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A Decidedly Special Delivery

Endless Canvas transforms a long-abandoned West Berkeley warehouse into a three-story graffiti mural.

by Cassie McFadden @cassie_harwood | September 05, 2012
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When Alan Varela bought an abandoned West Berkeley building for his construction company, it turned out he got much more than a decrepit 36,000-square-foot warehouse. In fact, when Varela saved the long-vacant property from possible demolition in February, he became the new owner of one of the local graffiti community's best-kept secrets. Since 1999, when the ink company that had long occupied the site ceased operations, graffiti artists have been using the interior as an illegal canvas — so much so that by the time Varela showed up, the interior walls were thoroughly splattered and sprayed with the colorful scribbles of countless street artists.

Where some might have seen a major eyesore and a costly clean-up, Varela — an art lover who sits on the Oakland Museum of California's board of trustees — saw a gem. "There was incredible art on some of the walls, and I wanted to preserve it," he said. "Rather than saying, 'We bought the building, you're out of here,' I said, 'Let's look at it from a different perspective.'" Varela was able to track down Paul (who asked that his last name not be used), co-founder of the ubiquitous street art blog and 'zine Endless Canvas, to propose that he assemble painters to create some final pieces inside the building before it was refurbished.

It turned out to be a fortuitous offer. Last year, Endless Canvas documentarians curated a graffiti mural exhibit called Special Delivery that blanketed the walls of a 5,000-square-foot warehouse in Portland. Paul suggested using the West Berkeley warehouse to host a more expansive iteration that allowed artists to paint every inch of the three-story building's interior, which would then be photographed and published in book form. Varela agreed, and for the past few months, more than one hundred Bay Area graffiti artists — including writers like Nesta, Del Phresh, and members of the LORDS crew — have been creating a public exhibition in their once recondite venue. Old pieces that had faded or fallen victim to rogue taggers have been refurbished, new ones have been added, and graffiti now fills nearly every inch of wall space.

For the artists who spent years scaling fences and squeezing through windows to paint the old warehouse, it's been a bittersweet endeavor. After all, once the exhibit closes, the graffiti will be washed away and Berkeley will lose a beloved, albeit secret landmark. "I would prefer that it stayed an active, illegal spot," Paul lamented, "but it got to a point where the building would either be demolished or become offices. We are sad to see it go — and that's why we're throwing it a good-bye art show." Special Delivery Bay Area 2012 debuts at a free and all-ages event on Saturday, September 8, from 6 p.m. to midnight, featuring live hip-hop from Ear Peace Records and vinyl tunes by DJ Miggy Stardust. The warehouse can subsequently be viewed from noon to 7 p.m. on Sundays through September. In part to ensure the anonymity of the artists, the building's address won't be revealed until it's posted on EndlessCanvas.com the day before the exhibit opens.

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Photo by Endless Canvas
The warehouse prior to the installation of Special Delivery.
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Comments (4)

Showing 1-4 of 4

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This was one of the most amazing, authentic experiences around art, youth and community I have witnessed in recent memory. Thousands gathered to view this space and its jawdroppingly fabulous graffiti for free, with music, beer and wine, and an electric atmosphere that should make world cultural hubs like London, Berlin and Venice blush.

A few thousand mostly young folks pullulated in the once abandoned rusty, peeling trilevel concrete and steel building that seemed happy to be a host for all this activity. The people were happy together, drowning in art in 3D, dancing, flirting, posing, snap-shooting and juggling, all of them self-regulated, well-behaved and paying close attention to what they saw.

The floor, the walls, and ceiling and all kinds of nooks and crannies were painted. Many works displayed wit, wildness and undeniable artistry. At several points, the building trembled as the trains, often themselves adorned by the same art work now housed now inside the building, roared by.

The project as a whole shows mindful foresight and planning that is rare indeed. The police and the city govt. clearly had a welcome role in facilitating this art event by keeping a very low profile and just letting folks do their stuff. And to my understanding, this was no LA style Eli Lilly funded, rarified and ultimately impotent extravaganza, but a grassroots, collaborative, kickstarter and Bay area funded. If so, we should thank everyone that helped artwork blossom before our eyes in their natural habitat in this fresh, free and provocative way.

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Posted by Vera Citizen on 09/09/2012 at 11:55 AM
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Is this still going on? Your article says it is on Sundays, but Endless Canvas says not open to the public -- which is it?

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Posted by berkeley_ca on 09/15/2012 at 10:56 AM
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