University of California, Berkeley, Rhetoric

Editor Reviewed Journal Articles

Kris Paulsen & Shana Lutker. 2007. Confusion, Collateral, and Pain.  X-TRA Contemporary Arts Quarterly. Vol. 10, no. 2. Edited by Elizabeth Pulsinelli. (November).

Kris Paulsen. 2008. California Video.  X-TRA Contemporary Arts Quarterly. Vol. 11, no. 1. Edited by Shana Lutker. (September).

Kris Paulsen. 2009. The Art of Participation.  Shotgun Review. Edited by Scott Oliver. (January). www.shotgun-review.com/archives/sf_moma/the_art_of_participation_1950.html.

Kris Paulsen. 2012. Magic Trip: Ken Kesey's Search for a Kool Place.  X-TRA Contemporary Art Quarterly. Vol. 14, no. 3. Edited by Elizabeth Pulsinelli. www.x-traonline.org/index.php. (Formally Accepted)

Kris Paulsen. 2012. The Electronic Notebook.  X-TRA Contemporary Art Quarterly. no. (Forthcoming). (Formally Accepted)

Editorial Activities

Associate Editor

2009 - present

The Journal of Short Film. (Audio/Visual Recording)

Honors

2006 - 2007

Fellow, Doreen B. Townsend Center for the Humanities Fellowship. University of California, Berkeley, Berkeley, CA, United States. ($30,000.00) Subject: History of Art

2009 - 2008

Chancellor?s Dissertation Fellowship. Chancellor, UC Berkeley. University of California, Berkeley, Berkeley, CA, United States. ($30,000.00)

Languages

German: Standard (ability to read: Functional, ability to write: Basic, ability to speak: Functional)

French: (ability to read: Functional, ability to write: Basic, ability to speak: Functional)

Multimedia, Databases, and Websites

Kris Paulsen, Site design and editorial content up to 2009. Art, Technology, and Culture Colloquium website. web. University of California, Berkeley, Berkeley Center for New Media. teleactor.ieor.berkeley.edu/atc/.

Kris Paulsen, Author. 2005. Following Vito Acconci. ZKM. demonstrate.berkeley.edu/reflections_paulsen01.htm.

Kris Paulsen. 2008. "Bruce Nauman, Television, and Doing It Again.". Berkeley Art Museum and Pacific Film Archive., University of California Institute for Research in the Arts. www.bampfa.berkeley.edu/podcasts/art/ucira/MED2567.

Papers in Proceedings

Kris Paulsen. 2012. Direct to Video: Stephen Beck's Cameraless Television. In: ISEA 2012: Leonardo Journal/ The International Society for the Arts, Science, and Technology. [Peer Reviewed] (Unspecified)

Positions

2009 - present

Assistant Professor, The Ohio State University, The Department of the History of Art and The Program in Film Studies. Columbus, OH, United States.

Presentations

Invited Presentations

Local

Kris Paulsen, Lecturer. 2011. Here, There, Now, Then: Early Video's Indexical Promise. Presented at High Anxiety, to The Columbus Museum of Art. Columbus Museum of Art. Columbus, OH.

Kris Paulsen, Lecturer. 2011. CBTV: Chris Burden's Participatory Television. Presented at Altman Humanities Center Annual Lecture Series, to Altman Humanities Center. Miami University. Oxford, OH, USA. (November)

National

Kris Paulsen, Presenter. 2003. Chris Burden and the Legal Limits of Imitation. Presented at University of California Performance Studies Working Group, to University of California Performance Studies Working Group. Univeristy of California. Berkeley, CA, USA.

Kris Paulsen, Presenter. 2006. Copies of Copies. Presented at Information Dynamics: Affordances and Implications of New Media on Scholarly Publishing. University of California. Berkeley, CA, USA. (June)

Kris Paulsen, Presenter. 2007. Bruce Nauman, Television, and Doing It Again. Presented at State of the Arts 2: University of California Institute for Research in the Arts (UCIRA) Conference. University of California. Berkeley, CA, USA. (May)

Kris Paulsen, Lecturer. 2008. Participation TV. Presented at Leonardo Journal Art/Science Lecture Series (LASER), to Leonardo Journal (MIT Press). San Francisco State Univeristy. San Francisco, CA, USA. (May) www.leonardo.info/isast/pastevents.html#ASF-May08.

Kris Paulsen, Presenter. 2008. Back to You: Audience Participation in Performance Art, On- and Off-Line. Presented at Berkeley Big Bang 08 New Media Symposium and Festival. University of California, Berkeley. Berkeley, CA, USA. (June) www.bampfa.berkeley.edu/events/education/bigbang/EN0169.

International

Kris Paulsen, Chair. 2007. Nauman in the 60s. Presented at Nauman in Context. The Berkeley Art Museum and Pacific Film Archive. Berkeley, CA, USA. (February)

Kris Paulsen, Chair. 2008. "Myths of Fair Use and the Secret History of Appropriation: An Introduction.". Presented at Takeovers & Makeovers: Artistic Appropriation, Fair Use, and Digital Copyright Law. The Berkeley Art Museum and Pacific Film Archive/UC Berkeley. Berkeley, CA, USA. bcnm.berkeley.edu/takeovers/.

Other Presentations

National

Kris Paulsen, Presenter. 2006. The New Narcissus (Dan Graham's Performer, Audience, Mirror). Presented at Lessons on Love: The UCLA Art History Graduate Student Symposium. Hammer Museum. Los Angeles, CA, USA. (October) www.humnet.ucla.edu/humnet/arthist/ahgsa/love/program.htm. [Peer Reviewed]

Kris Paulsen, Presenter. 2006. Surveillance as Medium. Presented at UnBlinking: Perspectives on Visual Privacy in the 21st Century,, to BOALT School of Law. University of California. Berkeley, CA, USA. (November) www.law.berkeley.edu/institutes/bclt/events/unblinking/unblink.html. [Peer Reviewed]

International

Kris Paulsen, Presenter. 2005. Abducting the Index. Presented at The Ethics and Politics of Virtuality and Indexicality, to CongressCATH. University of Leeds/The National Museum of Photography, Film & Television. Leeds, UK. (July) www.leeds.ac.uk/cath/ahrc/congress/2005/. [Peer Reviewed]

Kris Paulsen, Presenter. 2005. The Telecrowd. Presented at Emergent Spaces, Cognitive Environments, to The Society for Literature, Science, and the Arts. University of Illinois. Chicago, IL, USA. (November) www.uic.edu/depts/engl/links/slsa2005conference.htm. [Peer Reviewed]

Kris Paulsen, Presenter. 2006. Abducting the Index. Presented at Modern Language Association Annual Conference, to Modern Lauguage Association. Philadelphia. Philadelphia, PA, USA. (December) www.mla.org/convention. [Peer Reviewed]

Kris Paulsen, Presenter. 2007. Courting Contingency: Soliciting the Live Television Event. Presented at Events and Event Structures, to The Royal Danish Academy of Fine Arts & Architecture. The Royal Danish Academy of Fine Arts & Architecture. Copenhagen, Denmark. (May) [Peer Reviewed]

Kris Paulsen, Panelist. 2011. "The Rays: Guerrilla Television's Hijacked Signals". Presented at Society for Cinema and Media Studies Annual Conference, 2011, to Society for Cinema and Media Studies. Ritz Carlton. New Orleans, LA. (March) www.cmstudies.org/. [Peer Reviewed]

Kris Paulsen, Presenter. 2011. Steal This Station: Videofreex Pirate Television and Guerrilla Video. Presented at Visible Evidence 18, to Visible Evidence. New York University. New York, NY, USA. (August) www.visibleevidence.org/18/index.php/ve18/VisEv18. [Peer Reviewed]

Kris Paulsen, Chair. 2011. Arabesque, Mandala, Algorithm: A Long History of Generative Art. Presented at ISEA (Inter-Society for Electronic Arts) Annual Conference, to Inter-Society for Electronic Art. Sabanci University. Istanbul, Turkey. (September) [Peer Reviewed]

Kris Paulsen, Presenter. 2011. Direct to Video: Stephen Beck's Cameraless Television. Presented at ISEA (Inter-Society for Electronic Arts) Annual Conference, to Inter-Society for Electronic Arts. Sabanci University. Istanbul, Turkey. (September) isea2011.sabanciuniv.edu/. [Peer Reviewed]

Kris Paulsen, Presenter. 2011. Reach out and Touch: Wafaa Bilal and the Trouble with Telepresence. Presented at ASAP/3: Arts of the Planet, to ASAP: The Association for the Study of the Arts of the Present. Carnegie Mellon University. Pittsburgh, PA, USA. (October) [Peer Reviewed]

Kris Paulsen, Chair. 2012. "The Medium is the Medium: WGBH and the Rise of Experimental Television". Presented at Society for Cinema and Media Studies Annual Conference, to Society for Cinema and Media Studies. Boston, MA. [Peer Reviewed]

Kris Paulsen, Presenter. 2012. The Year Television Broke. Presented at Society for Cinema and Media Studies Annual Conference, to Society for Cinema and Media Studies. Boston, MA. [Peer Reviewed]

Kris Paulsen, Lecturer. 2012. Half-Inch Revolution: Guerrilla Television's Tape Networks. Presented at Media Archaeology, to Miami University. Oxford, OH. (April) [Peer Reviewed]

Undergrad., Grad. and Prof. Courses Taught

Autumn 2009. The Ohio State University, History of Art. Contemporary Art 541. 5 credit hours

Autumn 2009. The Ohio State University, History of Art. Topics In Art Hist 890. 5 credit hours

Winter 2010. The Ohio State University, History of Art. Photographic Theory in the Digital Age 737. 5 credit hours

Winter 2010. The Ohio State University, History of Art. Independent Study in Cinema Studies 999. 5 credit hours

Winter 2010. The Ohio State University, History of Art. Research 999. 18 credit hours

Spring 2010. The Ohio State University, History of Art. Intro World Cinema 260. 5 credit hours

Spring 2010. The Ohio State University, History of Art. Video Art 640. 5 credit hours

Spring 2010. The Ohio State University, History of Art. Individual Studies 793. 5 credit hours

Summer 2010. The Ohio State University, History of Art. Research 999. 18 credit hours

Summer 2010. The Ohio State University, History of Art. Individual Studies 893. 5 credit hours

Winter 2011. The Arts COLMBUS, History of Art. Contemporary Art 541 . 5 credit hours

Winter 2011. The Arts COLMBUS, History of Art. Research 999 . 18 credit hours

Winter 2011. The Arts COLMBUS, History of Art. Topics In Art Hist 890 . 5 credit hours

Winter 2011. The Ohio State University, History of Art. Vision and Virtuality: Illusion and Immersion in the Arts from Perspective to Telepresence. 737. 5 credit hours

Spring 2011. The Arts COLMBUS, History of Art. Intro World Cinema 260 . 5 credit hours

Spring 2011. The Arts COLMBUS, History of Art. Writng Sem-His Art 415 . 5 credit hours

Spring 2011. The Arts COLMBUS, Art. Studio 2 Acp 691.13. 5 credit hours

Spring 2011. The Arts COLMBUS, Art. Studio 3 Acp 891.13. 5 credit hours

Summer 2011. The Arts COLMBUS, History of Art. Individual Studies 793 . 5 credit hours

Summer 2011. The Arts COLMBUS, History of Art. Research 999 . 18 credit hours

Autumn 2011. The Arts COLMBUS, Art. Studio 3 Acp 891.13. 5 credit hours

Autumn 2011. The Arts COLMBUS, History of Art. Research 999 . 18 credit hours