Kriti (creation)
Chicago, IL
June 11 - 14, 2009, Chicago- Guests of Honor: Gunesekera, Kumar, Sidhwa
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Guests of Honor: Romesh Gunesekera, Amitava Kumar, Bapsi Sidhwa
Romesh Gunesekera's first novel Reef was shortlisted for the 1994 Booker Prize and won a Premio Mondello Five Continents Award in Italy. He is also the author of The Sandglass, (winner of the inaugural BBC Asia Award) and Heaven's Edge which like his collection of stories, Monkfish Moon, was a New York Times Notable Book of the Year. His fourth novel The Match, was described by the Spectator as 'effortlessly accomplished,' and the Irish Times as a book that 'shows why fiction is written--and read'.His fiction has been translated into many languages from Norwegian to Chinese. His books are studied on university courses in a number of countries and Reef is a prescribed text in the new English Literature Advanced level syllabus in Britain.
He is an Associate Tutor on the graduate writing programme at Goldsmiths College, University of London and has been a trustee of the Arvon Foundation (for creative writing). He has also been a writer-in-residence in Singapore, Hong Kong, Denmark among other places. His workshop in Greece was listed in the top ten summer activities for 2008 by the Sunday Times in London. In 2004 he was made a Fellow of the Royal Society of Literature and in 2005 received a National Honour in Sri Lanka. Last year he was awarded the Jura Writer's Retreat by the Scottish Book Trust to spend time on the remote island on which George Orwell wrote 1984.
Amitava Kumar is a writer and journalist born in Ara, Bihar; he is the author of Husband of a Fanatic (The New Press, 2005 and Penguin-India, 2004), Bombay-London-New York (Routledge and Penguin-India, 2002), and Passport Photos (University of California Press and Penguin-India, 2000). He has also written a book of poems, No Tears for the N.R.I. (Writers Workshop, Calcutta, 1996). The novel Home Products was published in early 2007 by Picador-India. His forthcoming book, A Foreigner Carrying in the Crook of His Arm a Tiny Bomb, is a writer's report on the global war on terror.
Husband of a Fanatic was an "Editor's Choice" book at the New York Times; Bombay-London-New York was on the list of "Books of the Year" in The New Statesman (UK); and Passport Photos won an "Outstanding Book of the Year" award from the Myers Program for the Study of Bigotry and Human Rights in North America. His novel Home Products was short-listed for India's premier literary prize, the Crossword Book Award.
Amitava Kumar's non-fiction and poetry has been published in The Nation, Harper's, Kenyon Review, New Statesman, Boston Review, Transition, American Prospect, The Chronicle of Higher Education, Toronto Review, Colorlines, Biblio, Outlook, Frontline, India Today, The Hindu, Himal, Herald, The Friday Times, The Times of India and a variety of other venues. He is the script-writer and narrator of the prize-winning documentary film, Pure Chutney (1997), and also the more recent Dirty Laundry (2005).
Bapsi Sidhwa was raised in Lahore, Pakistan. Her five novels: Water, An American Brat, Cracking India, The Bride, and The Crow Eaters have been translated and published in several languages. Her anthology: City of Sin and Splendour [aka] Beloved City.: Writings on Lahore, was published in 2006.
Among her many honors Sidhwa received the Bunting Fellowship at Radcliffe/Harvard, the Lila Wallace-Reader's Digest Writer's Award, the Sitara-i-Imtiaz, Pakistan's highest national honor in the arts, and the LiBeraturepreis in Germany and the 2007 Primo Mondello Award in Italy.
Cracking India (a New York Times Notable Book of the Year and a Quality Paperback Book Club selection), was made into the film Earth by Canadian director Deepa Mehta. Her latest novel Water is based on Mehta's film of the same name.
Sidhwa's play, An American Brat, was produced by Stages Repertory Theater in Houston March 2007. It played to full houses and received critical acclaim. Her play, Sock'em With Honey, played in London in 2003.
Other Panelists
- Shilpa Agarwal is the author
of Haunting Bombay, a
literary ghost story set in 1960's India that was awarded a First Words
Literary Prize for South Asian Writers and published in April 2009 by
Soho Press. It will be published internationally later this year.
Shilpa's writing is informed by glimpses into moments of alienation and
awakening, especially during geographic and metaphoric crossings: east
meets west, centers meet the peripheries, the living meet the dead. She
writes to call up the haunting utterances of the excluded, to excavate
fragmentary memories that edge consciousness, and to imagine a more
nuanced narrative of history itself.
- A writer, researcher, copywriter, biographer and poet for twenty
years, Vinita Agarwal lives in Indore. She was born in Bikaner, raised and
schooled in Kalimpong and Kolkata and did her B.A. and M.A. in
political science from M.S. University Vadodara, Gujarat. Her research
work, non-fiction and poetry have been published in International
Centre for Peace Initiatives, Hobson's Casebooks, Free Press, Femina,
Savvy, Marwar, Biblio, MuseIndia, Indianwildlife, Indianwriters,
kritya, sulekha, and other venues. Passionate about heritage and
culture, she is a life member of INTACH. Her book of poems and two
coffee-table books on vintage cars to be published soon.
- Fuad Ahmad is a multi-media artist representing the Bengali folk
tradition in the international diaspora of second-generation Indian
immigrants. He performs and records under the name DhakFu. Born in Boston
and raised across the United States, the Middle East, and Southeast Asia,
Fuad moved to Chicago in 1999. He currently spends his days as a creative
coordinator for Leo Burnett Worldwide, and his nights collaborating and
performing alongside Karsh Kale, State of Bengal, the Midival PunditZ,
Chicago's Bombay Beatbox crew, and countless others. Fuad was the
Chicago Market Manager for Six Degrees Records from 2002-2006. For more
information, see www.fuism.com
- Nawaaz Ahmed is a transplant from Tamil Nadu, India, where he majored
in Computer Science. Since moving to the US in 1994, he's been dabbling in
the arts (choreography, painting, photography, music), finally taking the
plunge last year and dubbing himself a writer. He's currently working on a
collection of novellas set around the world, exploring familial ties,
love, faith and sexuality. He resides in San Francisco, and will start his
MFA in creative writing at the University of Michigan, Ann Arbor, this
fall.
- Anjal Chande (www.anjalchande.com) is an independent dance artist,
eager to see bharatanatyam thrive in Chicago's cultural community and
beyond. Anjal seeks to create work that speaks to the current times and
this diverse locality by bringing together innovative choreography,
compelling ideas, and original music. She is the founder and director of
Soham Dance Space, which offers unique instruction in Indian dance in
Chicago and Palos Park. Anjal has performed worldwide, receiving numerous
awards and critical acclaim. Anjal trained in bharatanatyam under Smt.
Hema Rajagopalan and renowned gurus of Chennai, India. She is a proficient
musician and a graduate of New York University.
- Anita Chandwaney is ecstatic to be a part of the nation's first full
production of Yoni ki Baat. She very recently closed
Haram Iran. Her other Chicago credits include work with
Next, Collaboraction at Steppenwolf, Lookingglass, Organic, Pegasus, Remy
Bumppo, Silk Road, Babes with Blades, and Rasaka -- for which she was also
the Founding Executive Director and co-producer of their Jeff Citation
winning The Masrayana. NYC credits include work with
Playwrights Horizons, Ensemble Studio Theatre and Open Eye. Her first
full-length play, Gandhi Marg, won 2nd place in Writers
Digests 75th Stage Play Competition, and was a finalist in Chicago
Dramatists' Many Voices Project and a recipie of a 3ArtFellowship. She
wishes to thank her family for their love and encouragement.
- A native of Kolkata, India, Tua Chaudhuri is a writer and teacher
currently living in Nashville, Tennessee. As an undergraduate she studied
History and English at Bryn Mawr College and King's College London. She
will complete her MFA from Warren Wilson in July 2009.
- Nitin Deckha published his first collection of short stories,
Shopping for Sabzi (TSAR Publications) in fall 2008. His
fiction has appeared in South Asian Review, Existere,
www.sulekha.com and Anokhi Vibe. In
October 2008, he was Writer-in-Residence at www.openbooktoronto.com.
Nitin holds a PhD in Anthropology from Rice University. He has worked in
advertising and marketing, and now teaches Social Sciences at University
of Guelph-Humber and Humber Institute in Toronto, where he was raised and
now lives.
- Deeva Dance Troupe is a nationally-recognized, all-female dance troupe
at Northwestern University that blends the best of Indian classical,
Bollywood, folk, jazz, modern and hip-hop. Founded in 2001, the troupe
has a unique mission: to generate and participate in an intercultural
dialogue through dance. Each dancer brings a unique background from the
diverse regions of South Asia and knowledge of a variety of dance styles
from all over the world. By choreographing dances that mix cultures, Deeva
is excited to not only bring increased cultural awareness to the student
body, but to have a cultural exchange through dance.
- Ashini J. Desai coupled her BA in English with an MS in Information
Science by balancing poetry, project management, and motherhood. Her poems
have been published in the anthologies of Asian-American poetry
Yellow as Tumeric, Fragrant as Cloves, Sulekha Select and
Shakti Ki Awaaz, as well as literary journals
Philadelphia Poets and Thema. In addition, her
essay was included in the new anthology Labor Pains and
Birth Stories. She has written online poetry and book reviews
(Desilit.org, Sawnet.org, Desijournal.com), and parenting columns for
South Asian-Americans (ABCDLady.com).
- Anjalee Deshpande is a playwright/actor/director who hails most
recently from Lewisburg, PA where she teaches in the theatre department at
Bucknell University. Anjalee is a graduate of the MFA directing program at
Northwestern University and the BA theatre program at Kalamazoo College.
Throughout her career Ms. Deshpande has been freelance directing,
writing and acting in New York City, Chicago, London and Mumbai.
Anjalee's focus is devised theatre and the Michael Chekhov technique.
Anjalee's most recent essay on Theatre and Motherhood in Academia is
published in the anthology called MaMa PHD which is available
through Rutger's University Press.
- Ru Freeman was born
into a family of writers and many boys in Colombo, Sri Lanka. After a year
of informal study at Murdoch University in Perth, Western Australia, she
arrived in the United States with a Parker ink pen and a box of Staedler
pencils to attend Bates College in Maine. She completed her Masters in
Labor Relations at the University of Colombo, and worked in the field of
American and international humanitarian assistance and workers' rights.
Her political writing has appeared in English and in translation. Her
creative work has appeared or is forthcoming in Guernica, Story
Quarterly, Crab Orchard Review, WriteCorner Press, Kaduwa and
elsewhere. Her debut novel, A Disobedient Girl, will also be
published in Dutch, Italian, Chinese, Portuguese and Hebrew. She calls
both Sri Lanka and America home and writes about the people and countries
underneath her skin.
- Minita Gandhi was born in Mumbai, India. She is proud to be a part of
Rasaka's Yoni Ki Baat. A San Francisco transplant, Minita is
thrilled to now call Chicago home and has had the privilege of working
with Silk Road, Lookingglass, Theater Seven, Stage Left, Apple Tree, and
is an associate artist of Halcyon Theater. Minita may also be seen this
February at Piccolo Theater where she will be playing Viola in
Twelfth Night, and this summer in Lookingglass',
Arabian Nights. She would like to thank God, her
family, friends, Ms. Lavina, and gives a shout out to brave yonis
everywhere!
- V.V. Ganeshananthan is a graduate of Harvard College, the Iowa
Writers' Workshop and the Columbia University Graduate School of
Journalism. Her first novel, Love Marriage (Random House),
was named one of Washington Post Book World's Best of 2008 and
longlisted for the Orange Prize. This fall, she will begin teaching at the
University of Michigan as the Zell Visiting Professor of Creative
Writing.
- Minal Hajratwala is a writer,
performer, poet, and queer activist based in San Francisco, where she was
born before being whisked off to be raised in new Zealand and suburban
Michigan. She spent seven years researching and writing LEAVING INDIA,
traveling the world to interview more than seventy-five members of her
extended family. As a journalist, she worked at the San Jose Mercury News
for eight years and was a National Arts Journalism Program fellow at
Columbia University's Graduate School of journalism. She is a graduate of
Stanford University.
- Farha Hasan is a librarian living and working in Boston. She has come
back to writing fiction after a brief stint in advertising where she was
involved in copywriting, casting and strategic planning. Her short stories
have been published in various ezines and small circulation presses such
as, the Binnacle, Samizdada, Down in the Dirt, Toasted Cheese and Wild
Violet and Skyline Magazine. She has recently completed her first
novel.
- Fatima T. Husain is a cognitive neuroscientist by training. Presently
she teaches about sounds and the brain at a large University. She has
written poetry since she was 9 years old and has occasionally published in
tiny journals, so tiny that only three persons (her family) read the
poems. She hopes to remedy that by growing her family.
- Tania James was raised in Louisville, Kentucky, after a brief stint in
Chicago from ages 0 to 4. She graduated from Harvard University in 2003
with a bachelors degree in Visual and Environmental Studies, with a focus
in filmmaking. She received her Masters of Fine Arts in fiction from
Columbia's School of the Arts in 2006. Her work has been published in
One Story magazine and The New York Times. Her debut novel
Atlas of Unknowns is being released by Knopf on April 21st,
and has been sold in eight additional countries. She lives in New York
City. Visit her at www.taniajames.com.
- Sheba Karim was born and raised in Catskill, NY. She is a graduate of
the New York University School of Law and the Iowa Writers Workshop. Her
fiction has appeared or is forthcoming in 580 Split, Asia Literary
Review, Barn Owl Review, DesiLit, EGO, Kartika Review, Shenandoah,
and the Tranquebar Anthology of Erotic Literature. One of
her short stories was recently nominated for a Pushcart Prize. Her young
adult novel, Skunk Girl, was published by Farar, Straus, and
Giroux in March 2009. She currently lives in New York City.
- Shisir Khanal is Executive Director of Sarvodaya USA, a Madison,
Wisconsin based non-profit organization. Sarvodaya USA supports programs
in Nepal and Sri Lanka through Sarvodaya Nepal in Nepal and the Shramadana
Movement in Sri Lanka. The Shramadana Movement is the largest grassroots
development and peace movement in Sri Lanka. The Movement supports 15,000
communities in Sri Lanka and is considered one of the best community based
organizations in the world. Sarvodaya's outstanding tsunami relief work
won the United Nations honor in 2005. A native of Nepal, Shisir graduated
with a degree in Masters in International Public Affairs (MIPA) from La
Follette School of Public Affairs in 2005.
- Shamila Khetarpal has studied, performed and choreographed Bhangra and
Bollywood dance for 20 years. Shamila has taught and performed
internationally, is a Bhangra Coordinator for the Punjabi Cultural Society
of Chicago, appeared in the RDB/Snoop Dogg "Singh is King" video, and was
a judge at the 2008 PCS Chicago International Bhangra Competition. Shamila
has taught Bhangra at the Old Town School of Folk Music since 2003, and
has taught at Chicago Summerdance, Millennium Park Workouts, the
University of Chicago Folk Festival, the Old Town School of Folk Music
Folk and Roots Festival, and Chicago area Bhangratheque.com Bhangra
parties.
- Born in India and raised in the Middle East, Mouzam Makkar has been
performing all her life, either in front of a crowd or just in front of
the bathroom mirror. Although a student and performer of Indian classical
dance and voice since the age of four, her acting debut wasn't until
after her big move to the United States at the age of twelve. New to the
Chicago acting scene, she has already appeared in a few independent movies
and commercials. Mouzam is thrilled to appear in Yoni Ki Baat
and extends a deep gratitude to all those who have and continue to support
her acting pursuits.
- Fawzia Mirza is excited to be back home in Chicago and in her second
production with Rasaka Theatre Company! She recently appeared in
1001, a modern adaptation of the Arabian nights at Mixed
Blood Theatre in Minneapolis, MN, where she played the classic Muslim
heroine, Scheherezade. She performed at the 2008 NYC Fringe Festival in
The Refugee Girls Revue: A Musical Parody, heralded the best
show of the Fringe by NYTheatre.com. She understudied Beatrice at Chicago
Shakespeare Theatre in the Jeff Award-Winning, Funk It Up About
Nothin', she tours year-round with a comedy educational show,
Sex Signals and she produces documentaries. She wants to
thank a little yellow bird for being down with the brown.
- Monica Mody's poems have appeared or are forthcoming in
Nthposition, The Little Magazine, Pratilipi, DesiLit Magazine,
Kritya, Talking Poetry India, Midway Journal, Women. Period, and
Sheher: Urban Poetry by Indian Women. She curated a
multilingual poetry in performance series in Delhi through 2007-08 called
"Open Baithak" and was awarded the Toto Funds the Arts Award for Creative
Writing in 2006. She is a lawyer by training, has worked as a freelance
writer and editor, and is interested in flanerie, queer theory,
postcolonial theory and cats. Monica currently attends the University of
Notre Dame's M.F.A. Creative Writing Program as a teaching fellow.
- Mary Anne Mohanraj is
the author of Bodies in Motion, Sri Lankan-American
linked stories (HarperCollins) and nine other titles. Bodies in
Motion was a finalist for the Asian-American Book Award and has
been translated into six languages. She teaches creative writing, Asian
American lit., and post-colonial literature at the University of Illinois,
and has received an Illinois Arts Council Fellowship in Prose, a Neff
Fellowship, a Steffenson-Canon Fellowship in the Humanities, and the
Scowcroft Prize for Fiction. Mohanraj serves as Executive Director of
both DesiLit (www.desilit.org), supporting S. Asian and diaspora
literature, and the Speculative Literature Foundation (www.speclit.org).
In 2009, the Chicago Foundation for Women named her a leader in the Asian
American creative arts.
Natya Dance Theatre (NDT), a critically acclaimed dance company based in Chicago , was founded in 1974 by renowned dancer, choreographer and dance educator Hema Rajagopalan. NDT's contemporary style is rooted in Bharata Natyam, one of the great classical dance forms of India . The Natya Company has been presented by the World Music Institute in New York City, The Ailey Citigroup Theater, Ravinia Festival, the Chicago Symphony Orchestra, Chicago's Museum of Contemporary At , and many other prestigious venues. In 2006, the Company performed with cellist Yo-Yo Ma and the Silk Road Ensemble before an audience of 13,000 at Chicago's Pritzker Pavilion at Millennium Park. The Natya Dance Theatre School offers Bharata Natyam instruction to students ages four-and-a-half and up; new classes for children and adults begin in Chicago this month. Contact NDT program coordinator, Bill Jordan, 312-212-1240; bill@natya.com, for information and to register.
- Shakuntala Rajagopal, affectionately known as Dr. Shaku, was born in
Kerala, South India, and came to the United States in her early twenties.
After a long and distinguished career in Pathology and Laboratory
Medicine, she retired to be an active grandmother, while pursuing her
passions of writing and painting. Her first novel, Radha,
was published in November, 2007 She has won awards for her poems in the
Writers Digest Annual Competitions, in 2006 and 2008. She is a
longstanding member of Barrington Writer’s Workshop, a Off Campus
Writers's Workshop in Winnetka, Illinois. She lives with her husband in
Algonquin, Illinois.
- Kavitha Rajagopalan is the author of Muslims of Metropolis: The
Stories of Three Muslim Immigrant Families in the West, and a
Senior Fellow at the World Policy Institute, and was recently named a
Carnegie New Leader by the Carnegie Council for Ethics in International
Affairs. She received a Master's degree in International Affairs from
Columbia University, and a Bachelor's degree in International Relations
from the College of William & Mary. She was awarded a Fulbright
scholarship, the Foreign Language and Area Studies fellowship, and the
John J. McCloy Journalism fellowship. Kavitha lives in Brooklyn, NY with
her husband.
- Rishi Reddi's debut collection, Karma and Other Stories,
won the 2008 PEN / L.L. Winship Award and was also published in Germany
and India. Her work has appeared in Best American Short Stories
2005, read on National Public Radio's Selected Shorts series and
earned an honorable mention in Pushcart Prize 2004. She has received
fellowships from the Bread Loaf Writers' Conference, the Massachusetts
Cultural Council, and Vermont Studio Center. She is an environmental
attorney for the Commonwealth of Massachusetts and serves on the Board of
Directors for South Asian Americans Leading Together (www.SAALT.org). She
lives in Cambridge, Massachusetts. Photo credit: Peter
Tannenbaum
- Sonal Shah plays Dr. Sunny Dey on ABC's "Scrubs." She is a dancer
was named Miss DuPage County Queen and one of DuPage's Top Twenty
Students. She received the Burshtan/Kiwanis Leadership Award, the Weinig
Travel Fellowship, attended Loyola University as a Presidential Scholar,
graduated with a degree in Theatre/Pre-Medicine, and gave the commencement
address. Sonal, a founding member of Rasaka Theatre Company, was active
in Chicago Theatre and performed with The Goodman among many others. She
supplemented her acting education at Improv Olympic, The Moscow Art
Theatre School at Harvard University, and graduated from The Second City
Conservatory. Sonal booked a series regular role in ABC Family's "The
PTA." She performed in the NBC Diversity Showcase and has tested for 5
pilots. Please visit www.sonalshah.net.
- Born and raised in India, Manisha Sharma earned a Masters and PhD in
literature before enrolling in the MFA program at Virginia Tech. She
ardently believes that genres interact and inform each other. A winner of
the Greenbelt Prize in fiction, her work has been nominated for Best
New American Voices, and is also the first runner-up for the
Virginia Tech Fiction Prize. She served as the co-editor of The New
River, a journal of digital writing and art. At present she is
working on an anthology of short stories. She lives in Blacksburg with her
husband and their three-year-old son.
- Prema Srinivasan is the author of two novels, Merging
Waters and Founders Inn as well as a work of short
fiction titled "Bleeding Hearts." Her poetry has appeared in the
Worcester Telegram and Gazette, Shards Volume XV, and the
Apricot Hill Literary Magazine. She is an avid hiker
and has written travel blurbs incorporating geotagging. She has also been
ballroom dancing for over eleven years and has performed and taught
workshops with her dance partner. She currently works in Marketing
Communications. Prema was a panelist at Kriti 2007.
- Ankur Thakkar has blogged for the AVS TV Network and his writing has
appeared in The Indian Express, iStyle Magazine, and
Saathee Magazine. He attends Northwestern University in
pursuit of a MFA in fiction. A lifelong musician, it might only be
coincidence that his name is pronounced 'encore'. He lives in Chicago.
- Deepak Unnikrishnan writes. Short stories. He is Abu Dhabi-an,
manufactured and product tested in the capital by a quiet yet befuddled
South Indian family. Bane, The Brined Brain of I is his
forthcoming short story collection; excerpts have appeared in
Desilit, Ego, and read from at Artwallah 2008.
His first set of shorts, Coffee Stains in a Camel's Teacup
(2004) was published by Vijitha Yapa Publications (Colombo, Sri Lanka). A
performance artist, he has also acted out his work, dissecting the pieces
into spoken word and one-act-one-man plays.
- Sweta Srivastava Vikram is an author, poet, writer, blogger, marketing
professional living in New York City. Born in India, Sweta spent her
formative years between the blue waters of Libya and the green hills of
Mussoorie, before arriving in bustling New York. In 2008, her first book
of poetry, Pabulum, was published. Pabulum is a
journey through Sweta's emotions and reveals her opinions based on her
experiences. In March 2009, Mirage Books published one of Sweta's
stories as part of a short story collection, Inner Voices.
She is a graduate of Columbia University in New York.
Rachna Vohra is a Montreal-born, South Asian poet and spoken word artist who finds meaning in colouring outside of the lines drawn, accepted, and perpetuated by society. With a goal of transforming minds, she found spoken word to be an empowering tool towards social change and critical thinking. Over the last few years, she has begun effecting change by addressing social, political, and emotional issues through her work. She has self-published two books; been published in magazines, zines, and anthologies; has been recorded on CD; and has performed at poetry and spoken word venues across North America. To find out more about Rachna Vohra, visit www.rachnavohra.com.
Location
Kriti 2009 is co-sponsored by Roosevelt University and the University of Illinois at Chicago. From Thursday evening until Friday at five p.m., we'll be at UIC's West Loop campus (registration and check-in at the Institute for the Humanities, Stevenson Hall, 701 S. Morgan Street). From Friday at five until Sunday afternoon, we'll be at Roosevelt University (registration and check-in on Friday at Ganz Hall, and on Saturday/Sunday at the Congress Lounge, both at 430 S. Michigan Ave).
Both locations are wheelchair-accessible.
Schedule
THURSDAY
7:00 - 10:00 p.m.
Opening Reception and Rapid-Fire Reading
Come join us for samosas, sweets, and a rapid-fire sampling of fabulous
fiction, poetry, and more, from local and visiting authors! Featuring:
Nawaaz Ahmed, Minal Hajratwala, V.V. Ganeshananthan, Farha Hasan, Mary
Anne Mohanraj, Angeli Primlani, Shakuntala Rajagopal, Manish Shah, Manisha
Sharma, Prema Srinivasan, Deepak Unnikrishnan, Sweta Vikram, and Rachna
Vohra
UIC, Institute for the Humanities, Stevenson Hall, lower level
FRIDAY
10:00 - 10:50
Bapsi Sidhwa Class Visit
Join Bapsi Sidwha in Mary Anne Mohanraj's introductory colonial /
post-colonial literature class for an hour of conversation about her
novel, Cracking India, in particular and post-colonial literature in
general. All are welcome!
UIC, Taft Hall, Room 207
11:00 - 11:50
Writing Culturally-Specific Stories: The Authenticity Debate
What do you say if someone says to you, "You don't even live in South Asia
-- what makes you think you're authentic enough to be telling this story?
You don't know us!" When you write about a culture, do you feel a
responsibility to accurately represent the community? What are your
concerns? What do you do to help you in that process? (Prema Srinivasan
(m),Tania James, Tua Chaudhuri, Manisha Sharma, Kavitha Rajagopalan)
UIC, Institute for the Humanities, Stevenson Hall, lower level
The Red Sari Project: A Comparison of South Asian Diaspora Book
Covers
(Mary Anne Mohanraj)
UIC, University Hall, Rm 2028
12:00 - 12:50: Lunch Break
12:30 - 1:50 Film Screening: Sita Sings the Blues
Directed, written,
produced, designed, and animated by Nina Paley. Sita is a Hindu goddess,
the leading lady of India's epic the Ramayana and a dutiful wife who
follows her husband Rama on a fourteen-year exile to a forest, only to be
kidnapped by an evil king from Sri Lanka. Despite remaining faithful to
her husband, Sita is put through many tests. Nina (the filmmaker Nina
Paley herself) is an artist who finds parallels in Sita's life when her
husband -- in India on a work project -- decides to break up the marriage
and dump her via email. Three hilarious Indonesian shadow puppets
with Indian accents -- linking the popularity of the Ramayana from India
all the way to the Far East -- narrate both the ancient tragedy and modern
comedy in this beautifully animated interpretation of the epic. In her
first feature length film, Paley juxtaposes multiple narrative and visual
styles to create a highly entertaining yet moving vision of the Ramayana.
Musical numbers choreographed to the 1920's jazz vocals of Annette Hanshaw
feature a cast of hundreds: flying monkeys, evil monsters, gods,
goddesses, warriors, sages, and winged eyeballs. A tale of truth, justice
and a woman's cry for equal treatment. Sita Sings the Blues earns its
tagline as "The Greatest Break-Up Story Ever Told."
UIC, University Hall, Rm 2028
1:00 - 1:50
Queer Issues in South Asian Literature/Theatre/Film)
Authors and readers consider the role of GLBT characters and queer issues
in South Asian literature, and discuss these stories' reception in the
South Asian community. Do we need an explicitly queer space? What
opportunities are there for publication / presentation? Is there danger
of being typecast? Has queerness become more acceptable now? (Nawaaz
Ahmed (m), Monica Mody, Mary Anne Mohanraj)
UIC, Institute for the Humanities, Stevenson Hall, lower level
2:00 - 2:50
Workshop: Performance Tips for Writers
A workshop geared towards writers who want to read their work more
effectively, or maybe even memorize and go one step beyond just reading.
Actors and writers will work together on acting/performance tricks (beyond
'make eye contact') such as grounding before performing, sensing the
energy of the audience, being energetically open as a performer, vocal
warmups/projection, etc. (Anita Chandwaney (m), Sonal Shah, Minal
Hajratwala, Rachna Vohra, Kavitha Rajagopalan)
UIC Institute for the Humanities, Stevenson Hall, lower level
Readings: Farha Hasan, Ankur Thakkar, Deepak Unnikrishnan
UIC, University Hall, Rm 2028
3:00 - 3:50
Page to Stage
Is the distinction between 'spoken' and 'written' word relevant any
longer, given the growing numbers of writers on the performance circuit?
How do we take work from the page to live performance? What are the
pitfalls and richnesses of staging our work? Are there different audiences
for books vs. performance? Why perform rather than publish, or vice versa?
(This panel will cover performance poetry, theatre, and film.) (Rachna
Vohra (m), Bapsi Sidhwa, Anita Chandwaney, Deepak Unnikrishnan)
UIC, Institute for the Humanities, Stevenson Hall, lower level
Crossing Genre Boundaries
We've all seen the epic South Asian family novel, a sprawling tale of
marriage and politics and history and social conflict. What other kinds
of South Asian fiction is out there? Who are our science fiction and
fantasy writers, our mystery authors, our spy novels, romances, and
political thrillers? Writers discuss the challenges of breaking out of
the 'literary' ghetto as an ethnic writer, and recommend favorite work in
other genres. (Shilpa Agarwal (m), Farha Hasan, Mary Anne Mohanraj)
UIC, University Hall, Rm 2028
Readings: Prema Srinivasan, Kavitha Rajagopalan
UIC, University Hall, Rm 2550
4:00 - 4:50
Building the Buzz: Marketing Ourselves as Artists
Writers and artists in a variety of genres brainstorm methods for
marketing themselves and their work, from doing traditional events, to
hiring help, to public speaking, headshots, Twittering, 'virtual' book
touring, and more. With so many new South Asian American "creatives"
emerging, how do you set yourself apart from the crowd -- or collaborate
to give everyone maximum exposure? (Minal Hajratwala (m), Shilpa Agarwal,
Sonal Shah, Farha Hasan, Nitin Deckha, Rachna Vohra)
UIC, Institute for the Humanities, Stevenson Hall, lower level
Readings: Monica Mody, Tua Chaudhuri
UIC, University Hall, Rm 2028
5:30 - 6:15 p.m.
Bapsi Sidhwa Reading and Booksigning
Roosevelt University, Ganz Hall
6:30 - 7:30 p.m.: Dinner break
7:30 - 8:20
Dance Performances
Roosevelt University, Ganz Hall
Deeva Dance Troupe: Four Elements
"Who are we? What are doing here? What is this world about? Water, wind,
earth and fire...gives us the reason to live, the reason to dance, the
reason to rejoice." Deeva Dance Troupe presents a unique artistic
interpretation of the four classical elements. Through a powerful blend of
Indian folk, modern jazz, hip-hop and Bharat Natyam, we are excited to
share the beauty of our world by exploring its most fundamental elements.
Featuring: Godhuli Chatterjee, Farah Dahya, Ruchi Behl, Annelyse Ahmad,
Pallavi Sriram, Deepa Ramadurai
Darkness
"Darkness" is a dance piece that developed out of an original poem.
It considers darkness a realm of brilliance and retreat, and it reflects
on the access we have to bliss within ourselves. English poetry blended
with a rich orchestration of sitar and piano, this piece is a distinct
choreographic exploration of bharatanatyam dance technique and was created
through a collaboration between Anjal Chande and musician Gaurav
Venkateswar. (Concept, Poetry, Music Direction, Choreography: Anjal
Chande. Music Composition, Arrangement, Editing, Instrumentation, Vocals:
Gaurav Venkateswar)
8:30 - 11:30
Open Mic
Sign up at the door to read at an open mic -- all are welcome! 5 minute
limit per performance!
Roosevelt University, Ganz Hall
SATURDAY
8:30 - 10:00
Intermediate Writing Workshop
Participants sign up in advance and circulate manuscripts for small group
workshopping. Muffins, juice, coffee may be provided, no guarantees (Nitin
Deckha)
Roosevelt U., Rm 308
10:00 - 10:45
I Don't Want to Be a Doctor (Lawyer/Engineer/Mommy/Etc.) Anymore!
What do you do when you've succeeded in a South Asian-parent-approved
career -- and realize what you really want to do is be a writer or other
kind of artist/performer? Can you do a 180-career-wise? What if you're a
busy stay-at-home parent? Are there ways to incorporate the arts into a
busy work/family life? Those who have done it tell their tales! (Shilpa
Agarwal (m), Anjalee Deshpande-Nadkarni, Shakuntala Rajagopal, Rishi
Reddi, Nawaaz Ahmed)
Roosevelt U., Rm 320
Recommended Poetry
Maybe we should be reading poetry, but are we? Where should we find it?
In magazines? At readings or other events? Working poets share work by
their favorite contemporary South Asian poets, and tell you about the
poetry they love. (Sweta Vikram (m), Rachna Vohra, Prema Srinivasan,
Ashini Desai, Tua Chaudhuri)
Roosevelt U., Rm 306
Readings: Ru Freeman, Nitin Deckha, Manisha Sharma
Roosevelt U., Rm 310
11:00 - 11:45
KEYNOTE PANEL: "What's Not To Like?"
Three writers discuss their likes (and maybe even dislikes) on the subject
of contemporary South Asian writing. Our Guests of Honor Bapsi Sidhwa,
Romesh Gunesekera, and Amitava Kumar, will read from the writings of an
author they admire; a moderator will then lead a brief discussion with the
writers before opening the conversation to the members of the audience.
(Mary Anne Mohanraj (m), Bapsi Sidhwa, Romesh Gunesekera, Amitava
Kumar)
Roosevelt U., Ganz Hall
11:45 - 12:30
Keynote Reception
Ganz Hall Reception Room
12:30 - 2:00
Yoni ki Baat
Rasaka Theatre Company presents an encore performance of Yoni Ki Baat, a
funny, heartfelt and thought-provoking monologue cycle, loosely inspired
by Eve Ensler's The Vagina Monologues. By combining spoken word, music and
dance, Rasaka presents an exploration of female sexuality, seen through
the lens of diasporic culture. Like a chain letter passed through the
theatrical community, Yoni Ki Baat features contributions from female
writers across the country, including six new monologues by local writers.
Directed by Lavina Jadhwani, featuring Anita Chandwaney, Minita Gandhi,
Mouzam Makkar and Fawzia Mirza. ($5 suggested donation at the door, Ganz
Hall)
Roosevelt U., Ganz Hall
1:00 - 1:50:
Beginner Writing Workshop
Designed to allow walk-ins to try some basic writing exercises, with
panelist supervision. (Minal Hajratwala (m), Prema Srinivasan, Nitin
Deckha)
Roosevelt U., Rm 308
Readings: Shilpa Agarwal, Rachna Vohra
Roosevelt U., Rm 310
2:00 - 2:50: Lunch Break
3:00 - 3:50
Amitava Kumar Reading + Booksigning
Roosevelt U., Ganz Hall
Sarvodaya Presentation
Roosevelt U., Rm 306
3:00 - 4:20
Film Screening: Sita Sings the Blues
Directed, written, produced, designed, and animated by Nina Paley. --
Please see Friday for full description.
Roosevelt U., Rm 306
4:00 - 4:50
Politics and Writing: A Panel and Open Discussion
Writers discuss their goals in writing about politics. (Is any writing
not political?) Are they attempting to create change in the world? What
changes would they like to see? What have been the visible effects of
their work, if any? Should writers be political on a large-scale? What
are the inherent dangers of that work? A facilitated open discussion of
the ways in which writers engage political issues in their work, and the
ways in which readers respond to those issues. (Moderated by Lakshmi
Rengarajan of SAPAC. Mary Anne Mohanraj, Ru Freeman, Deepak Unnikrishnan,
Manisha Sharma, V.V. Ganeshananthan)
Roosevelt U., Rm 320
Readings: Tania James, Nawaaz Ahmed, Sheba Karim
Roosevelt U., Rm 310
5:00 - 5:45
What If I Don't Want to Write About India?
Is it necessary to sound South Asian or tackle South Asian subjects? What
if the writer's identity is ambiguous, then what? Is it essential to
cultivate a audience when a writer's identity cannot be fractioned? And
what do the readers think when South Asian writers like Vikram Seth write
books like An Equal Music (about white musicians in Europe), or when Anita
Desai writes The Zigzag Way (set in Mexico)? (Ankur Thakkar (m), Prema
Srinivasan, Monica Mody, Sweta Vikram, Tua Chaudhuri, Ashini Desai)
Roosevelt U., Rm 320
South Asian Diasporas and Indian Popular Cinema
(Ashvin Kini, Surbhi Malik)
Roosevelt U., Rm 308
Readings: V.V. Ganeshananthan, Mary Anne Mohanraj
Roosevelt U., Rm 310
6:00 - 6:45
Selling Your First Book
Writers who have recently sold their first book tell us how they did it,
and what they learned in the process. Learn what to do, what not to do --
and hear about a few great new books to watch out for! (Tania James (m),
Sheba Karim, Ru Freeman)
Roosevelt U., Rm 320
Readings: Minal Hajrwatwala, Ashini Desai, Sweta Vikram
Roosevelt U., Rm 310
7:00 - 8:00: Dinner Break
8:00 - 8:50
Bhangra Performance
Originating in the Punjab, the energetic and powerful folk dance that is
Bhangra has taken the world by storm. The evolution of Bhangra music and
dance, following its emigration from India and Pakistan and exposure to
Western influences, parallels the cultural evolution of the Indian
Diaspora. We will follow that journey with a presentation of traditional
and modern Bhangra dance by Shamila Khetarpal and dancers from the Old
Town School of Folk Music in Chicago.
Natya Dance Theatre (NDT), a critically acclaimed dance company based in
Chicago, was founded in 1974 by renowned dancer, choreographer and dance
educator Hema Rajagopalan. NDT is rooted in Bharata Natyam, is known for
their classical and contemporary work internationally. This evening the
company presents excerpts of “Margam”, contemporary repertoire that
gives a new look to traditional Bharata Natyam. Visit our site to see a
clip of our contemporary work at www.natya.com Ensemble: Shobana
Gopalakrishnan, Aarthi Israni, Vishaka Raghuveer, Vinay Srinivasan
Roosevelt U., Ganz Hall
9:00 - 10:00
Mithya, the Indian Dramatics Group from UIUC, presents
Chimeras, an
adaptation of Shashi Deshpande's short stories. This production, a
combination of dance and monologues, centers around three powerful women
from Indian mythology, Sita, Draupadi and Kunti. It makes us step back and
look at Mythology in ways perhaps never seen before. This play attempts to
peel away layers imposed by centuries of repeated story-telling. Directed
by: Anusha Sethuraman, Sibin Mohan. Cast: Anusha Sethuraman, Anjali Menon
and Sushmita Das. Choreography: Anjali Menon. Music Compilation: Hardik
Thakker. Production: Sibin Mohan
Roosevelt U., Ganz Hall
8:00 - 10:00
Music performances and dancing
Roosevelt U., Congress Lounge
SUNDAY
10:00 - 10:50 a.m.
Nonfiction
To what extent are we willing to expose ourselves? Do we have the right
to expose the lives of our family and friends? Is the need to tell a true
story, to be honest, more important than the need to consider the feelings
of others? And what happens when you're not sure you're remembering the
story right to begin with? How much freedom do you have to change the
details and still call it nonfiction? Writers discuss the challenges of
writing nonfiction. (Kavitha Rajagopalan (m), Sweta Vikram, V.V.
Ganeshananthan)
Roosevelt U., Rm 306
Sex and the Word
In recent years, more and more South Asians have started writing
explicitly around sexuality. Mary Anne Mohanraj, Ginu Kamani, the authors
in Desilicious, the participants in Yoni ki Baat, and many performance
poets all explore the sexual arena. What are the challenges of working
with this material? What are the rewards? Are you willing to read an
erotic story? How about in public, on a bus or train? Do you take the
books off the shelves w