Issue 30 – A tribute to Blake Edwards

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Uploaded 25 April, 2011.

This issue pays tribute to Blake Edwards (1922 – 2010) by republishing some of most important essays and interviews to have appeared on Edwards over the past 50 years. These include articles by Peter Lehman and William Luhr, Andrew Sarris, Myron Meisel, Alain Masson, Dave Kehr, Charles Barr and many more.
Adieu, Mr Edwards.

First Release

“The China Film”: Madame Chiang Kai-shek in Hollywood
by Jane Park

Tokens of Exchange, or The Cook, The Thief, The Wife and Lover: Marginal Asian Characters in 1920s Australian Cinema
by Olivia Khoo

Working Within the System: An Interview with Gerry O’Hara
by Wheeler Winston Dixon

Two Channels, Two Truths: Reporting the Iraq War in Control Room
by Ursula Boser

‘Give It a Go You Apes’: Relations Between the Sydney and Melbourne Film Festivals, and the Early Australian Film Industry (1954–1970)
by Cathy Hope and Adam Dickerson

A tribute to Blake Edwards

Introduction to Reprints of Two Essays on Blake Edwards
by Peter Lehman and William Luhr

Detecting, Defecting & Whistling in the Dark: The Films of Blake Edwards
by William Luhr and Peter Lehman

“Crazy World Full of Crazy Contradictions”, Blake Edwards’ Victor/Victoria
by William Luhr and Peter Lehman

On Blake Edwards
by Myron Meisel

The Bitter Essence of Blake Edwards
by Andrew Sarris

Sophisticated Naturalism
by Jean-Francois Hauduroy

Ridicule and Panic: On Blake Edwards
by Alain Masson

Blake Edwards, Switch, and the Price of a New Man
by Adrian Martin

Topping the Topper: Blake Edwards
by Raffaele Caputo

Strange Bodies: On The Great Race
by Serge Daney

The Party
by Charles Barr

You Can’t Keep A Good Auteur Down / Cruel To Be Kind
by admin

The Party
by Kimberly Lindbergs

Classics and Re-runs

China’s New “Women’s Cinema”
by Chris Berry

Reviews

Ford At Fox Part 3b
by Bill Routt

Films by Gordon Ball (dvd review)
by Wheeler Winston Dixon

Broken Mirrors/Broken Minds: The Dark Dreams of Dario Argento, Maitland McDonagh
by Alexia Kannas

Irving Thalberg: Boy Wonder to Producer Prince, Mark A. Vieira
by Anthony McKenna

Lost in Translation: Orientalism, Cinema, and the Enigmatic Signifier, Homay King
by Belinda Smaill

Film Violence: History, Ideology, Genre, James Kendrick
by Craig Frost

The Last Silent Picture Show: Silent Films on American Screens in the 1930s, William M. Drew
by Jan-Christopher Horak

New Korean Cinema: Breaking the Waves, Darcy Paquet
by Emily Ashman

Hidden Talent: The Emergence of Hollywood Agents, Tom Kemper
by James Lyons

British Culture and Society in the 1970s: The Lost Decade, Laurel Forster and Sue Harper (eds)
by Kevin M. Flanagan

Casablanca: Movies and Memory, Marc Augé (Translated and with an Afteword by Tom Conley)
by Lan Xuan Le

English Filming, English Writing, Jefferson Hunter
by Michael Fleming

Calling All Cars: Radio Dragnets and the Technology of Policing, Kathleen Battles
by Sue Turnbull

The Francis Ford Coppola Encyclopedia, James M. Welsh, Gene D. Phillips, and Rodney F. Hill (eds)
by Tony Fonseca

Béla Balázs: Early Film Theory – Visible Man and The Spirit of Film, (Edited by Erica Carter, Translated by Rodney Livingstone)
by Tyson Namow

Idols of Modernity: Movie Stars of the 1920s, Patrice Petro (ed.)
by Wheeler Winston Dixon

Wake in Fright, Tina Kaufman
by Gabrielle Murray

Neo-Noir, Mark Bould, Kathrina Glitre, and Greg Tuck (eds.).
by Tony Williams

Second Takes: Critical Approaches to the Film Sequel, Carolyn Jess-Cooke and Constantine Verevis (eds.)
by Kathleen Loock

On Michael Haneke, Brian Price and John David Rhodes (editors)
by Josh Nelson

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