TAKE ONE
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Saturday, March 23, 2013 · Loreta Gandolfi
Meet Pedro Costa, referred to by Peter Bradshaw as “the Samuel Beckett of cinema.” This funny, insightful and educational interview is abridged; we include a link to the full transcript.
Read More-->Lights off on Pedro Costa
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Friday, March 22, 2013 · Emma Wilkinson
Slick, dark and compelling, the latest offering from Lee Daniels is an intricate mess of romance and criminality, bringing with it graphic murders, intense arguments and brutal sexual encounters.
Read More-->The Paperboy
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Thursday, March 21, 2013 · Edd Elliott
As Snoop Dogg’s frolic through the Jamaican motherland, REINCARNATED hits cinemas, Edd Elliott looks back at one of hip-hop’s greatest documentaries – Dave Chappelle’s BLOCK PARTY.
Read More-->Block Party
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Wednesday, March 20, 2013 · Patrick Fowler
Director Alfonso Sanchez uses the financial crisis to frame his new comedy, EL MUNDO ES NUESTRO, wherein two Sevillians decide to dress as holy penitents and rob a bank.
Read More-->The World Is Ours
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Tuesday, March 19, 2013 · Patrick Fowler
Political ideology and family commitments are pushed into knife edge territory at the turn of the Spanish Civil War, as bourgeois holidaymakers try to remain neutral to the conflict.
Read More-->Long Vacations of 36
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Monday, March 18, 2013 · Liam Jack
Yves Montmayeur’s documentary is an engrossing insight in to one of the world’s most complex directors, says Liam Jack.
Read More-->Michael H. Profession: Director
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Sunday, March 17, 2013 · Steve Williams
Cristian Mungiu’s BEYOND THE HILLS looks at the moral ambiguity behind a real life event: a misguided exorcism that took place in an Orthodox community in Romania in 2005. Steve Williams reviews.
Read More-->Beyond The Hills
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Saturday, March 16, 2013 · Amanda Randall
This docu-drama about a theatrical production with a cast of criminals is orchestrated, but we can believe we are watching a ‘truth’: Will Shakespeare would have approved, writes Amanda Randall.
Read More-->Caesar Must Die
Reviews
Interviews
Features
TAKE ONE Recommends
Festival Coverage
Lights off on Pedro Costa
Meet Pedro Costa, referred to by Peter Bradshaw as “the Samuel Beckett of cinema.” This funny, insightful and educational interview is abridged; we include a link to the full transcript.
The Paperboy
Slick, dark and compelling, the latest offering from Lee Daniels is an intricate mess of romance and criminality, bringing with it graphic murders, intense arguments and brutal sexual encounters.
Block Party
As Snoop Dogg’s frolic through the Jamaican motherland, REINCARNATED hits cinemas, Edd Elliott looks back at one of hip-hop’s greatest documentaries – Dave Chappelle’s BLOCK PARTY.
The World Is Ours
Director Alfonso Sanchez uses the financial crisis to frame his new comedy, EL MUNDO ES NUESTRO, wherein two Sevillians decide to dress as holy penitents and rob a bank.
Long Vacations of 36
Political ideology and family commitments are pushed into knife edge territory at the turn of the Spanish Civil War, as bourgeois holidaymakers try to remain neutral to the conflict.
Michael H. Profession: Director
Yves Montmayeur’s documentary is an engrossing insight in to one of the world’s most complex directors, says Liam Jack.
Beyond The Hills
Cristian Mungiu’s BEYOND THE HILLS looks at the moral ambiguity behind a real life event: a misguided exorcism that took place in an Orthodox community in Romania in 2005. Steve Williams reviews.
Caesar Must Die
This docu-drama about a theatrical production with a cast of criminals is orchestrated, but we can believe we are watching a ‘truth’: Will Shakespeare would have approved, writes Amanda Randall.
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Double Take: Editor's Blog
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Crossing Cinema’s Iron Curtain
In early Spring, arthouse and mainstream films rub shoulders in a way they rarely do during summer or winter. A good film is a good film, no matter where it’s from or where you see it, writes Associate Editor Gavin Midgley.
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