With the zen-funk quartet RONIN founded in 2001, Nik Baertsch, a composer and pianist from Zurich,- together with Kaspar Rast (drums), Thomy Jordi (he replaced Björn Meyer on the bass in 2011) and Sha (bass/contrabass clarinet. Percussionist Andi Pupato joined the band 2002-2012), proceeds with his work on RITUAL GROOVE MUSIC. Their music consistently follows the same aesthetic vision under various instrumental guises: creating the maximum effect by minimal means.

Despite the multiplicity of the band’s influences, Ronin’s music always possesses a strong individuality. They incorporate elements of disparate musical worlds, be they funk, new classical music or sounds from Japanese ritual music.

However, these forms are never merely juxtaposed in a post-modernist fashion but instead amalgamated into a coherent new style. Ultimately, these sounds and rhythms are highly idiosyncratic. The music consists of very few phrases and motives, continually combined and layered in new ways. Ronin thus creates a consistent aesthetic across all levels of musical expression. Composition, phrasing, sound structure, performance, and musical form all combine to form a system of interrelated elements. (Michel Mettler)

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RONIN

“There are two paths a samurai can walk: that of a clan member, and that of a ronin, a lonely warrior. The former is highly esteemed in Japan, the latter is bitterly detested.

The despised warrior without a clan is viewed by clan people as a hungry wolf, roaming through the country, with no ties or obligations, no duties or support, no protection, no respect for people’s material well-being. Despite his virtuosity as a swordsman, a lone fighter is unable to withstand gangs or clansmen eager to fight. His readiness to die could be tested any time: not in a great battle between two mighty clans where he might die a famous hero but in trifling rows over a mouthful of rice or a sip of sake. If a ronin wants to survive, he must, wherever he goes, remain extremely careful. He has no social status whatsoever and is not respected by anybody. People treat him with the same level of caution as they would a wild animal that attacks whenever frightened.

Most of these ronin aren’t happy with their destiny. They spend most of their time struggling to ingratiate themselves with anybody who would accept them, hoping for a clan in need of warriors. They are cursed with shabby clothes and inadequate food, longing for the honour and security of a clan member.

If only those destitute samurai could view their situation without prejudice! They might see that, at the cost of tolerable poverty, they have acquired a rare treasure: freedom.

They are free to cognise the world, free to discover and fulfil the true purpose of man. They can toughen themselves in the wilderness; they can study budo wherever a master is available; they can visit monasteries and practice meditation.

The price they pay for liberty is the occasional empty stomach, a little poverty and loneliness. But it is not easy to rid yourself from the henchman’s crushing burden.”

[Translated from: Thomas Preston, Samurai-Geist - Der Weg eines Kriegers in den japanischen Kampfkünsten, Leimen/Heidelberg 1991, Kristkeitz Verlag]; Photo: Martin Möll