Issue 34: Untimely Cinema: Cinema Out of Time

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Uploaded 09 September, 2012.

This special issue of Screening The Past is guest edited by Dr Jodi Brooks and Dr Therese Davis.

Untimely Cinema: Cinema Out of Time

Untimely Cinema: Cinema Out of Time
by Jodi Brooks & Therese Davis

Syrian Cinema: Out of Time?
by Kay Dickinson

The Restoration of The Exiles: The Untimeliness of Archival Cinema
by Catherine Russell

A Skeleton Key to Histoire(s) du cinéma
by Adrian Martin

Suspended Reading: Man on Wire, 9/11, and the Logic of the High-Wire
by Adam Ross Rosenthal

Kim Ki-duk’s Aporia: The Face and Hospitality (on 3-Iron)
by Steve Choe

Re-staging the Cinema: Psycho, Film Spectatorship and the Redundant New Remake
by Megan Carrigy

Parentheses in Time: L’Année Dernière à Marienbad (1961) as Amorous Event
by Alex Ling

Missed Beats: Unseen Cinema and a Cinema of the Unseen (or Stella Dallas, Again)
by Jodi Brooks

Cinema Against the Age: Feminism and Contemporary Documentary
by Belinda Smaill

Untimely Animations: Waltz with Bashir and the Incorporation of Historical Difference
by Paul Atkinson & Simon Cooper

First Release

Ten Fingers and Nine Toes: Embodied Representations of Pregnancy in Avant-Garde Cinema
by Lauren Bliss

Mapping the Cinematic Journey of Alexander Pearce, Cannibal Convict
by Jane Stadler

I racconti di Canterbury (Pier Paolo Pasolini)/The Canterbury Tales (Geoffrey Chaucer)
by Sam Rohdie

The Great Uncredited: Sir Walter Scott and Cinema
by Tim Dolin

The Jazz Singer: Accounting for Female Agency and Reconsidering Scholarship
by Karen Vered

Encountering Elusive Cinema: Tati, Straub-Huillet and Antonioni
by Edgar Jorge

Classics and Re-runs

Directing the Avant-Garde: Raymond Durgnat interviews Stephen Dwoskin (1984)
by Raymond Durgnat

Reviews

Ford At Fox
by Bill Routt

To Wax Zizekian: On Un-American Psycho: Brian De Palma and the Political Invisible
by Adrian Martin

Humphrey Jennings and British Documentary Film: A Re-Assessment
by Patricia Aufderheide

The Shadowcatchers: a history of cinematography in Australia
by Ina Bertrand

Post – 9/11 Cinema: Through a Lens Darkly
by Rod Bishop

Optic Antics: The Cinema of Ken Jacobs
by Dirk de Bruyn

Deleuze and World Cinemas
by Daniel Fairfax

Celluloid Immigrant: Italian Australian Filmmaker Giorgio Mangiamele
by Geoff Gardner

Deleuze and Cinema: The Film Concepts
by Gabrielle Lowe

World Film Locations: Paris
by Sarinah Masukor

The Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era
by Josh Nelson

China on Video: Smaller-screen realities
by Tom Salek

Terrence Malick and the Thought of Film
by Robert Sinnerbrink

World Film Locations: Los Angeles & World Film Locations: London
by Lynn Smailes

Virtual Hallyu: Korean Cinema of the Global Era
by Mike Walsh

The Anatomy of Harpo Marx
by Wheeler Winston Dixon

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