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Now Take Them Out, Devils: The Marriage of Music & Narrative in the Video Game Bastion

Written by Simon Lazarus Vasta on . Posted in Arts & Film, Music

Recently, when I’m not performing diligent research, sifting through a hard drive’s worth of mp3s, resting my chin in my hands contemplatively and having deep deep thoughts about pop songs for you lovely people, I’ve been playing a video game called  Bastion. It’s a really fun game, but more importantly, it’s a genuinely moving experience. If
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Downtown, Then and Now with Marc Spitz

Written by Alissa Fleck on . Posted in Music

spacer A walking tour with a music journalist brings his memoir to life If “raucous” and “intimate” can coexist adroitly, that describes the atmosphere at the release party for Marc Spitz’s new memoir Poseur, an affair tucked cozily away up a staircase at the Lower East Side’s Slipper Room. Everyone here knows each other, laughs heartily
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Now Take Them Out, Devils: Beck Wrangles Over 160 Musicians for Maximalist Bowie Cover

Written by Simon Lazarus Vasta on . Posted in Music, Uncategorized

Since the release of 2008′s astoundingly mediocre Modern Guilt, Beck has all but stepped away from conventional rockstardom. He’s spent the past few years on idiosyncratic projects like the Record Club,  a collaboration with such luminaries as Annie Clark, Angus Andrews, Devendra Banhart, Thurston Moore, Jeff Tweedy, and, uh, Giovanni Ribisi. Beck assembled these Superfriends of
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A Bachelor on Valentine’s Day

Written by NYPress on . Posted in Arts & Film, News & Features West Side Spirit, News OTDT, News Our Town, Our Town, Our Town Downtown, TV, West Side Spirit

Sean Lowe, star of ABC’s ‘The Bachelor,’ weighs in on everything from the ideal date to mistakes women make in their search for the perfect mate. By Angela Barbuti Sean Lowe will be alone this Valentine’s Day—but don’t feel bad for him just yet. The 29-year-old recently finished taping a season of ABC’s The Bachelor,
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February Off-Broadway Roundup

Written by Doug Strassler on . Posted in Arts & Film, Theater

spacer As the temperatures continue to dip below freezing and Broadway holds off on its heavy-hitters for spring, Off-Broadway theaters continue to mount interesting work. I review a few of them below. Bodega Bay Elisabeth Karlin’s play is an oddly comic hybrid of Flirting with Disaster and Winter’s Bone. Louise (Susan Louise O’Connor), is essentially an
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Now Take Them Out, Devils: My Bloody Valentine Released First Album in 22 Years—It’s Awesome

Written by Simon Lazarus Vasta on . Posted in Arts & Film, Music

spacer Last Saturday, while the Internet was busy minding its own business, the My Bloody Valentine Facebook page issued this short missive: “We are preparing to go live with the new album/website this evening. We will make an announcement as soon as its up.” Then, at 23:58 Greenwich Mean Time, www.mybloodyvalentine.org burst into existence, accompanied by m
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Number One With a Bullet

Written by Armond White on . Posted in Arts & Film, Film

AN EXCLUSIVE CITYARTS CRITICS DISCUSSION OF WALTER HILL’S COMEBACK Bullet to the Head is an event. It is director Walter Hill’s first theatrical film since 2002’s Undisputed and the most meaningful Sylvester Stallone acting vehicle since Rocky. On this occasion, I discuss the significance of Bullet to the Head with CityArts film critic Gregory Solman,
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At Cinema’s Crossroads

Written by Armond White on . Posted in Arts & Film, Film

HELLO, WALTER HILL. GOOD RIDDANCE TO SODERBERGH This week, America’s most overrated filmmaker, Steven Soderbergh, gets booted out of the arena by the country’s most underrated great filmmaker, Walter Hill. The simultaneous release of Hill’s Bullet to the Head and Soderbergh’s Side Effects perfectly contrasts the art of genre filmmaking with the pretense of art
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Frack You!

Written by City Arts on . Posted in Arts & Film, Film

‘FRACKNATION’ DEBATES THE GREENSHIRTS—AND WINS By Gregory Solman In Fracknation, Irish investigative journalist Phelim McAleer finds a combustible metaphor for the contrived controversy of hydraulic fracturing in the footage of the Sautner family hustlers of Pennsylvania. McAleer couldn’t politely interview the couple without Craig threatening a lawsuit (apparently emboldened by the radical National Resources Defense
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Frick or Frack?

Written by Armond White on . Posted in Arts & Film, Film

VAN SANT AND DAMON’S PROMISED PROPAGANDA Gus Van Sant must really be out of imagination (or horniness) to make the drab, politically slanted Promised Land. That’s two phony films in a row for Gus, following the 2010 Restless. Promised Land takes on the fracking controversy about drilling for gas in underground shale deposits, using Gus’
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