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What's So Funny?

How humour feeds painting

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Museum Guide

FILM

Frederick Wiseman’s new documentary about London’s National Gallery

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Made in LA

REVIEW

by Summer Guthery

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Being Observant

The films of Abderrahmane Sissako

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Rachel Reupke

IN FOCUS

Taking stock of stock images

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A Wall To Object To

Caoimhín Mac Giolla Léith examines the relationship between image and painting in the work of Marlene Dumas

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Gwangju Biennale

REVIEW

by Paul Teasdale

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Oscar Santillan

IN FOCUS

‘Civilizations of the jaguar’, vacuum cleaners and the human body

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After The End

The art of Michael E. Smith plots the bleak landscapes of exurban America

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Network Fatigue

VIDEO

Pablo Larios talks about 'Network Fatigue’ in the age of digital circulation

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    Pablo Larios talks about 'Network Fatigue’ in the age…

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    Artist Pablo Bronstein gives a tour of his house…

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The Walerian Borowczyk Collection

He was a Polish designer who trained as a sculptor at the Academy of Arts in postwar Krakow. He co-created a phenomenon, which was later…

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  • Front
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  • Back

State of the Art

The Art of Distractionspacer

Movie stars, late capitalism and fragmented attention spans by Tom Morton

In These Intemperate Times

O.T.T.spacer

Is too much information ever enough? by Lynne Tillman

Weekend Special

Being Observantspacer

The films of Abderrahmane Sissako by Sean O’Toole

Other cities, other seas

Productive Anguishspacer

How to survive exile by Kaelen Wilson-Goldie

Life in Fragments

Life in Fragmentsspacer

Conversations, buildings, books and films by Céline Condorelli

Feminism

Rare Mindsspacer

The dark, unsettling feminism of Jacqueline Rose by Nina Power

Music

Musicspacer

James Hoff’s music goes viral by Andy Battaglia

Film

Museum Guidespacer

Frederick Wiseman’s new documentary about London’s National Gallery by Nick Pinkerton

Page 1 of 2 pages  1 2 >

Survey

What’s so funny?spacer

How humour feeds painting by Paul Teasdale

Monograph

After the Endspacer

With mordant humour, the art of Michael E. Smith plots the bleak landscapes of exurban America by Jonathan Griffin

Focus

In Focus: Oscar Santillanspacer

‘Civilizations of the jaguar’, vacuum cleaners and the human body by Timotheus Vermeulen

Focus

In Focus: Rachel Reupkespacer

Taking stock of stock images by Dan Kidner

Monograph

A Wall to Object tospacer

On the occasion of a major touring retrospective, Caoimhín Mac Giolla Léith examines the relationship between image and painting in the work of Marlene Dumas by Caoimhín Mac Giolla Léith

Monograph

The Cartoon Networkspacer

Illustration and art history collide in Sanya Kantarovsky’s paintings by Scott Roben

Monograph

In its Placespacer

Decoding Uri Aran’s mysterious work-tables by Declan Long

Monograph

Heads Above Waterspacer

The anarchic 1920s Tokyo art movement Mavo and the internationalism of the Japanese Avant-garde by Andrew Maerkle

Picture Piece

Picture Piece: Egyptian Desert Cinemaspacer

Egyptian Desert Cinema by Sukhdev Sandhu

Page 1 of 1 pages

Various venues

Gwangju Biennalespacer by Paul Teasdale

Hammer Museum

Made in LAspacer by Summer Guthery

Temporary Gallery

Ben Riversspacer by Dominikus Müller

Dan Gunn

Let The Body Be Electric, Let There Be Whistleblowersspacer by Kirsty Bell

Aargauer Kunsthaus

Sophie Taeuber-Arpspacer by Aoife Rosenmeyer

Various venues

Le Mouvementspacer by Barbara Casavecchia

Galerie Perrotin

Laurent Grasso & Wim Delvoyespacer by Robert Barry

Centre d’art contemporain d’Ivry – le Crédac, Ivry-sur-Seine

The Promise of Moving Thingsspacer by Rahma Khazam

Signal – Center for Contemporary Art, Malmö at Kunsthal Charlottenborg, Copenhagen

Jennifer Teespacer by Nathaniel Budzinski

STANDARD (OSLO)

Matias Faldbakkenspacer by Pablo Larios

mother’s tankstation

Kevin Cosgrovespacer by Gemma Tipton

Various venues

26th International Biennial of Graphic Designspacer by Emily King

Kaufmann Repetto

Adrian Pacispacer by Barbara Casavecchia

LABoral Centro de Arte y Creación Industrial

David Ferrando Girautspacer by Lorena Muñoz-Alonso

Kunsthalle Athena

This is Not My Beautiful Housespacer by Jennifer Higgie

Gertrude Contemporary

Octopus 14: Nothing Beside Remainsspacer by Rebecca Coates

Gallery EXIT, Pearl Lam Galleries & Oi!

Around Townspacer by Chris Fite-Wassilak

Various venues

5th Fukuoka Asian Art Triennale & Yokohama Triennale 2014spacer by Ellen Mara De Wachter

Proyectos Monclova

Daniel Steegmann Mangranéspacer by Gabriela Jauregui

Museo Tomayo

The Theater of the Worldspacer by Nick Aikens

Aspen Art Museum

David Hammons / Yves Kleinspacer by Dan Fox

ltd los angeles

Alex Becerra by Jonathan Griffin

Page 1 of 2 pages  1 2 >

From the Archives

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From May 2013

The Universal Addressability of Dumb Things

The Bluecoat

Conrad Schnitzler--> Ghetto in the Mind--> A 7.3 Billion Road to Nowhere-->

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