Costume Drama: Rubens and Korea

Costume Drama: Rubens and Korea

A mysterious drawing inspires a show at the Getty

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Polaroid

Camera Ready: Artists Play With Polaroid

A new book chronicles the ways that artists ranging from Ansel Adams to Warhol, Close, and Wegman harnessed the speed and palette of the instant camera

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A Teaching Moment

Studio in a School: A Teaching Moment

Bringing professional artists into classrooms, the venerable nonprofit has helped thousands of students connect with their own creativity

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Mark Dion

The Curator Vanishes: Period Room as Crime Sc…

A disappearance, a discovery, and a mystery at the Minneapolis Institute of Arts, via Mark Dion

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‘Everything Can Be Changed’

Tate Director Chris Dercon: ‘Everything Can B…

Visionary, intellectual, democratic, and high-wattage, director Chris Dercon puts his stamp on Tate Modern

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PreviousNext
  • Mar 6Costume Drama: Rubens and Korea
  • Mar 5Polaroid
  • Mar 4A Teaching Moment
  • Feb 28Mark Dion
  • Feb 27‘Everything Can Be Changed’
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News March 2013

Costume Drama: Rubens and Korea

By Sharon Mizota Posted 03/06/13

A mysterious drawing inspires a show at the Getty Read More

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Trends Web Exclusive

Camera Ready: Artists Play With Polaroid

By Bree Sposato Posted 03/05/13

A new book chronicles the ways that artists ranging from Ansel Adams to Warhol, Close, and Wegman harnessed the speed and palette of the instant camera Read More

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Features February 2013

Studio in a School: A Teaching Moment

By Hilarie M. Sheets Posted 03/04/13

Bringing professional artists into classrooms, the venerable nonprofit has helped thousands of students connect with their own creativity Read More

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News Web Exclusive

The Curator Vanishes: Period Room as Crime Scene

By Robin Cembalest Posted 02/28/13

A disappearance, a discovery, and a mystery at the Minneapolis Institute of Arts, via Mark Dion Read More

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News February 2013

Tate Director Chris Dercon: ‘Everything Can Be Changed’

By Elizabeth Fullerton Posted 02/27/13

Visionary, intellectual, democratic, and high-wattage, director Chris Dercon puts his stamp on Tate Modern Read More

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News February 2013

Retrospective: When ARTnews Went to the Armory Show

By The Editors of ARTnews Posted 02/26/13

And other excerpts from our coverage 100, 75, 50, and 25 years ago Read More

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Looking at Art February 2013

Gilty Pleasures: The Guggenheim Reframes Its Classics

By Hilarie M. Sheets Posted 02/25/13

A team of experts at the Guggenheim is reframing modernist works from the Thannhauser collection in period frames dating back to the 17th century Read More

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News Web Exclusive

Self-Portrait of the Artist as a Self-Destructing Chocolate Head

By Robin Cembalest Posted 02/21/13

Chocolate was the medium of choice for Janine Antoni and Dieter Roth to depict—and deface—their own image Read More

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News February 2013

Feast for the Eyes: Red Rooster Harlem’s Recipe for Art

By Annette M. Rose-Shapiro Posted 02/20/13

At Red Rooster Harlem, chef and owner Marcus Samuelsson gives as much thought to the art on the walls as to the food Read More

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Trends February 2013

Split Decisions: When Critics Change Their Minds

By Ann Landi Posted 02/19/13

What makes art critics revise their opinions? Some mind-changing critics explain Read More

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News Web Exclusive

Girl with a Hoop Earring: Fun with Vermeer

By Robin Cembalest Posted 02/14/13

Two beloved Vermeers have left Holland for a stint in the U.S. They’ll find their descendants stripped by Dalí, bedecked in toilet-paper rolls, and reincarnated by Cindy Sherman Read More

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Trends February 2013

Love Potions: Art and the Heart

By Barbara Pollack Posted 02/13/13

Despite an overall reluctance among contemporary artists to deal with issues of the heart, more than a few tell great stories of romance and heartbreak Read More