Spring
November 2012
Some spicules!
&
some teeth
Have you tried my blog?
Like oysters to some,
and like
oysters
to others.
(a sample:
Archaeologists, Palaeographers, and Punctuationists fight over
cryptic dohicky)
"I
hate
quotations. "
- Ralph Waldo Emerson
"Becoming food is the final
stage of living matter. Some are privileged to a delay of the
foreshadowed end. They gain lifetime by being preserved. But a
chosen few turn into objects and will never be crunched between the
teeth of any other living matter.They live anonymous, comatose lives
in the hidden food department of a museum."
Linda Roodenburg,
Unidentified
Fermented Objects, in
Proceedings of the Oxford Symposium on Food and Cookery 2010
(I
highly recommend the book)
When I read that
most, if not all, of the global strategic maple syrup reserve had
been stolen, my first response was not to fear for North Americas
waffles or pancakes, but rather to wonder at the very existence of
such a reserve.
Nicola Twilley,
Syrup Stockpiles, Wine Lakes, Butter Mountains, and Other Strategic
Food Reserves, Edible Geography
Let it roast indifferent
long.
"Joan", cookbook writer of
the 1600s, quoted in
Taste: The Story of Britain through its Cooking by Kate Colquhoun
Why should a word in a recipe
be less
important than a word in a novel? One can lead to physical
indigestion, the other to mental.
Julian Barnes,
The Pedant in
the Kitchen
Last I called by,
Muntjac was roasting in the oven, surfaces brimming with mushrooms
gathered, some dried, a hoard: Shaggy Parasols; Chanterelles, orange
and sweet-apricot-scented; something blue. Another fellow appeared
a basket in his hand large to gather wood, in it full Penny-Buns,
Ceps, plentiful as a bakers.
-
Olivia Heal,
Notes: On Forage, Mushrooms and the Noma Cookbook
Emma lent me a
crochet hook so I made many octopi. Several were worn as fascinators
and all have found good homes."
-
Kathleen Jennings,
here
In the art of postmodernists
hedonistic motives are rare; they are basically non-existent in
installations and video art projects of recent years. As a kind of
postmodernist response, with its intrinsic underlying irony, to the
theme of oriental hedonism one can consider the part of a
photo-collage diptych inspired by the verses of I. Brodskiy, "We
lived in a city the color of petrified vodka".
-
Akbar Khakimov,
Hedonism in Contemporary Art,
San'at, (The
magazine was created in accordance with the Decree of the Cabinet of
Ministers of Uzbekistan 'About the Academy of Arts of Uzbekistan' ")
"Like a couple at an okay
party, who turn up late and spice things up: the horseradish [in a
Bloody Mary] makes your sinuses fizz, the celery leaves tickle your
cheeks, and and stalk, with the runnels of tomato juice in its
furrows, makes an ideal instrument of emphasis in drunken
conversation."
-
Niki Segnit,
The flavour Thesaurus
I cannot and will
not cut my conscience to fit this year's fashions.
- Lillian Hellman, in
testimony before the US House Committee to Investigate Un-American
Activities, 1952
More
in The Cellar
Anna
Tambour stories that can be read online:
Stories & poems in the
HMS Beagle: BioMedNet archive
Temptation of the Seven
Scientists
The Emperor's
Backscratcher
Travels with Robert Louis
Stevenson in the Cvennes
The Wages of Food-Play
Klokwerk's Heart
Me-Too
& Try
Bowl of
Critters
an occasional snack
Now serving:
The adventures of discovering the ellemehnopee
Skin, Fiction, Mushrooms, & Progress
Out-of-the-box Serving Suggestion
The Mary Quant Jelly Thing & other surprises from the sea
And in
Heliotrope Magazine
A
long poem
Succession At Quandong Creek
In memoriam
Asher E. Treat
(1907 - 2004) "Actually, Asher was an
excellent dinner companion. Anybody who wears a loupe around his
neck at dinner, and tells you how he finally trained his box turtle Mabel to listen
to his commands (after 35 years), or sent small boys out to
catch bats, and then explain how mites can only live in the left ear
(right ear in the old world)
of moths to evade the bats, or who would build a mammoth box kite and fly it half a
mile high off Cobble, or who would play
his French horn so that you'd hear it across the
valley, Anybody like that makes an
excellent dinner companion."
- Edward
Perkins,
in a letter to
A.T.
A little Treat
" The lepidopterist who
seeks an easy introduction to the Astigmata had best leave his
collection and visit the nearest cheese shop. "
Home of
The Society for Prevention of Cruelty to Bulwer-Lytton
a place of
compassion in a cruel world
Anna Tambour currently
lives in the Australian bush with
a large family of other species,
including one man.
(Rosie, the beauty
in the picture above, died on the 19th of January, 2006. Her
tributes are firstly
this, and then
this.)
Qs and
As
-
Interview by Alisa Krasnostein (as part of Aussie Specfic
Snapshot 2012)
-
Interview by Iain Rowan (as part of his "Writers talk about
writing" series),
More News from Nowhere, 19 July 2011
-
Interview by Mark Farrugia,
Andromeda Spaceways, #48, Nov 2010
-
Interview by members of
Chronicles Network April 2006
-
Audio interview by Evo Terra,
Dragon Page October 2005
-
Interview by Keith Brooke
April 2005
-
Ben Peek's 2005 Snapshot of
Australian Fiction
April '05
-
Walking Jeff VanderMeer's plank
Feb '05
anna_tambour at yahoo.com
Some Seasoned Preserves
Winter
August 2012
Tea moulds conviviate in a
crazed pot.
Autumn
March 2011
Jacaranda pod &
Quince
Summer
December 2011
another
Magnificent Insignificant
Spring
October 2011
"Native peach"
Trema
tomentosa
showing leaf curl that could
be caused by a virus, though
"peach" is caused by a delusion
winter
July 2011
An oddly
exhibitionistic
mantis
Summer
January 2009
Fresh from the ground, a cicada
If
we had been made in the image of Cicada, what price gold and
rubies?
|
Books by A.T.
Online stories
"She writes so far left field that
you need binoculars to see her."
- Girlie Jones,
Not if You Were the Last Short Story on Earth
"I have particularly enjoyed Monterra's fable, and
have read it to my pigs Alice, Ferdinand and Isabella, who also
appreciated its humour and scope."
Tom Jaine
New
November 2012
from the
award-winning
Chmu Press . . .
"At
heart Crandolin is a rich
confectionery,
a tapestry woven
out of dreams and nightmares, an
Arabian Nights tale for the twenty
first century with Tambour as
Scheherazade, lulling us with her
mellifuous voice and artistry.
I
loved it, and didnt want it to end."
Peter
Tennant, review in
Black Static
The only novel ever committed that was
inspired by postmodern physics AND Ottoman confectionery:
"A fairy tale Dostoevsky
would have liked It's like it was written by a demented chef."
David Kowalski
(with cover art by
Christopher Conn Askew)
CRANDOLIN
Immerse yourself in the magical world
of
Anna Tambours Crandolin,a delirious journey that takes the reader
through Central Asia and Russia with some fascinating strangers and
a donkey, a demanding musical instrument and delicious hints of
nougat and honey.
Ellen Datlow
By turns lyrical and absurdist, whimsical and elegantly true,
Crandolin is unlike any novel you will ever have read. Anna Tambour
is brilliant, a true original.
Lucius
Shepard
"A sensuous pleasure to mind and
senses; it breathes perfume and laughter. If Gogol and Huysmans had
ever gone to a science fiction conference together and collaborated,
the result would be Crandolin!"
Jack Dann
"For gourmands literary and culinary, Tambour is always a treat, and
Crandolin is Tambour at her best. Bold and subtle, rich and
delicate, this is fiction to savour, fiction to sustain the soul."
Hal Duncan
Epicurean fantasy at its finest. Crandolin is an uncanny mating of
passion and precision: that Anna Tambour is billed as author and
not magician belies the virtuosity with which she coaxes a
whirlwind of gluttonous carnality into her scintillatingly intricate
narrative web.
Rachel
Edidin
Funny and compelling, strangely wise
about its worlds ... It can seem like a fun ride or a maze, yet
Crandolin is never just a joke. When Tambour finally invokes one
storytellers sense of fear and joy, its genuine; we can share in
the feeling, at the end of a long, strange trip.
Faren Miller,
Locus
Mephistopheles has nothing on this,
a helter skelter through time travel and cookery.
Bring me a Crandolin.
Tom Jaine
"...But with the appearance of her new
novel, Crandolin, she will surely register Richter-powerful on the
delighted synapses of all patrons of weird, funny fabulism.The
lively and bold Chmu Press, which touts its catalogue as offering
new vistas of irreality, deserves much credit...But what's really
central to Tambour's tale is the romance of food."
Read the review
by Paul Di Filippo in Locus
Open
Crandolin!
BUY FROM
The Book Depository
- free shipping worldwide
Amazon US
Barnes & Noble
Amazon UK
Foyles UK
Even on the back, Crandolin
already looks giftwrapped. Serve a plate of them as a neverending
dessert, to your best friends.
October 2012
releases:
"King Wolf"
in
A Season in Carcosa
edited
by
Joseph S. Pulver Sr.
published by
Miskatonic River Press
with
more by Joel Lane, Simon Strantzas, Don Webb, Daniel Mills,
Gary McMahon, Ann K. Schwader, Cate Gardner, Edward Morris, Richard
Gavin, Gemma Files, Joseph S. Pulver, Sr., Kristin Prevallet,
Richard A. Lupoff, Michael Kelly, Cody Goodfellow, John Langan,
Pearce Hansen, Laird Barron, Robin Spriggs, and Allyson Bird
Free shipping worldwide from
The
Book Depository
"How Galligaskins Sloughed the
Scourge"
in
Bloody Fabulous: stories
of
fantasy and
fashion
edited
by
Ekaterina Sedia
published by
Prime Books
with
more stories by Holly Black, Richard Bowes, Genevieve
Valentine, Sandra McDonald, Sharon Mock, Zen Cho, Kelly Link, Shirin
Dubbin, Die Booth, Rachel Swirsky, Maria V. Snyder, Nick Mamatas,
and John Chu
Earlier 2012 releases
"Murder at the Tip"
in
Light Touch Paper
- Stand Clear
edited
by Edwina Harvey and Simon
Petrie
published by Peggie
Bright Books
with
more stories by Joanne
Anderton, Adam Browne, Sue Bursztynski, Brenda Cooper, Katherine
Cummings, Thoraiya Dyer, Kathleen Jennings, Dave Luckett, Ian
McHugh, Sean McMullen, Ripley Patton, Rob Porteous
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