UNTIL
by Sean
Please note: MP3s are only kept online for a short time, and if this entry is from more than a couple of weeks ago, the music probably won't be available to download any more.

 
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Beyoncé - "1+1". I did not expect it to be so easy to find happiness. I was twenty one years old when I met her. I still drank Bailey's Irish Cream and I still listened to Oasis. I feel funny even writing that down. Six years later, I don't do these things. I pour M red wine and we put on Ethiopiques. In the morning we kiss goodbye and in the evening we ride our bikes over overpasses, along canals. You cannot see the stars in the city but still we lie on our backs in the grass and we pretend we can, like when I was twenty one and she swept me off my feet. Six years. I did not expect it to be so easy to find happiness.

Last night she turned to me with colour in her cheeks and she said something that felt complicated and direct and unwavering, like she was taking my hand and putting it in a fire, and taking my eyes and making me see that our hands were in a fire. As she spoke, I listened without any confusion, because she is M. I watched each expression flicker across her face. Colour in her cheeks. In my heart I said, secretly, Okay, enough. Let's. Let's. All our lives, we shall lie in the grass and see certain stars that one-another has imagined.

[Beyoncé's 4 is out June 24]

The Brian Michael Roff Catastrophe - "Symbols". Toward the end of this song, there is a synthesiser - or a guitar? or a saw? or a small man happily tearing his arms off? i can't tell - and this is one of those rare moments when an instrumental solo says just as much as the entire rest of a song, not because that song is simple, but because the solo is bizarre and magnificient and very slightly wrong. It's the fitting end to a song about symbols, some of them clear and others opaque. Roff sings of symbols in the light, a phrase that can stand for film, or ink, or even our computer monitors' projections. Such symbols are at once art and distraction, thin reassurances. Roff cannot decide if wants or needs them. He sings the asking, with shambling drumbeat and a living electric guitar. These are his friends; with warmth and care, they refuse to answer each question.

[buy the Ball of Wax Audio Quarterly, Winter 2011 issue]


(photo source)

Posted by Sean at May 26, 2011 11:44 AM
Comments

Sean,

Thank you for these two songs and beautiful write-ups. You are a treasure.

Posted by Bryan at May 30, 2011 9:15 PM
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about said the gramophone
this is a daily sampler of really good songs. all tracks are posted out of love. please go out and buy the records!

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"and i shall watch the ferry-boats / and they'll get high on a bluer ocean / against tomorrow's sky / and i will never grow so old again."
about the authors
Sean Michaels lives in Montreal. He is a writer, critic and author of the theremin novel Us Conductors. Follow him on Twitter or reach him by email here.

Dan Beirne is an actor and writer living in Toronto. Any claim he makes about his life on here is probably untrue. Email him here.

Jordan Himelfarb lives in Toronto. He is an opinion editor at the Toronto Star. Jordan's posts appear at Said the Gramophone only on the last Wednesday of every month. Email him here.

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