Volume 18 Number 4, December 2012
Copyright © 2012 Society for Music Theory
Editor’s Message
Articles
Hearing Counterpoint Within Chromaticism: Analyzing Harmonic Relationships in Lassuss Prophetiae Sibyllarum
|
18.4.1 |
Timothy K. Chenette (University of Massachusetts Amherst)
|
|
Rethinking Octatonicism: Views from Stravinskys Homeland
|
18.4.2 |
Philip A. Ewell (Hunter College and CUNY Graduate Center)
|
|
The Interruption-Fill and Corollary Procedures
|
18.4.3 |
Yosef Goldenberg (The Hebrew University of Jerusalem and the Jerusalem Academy of Music and Dance)
|
|
Instrumental Gesture in Chopins tude in A-Flat Major, Op. 25, No. 1
|
18.4.4 |
Eugene Montague (The George Washington University)
|
|
Tonal Pairing and the Relative-Key Paradox in the Music of Elliott Smith
|
18.4.5 |
Rob Schultz (University of Massachusetts Amherst)
|
|
Three Stravinsky Analyses: Petrushka, Scene 1 (to Rehearsal No. 8); The Rakes Progress, Act III, Scene 3 (In a foolish dream); Requiem Canticles, Exaudi
|
18.4.6 |
Joseph N. Straus (Graduate Center, City University of New York)
|
|
Directional Tonality in Schumanns Early Works
|
18.4.7 |
Benjamin K. Wadsworth (Kennesaw State University)
|
|
Reviews
Review of Michael Tenzer and John Roeder, eds., Analytical and Cross-Cultural Studies in World Music (Oxford University Press, 2011)
|
18.4.8 |
Chelsea Burns (University of Chicago)
|
|
Review of Edward Gollin and Alexander Rehding, eds., The Oxford Handbook of Neo-Riemannian Theories (Oxford University Press, 2011)
|
18.4.9 |
Jonathan Kochavi (Swarthmore College)
|
|
Review of Vincent P. Benitez, The Words and Music of Paul McCartney: The Solo Years (Praeger, 2010); Ian Inglis, The Words and Music of George Harrison (Praeger, 2010); and Ben Urish and Ken Bielen, The Words and Music of John Lennon (Praeger, 2007)
|
18.4.10 |
David Thurmaier (Florida Gulf Coast University)
|
|
MTO Personnel for the Current Volume
Prepared by Brent Yorgason, Managing Editor
Updated December 18 2012
Number of visits:
|