Aperture Magazine
#210, Spring 2013
Front
Editors’ Note
What Matters Now?
Contributions by Ulrich Baer, Philip Gourevitch, Veronica Matushaj, Kathy Ryan, Hanna Rose Shell
Redux
David Campany on Victor Burgin’s Between
Dispatches
Jason Fulford on San Francisco
Collectors: The Novelists
Contributions by Teju Cole, Sheila Heti, Heidi Julavits, Sam Lipsyte
Studio Visit
Ivan Vartanian on Takashi Homma and his studio
Words
Nine Years, A Million Conceptual Miles
by Charlotte Cotton
Jeff Wall: On Pictures
Conversation with Lucas Blalock
Observing by Watching: Joachim Schmid and the Art of Exchange
by Geoffrey Batchen
Our Lady of Perpetual Help: Thoughts on Recent Scholarship on Photography
by Robin Kelsey
Photo.edu: Toward a New Curriculum
by Arthur Ou
Akram Zaatari: Against Photography
Conversation with Mark Westmoreland
Decolonizing the Archive: The View from West Africa
by Jennifer Bajorek
The Image World Is Flat
Penelope Umbrico in conversation with Virginia Rutledge
Pictures
Christopher Williams
Introduction by Matthew S. Witkovsky
Revisiting the Garry Winogrand Archive
Philip-Lorca diCorcia in conversation with Leo Rubinfein
Michele Abeles: Re:Re:Re:Re:Re
Introduction by Eva Respini
Jason Evans: NYLPT
Introduction by Aaron Schuman
Postcards from America: Jim Goldberg, Alessandra Sanguinetti, Alec Soth, Zoe Strauss (with Ashley Thompson), Mikhael Subotzky, Donovan Wylie
Introduction by Chris Boot
Anouk Kruithof
Introduction by Lesley A. Martin
Andrew Norman Wilson: ScanOps
Conversation with Laurel Ptak
Adam Broomberg & Oliver Chanarin: To Photograph the Details of a Dark Horse in Low Light
Introduction by Brian Dillon
Phil Chang: Cache, Active
Conversation with James Welling
Back
Object Lessons
The Chelsea Flash Pistol, ca.1895
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