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Regarding Diptychs

By Eric Dean Wilson × Criticism

And yet, there is no escaping the strength of the number three. A triangle is the sturdiest shape in architecture. The Buckminster Fuller geodesic dome, the pyramids, the molecular structure of diamond—all derive their stability from the strength of three. And of course, the Christian Trinity—Father, Son, and Holy Ghost—a holy triptych that collapses into one idea: God. The diptych can’t escape this rule of three, and perhaps this is also part of its power. Just as the triptych is secretly a portrait, the diptych is, in a sense, a triptych…

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What Will Happen to Kim Kardashian in the Revolution?

By Tessa Brown × In Conversation

Guy Debord tells us the spectacle is what our modern economy looks like: it is what we have produced, and what we consume, congealed into an image. “The spectacle is capital to such a degree of accumulation that it becomes an image.” In an earlier piece, I suggested that the capital accumulated in the images of Ferguson is our squandered defense budget, expressed on suburb streets and pointed at our own citizens.

It all makes more sense if you don’t distinguish between E! and CNN, between Kim Kardashian and Rosemary Church. The TV is just trying to entertain you, to give you what you want to see so you’ll keep buying. That is, you who it thinks it knows but no longer does…

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Letter from the Editors: The Reader is Going All-Print!

By Staff × Notes

It is our pleasure to announce to you the latest development here at the American Reader: effective October 1st, 2014, we will be turning our full focus to our print journal. The website will still be an active part of the magazine. Our “Day in Lettres” blog will continue, along with weekly dispatches from the editors about what we’re reading and engaging with, and regular updates regarding new issues and upcoming events.

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Staff Picks: Print Favorites

By Staff × In Conversation

This October, the American Reader is going (almost) all print. In celebration of this shift, the editors have put together an unranked list of twenty of our favorite stories, poems, plays and essays that have appeared in our print edition over the past two years.

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Total Literary Awareness: How the FBI Pre-read African American WritingFrom the Print

By William J. Maxwell × From the Print

When the FBI was fed the minutes of editorial board meetings at Time and Life, Fortune and Look, the Reader’s Digest and the Daily Worker, points along the full spectrum of U.S. print culture were opened to Bureau pre-awareness.

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Green Screen: The Lack of Female Road Narratives and Why it MattersFrom the Print

By Vanessa Veselka × Criticism

Whereas a man on the road might be seen as potentially dangerous, potentially adventurous, or potentially hapless, in all cases the discourse is one of potential. When a man steps onto the road, his journey begins. When a woman steps onto that same road, hers ends…

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Especially Heinous: 272 Views of Law & Order SVUFrom the Print

By Carmen Maria Machado × Fiction & Poetry

The ghost of one of the murdered, misburied underage models begins to haunt Benson. She has bells for eyes, tiny brass ones dangling from the top of each socket…

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Paranoid Narcissism: What Dostoevsky Knew About the Internet

By Rosa Inocencio Smith × Criticism

Enter the double: the curated profile, the version of you that bears all your identifying information—name, clothes, job, appearance, place of birth—but whose social grace is impeccable, whose interests are noble and fascinating, whose biography is impressive yet humbly presented, whose comments are edited for maximum wit.

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“A Question of Silence”: Why We Don't Read Or Write About EducationFrom the Print

By Houman Harouni × Criticism

If in recent years one type of writing has managed to at least hint at the genuine problem in education, it is the adolescent fantasy novel. [...] The structuring desire of every novel of this sort is the same: a well-resourced school that offers a meaningful education. The anxiety that eventually takes over the story is also the same: that the school will turn out to be just as authoritarian, just as banal and arbitrary as its real-life counterparts.

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Life Sentences: The Grammar of Clickbait!

By Michael Reid Roberts × Life Sentences

I Am Here to Take Back the Clickbait. In Three Simple Steps, Find Out How Upworthy Titles Create Cognitive Problems In Readers. But What Happens If You Don’t Click? You Won’t Believe What Happens Next.

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The Sound of TED: A Case for Distaste

By Houman Harouni × Criticism

A decent strategy with TED might be to reclaim our teenage capacities and treat these videos as hopelessly passé—ignore them to death. Critiquing them, even as I have done, will do what criticism has done for television: creating an added enjoyment as you go on consuming the crap you despise…

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10 Under 10: Writers to Watch

By Staff × In Conversation

The American Reader is proud to feature ten emerging writers, whose work speaks not only to the variety but the vitality and inventiveness of contemporary American literature.

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The Cosmology of Serialized Television

By David Auerbach × Criticism

How does the most acclaimed show on television end up pulling a high school writing trick of injecting a few famous lines to anoint itself in seriousness and relevance?

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Four Short Essays From "The Hard Problem"

By Rachel Yoder × Criticism

One time I was in therapy for being sad, and while I was there I learned about The Power of Positive Thought. I know this sounds like magic and/or fake and/or antithetical to the open-eyed truth telling to which we’ve all dedicated ourselves as writers, but if you would like to not kill yourself after years and years of sitting at a desk with little or nothing to show for it, it’s a really great option…

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"Against World Literature": The Debate in Retrospect

By Gloria Fisk × Criticism

What is Emily Apter really against, what is she really for, and why does she invoke world literature to make that case?

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Ragnarök on the Seine

By Justin E. H. Smith × Criticism

The convicted Norwegian murderer and black metal icon, Kristian ‘Varg’ Vikernes, is to appear at a hearing before the public prosecutor, having been charged with one count of public provocation of racial hatred, and one of glorifying crimes of war and crimes against humanity…

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"Invalidenstrasse" & Other PoemsFrom the Print

By Szilárd Borbély × Fiction & Poetry

And darkness was all around them, as if they were in someone’s mouth…

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The Lost Art of Memorizing Poetry

By Nina Kang × Criticism

Why is poetry these days so hard to remember?

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