Trending
  • KineMAX 6K specs and raw footage
  • Samsung NX1 vs Canon C300 (image quality)
  • Canon 5DS takes a backwards step for video – severe rolling shutter, moire and lack of uncompressed HDMI
  • John Brawley reviews the Olympus E-M5 Mark II
  • Kodak celluloid film saved by studios – oh and by the way – what’s the point?
  • Canon 5Ds press release makes no mention of video – has it been dropped from flagship DSLR?
  • Samsung NX500 is the world’s first Super 35mm 4K camera under $800
  • Pictures of two new Canon 750D and 760D ‘rebels’
  • 63.7 megapixel raw with the E-M5 II – and finally 24p at 77Mbit!
  • KineMINI 4K raw cinema camera review
  • Updated: Canon 5Ds does not feature 4K video
  • Canon 1D C to get official $4000 price drop on Sunday 1st February
  • The new Canon 5Ds 50MP full frame DSLR and video (updated)
  • Poll: What lenses do you want to see in the full SLR Magic APO cinema set?
  • SLR Magic vs Cooke
  • DSLR Video Quality Rank – January 2015
  • New Panasonic GH4 firmware 2.1 update available
  • Now you can transcode to 4K ProRes over 3x faster with FCPX
  • Atomos Shogun playback firmware update released!
  • Is Adobe Premiere to blame for banding in 8bit DSLR footage?
  • SLR Magic HyperPrime CINE 10mm T2.1 Review
  • Is this the ultimate EVF? OLED Zacuto Gratical to ship early February plus a quick look at the BMPCC Z-Finder
  • Canon Hong Kong officially lower 1D C price to $7000?
  • Sony’s online streaming release of The Interview has taken $30 million
  • Enormous Samsung NX1 firmware update, including LOG gamma!
  • EOSHD’s top 5 cameras of the year 2014
  • Canon blocking Magic Lantern on latest 5D Mark III bodies
  • Winter’s Mirror – Sony A7S and Atomos Shogun
  • New iFFmpeg Samsung NX1 H.265 transcoding app for the Mac is the best yet
  • Canon 1D C used price slips under £5000 – and why I decided to take the gamble and get one
  • Canon hint at mirrorless future “global shutter makes sense”
  • Atomos Shogun Review – Part 1
  • Fuji X-T1 version 3.0 firmware now available – 24p video mode – and full frame with Speed Booster ULTRA
  • Let’s see what the Samsung NX1 is REALLY capable of – shooting 4K in sunny Lisbon
  • Atomos Shogun sneak peek and EOSHD review coming soon
  • Kickstarter fps1000 high-speed camera upgraded – 220fps 4K Super 35mm for £2750
  • Samsung NX1 – which is 4K video and which is the 28MP raw still? Can you tell?
  • Sony A7 II review – 5 axis stabilisation in video mode
  • Updated Panasonic CM1 review and gallery (final part and conclusion)
  • Does Cinema EOS mark the end of high spec Canon DSLR video?
  • Panasonic CM1 review part 2 – the camera
  • Samsung NX1 with Sigma 35mm F1.4
  • Panasonic FZ1000 review – the bargain 4K super-zoom
  • Photography: Shooting under moonlight with the Sony A7S
  • First footage of the Blackmagic URSA at 80fps in 4K
  • Samsung NX1 Review – The glory of technology
  • Sony A7II gets in-body 5 axis stabilisation and S-LOG 2
  • The Samsung NX1 Review (evolving) – the legend of the un-editable codec and one giant leap for specs-kind!
  • New Sony sensor has 21 stops dynamic range, 5120 native ISO – and destined for high speed cinema camera NOT a smartphone!
  • DJI Inspire 1 – all new “Hollywood 4K drone” for under $3000
  • RSS
  • Facebook
  • Twitter
  • Google+
spacer

Discuss these topics and more on the EOSHD Forum

spacer

Kodak celluloid film saved by studios – oh and by the way – what’s the point?

0
By on Latest News

Hollywood filmmakers have been lobbying for the survival of film for quite some years. Now the studios have bowed to pressure and signed new deals with Kodak for the continued supply of celluloid. What’s the point?

Read More
spacer

Canon 5Ds press release makes no mention of video – has it been dropped from flagship DSLR?

0
By on Latest News

Canon Watch and Canon Rumors have posted the London press release for the 50 megapixel Canon 5Ds. It omits any mention of video. Has it been quietly dropped now Canon have the Cinema EOS range?

Read More
Latest News
spacer
0

KineMAX 6K specs and raw footage

The KineMAX 6K cinema camera is nearing a release and I might have my hands on a prototype soon here in Berlin (I happen to be down the road from my friends at HDVideoShop who are the official European dealer). This is a significantly higher spec cinema camera on paper than…

  • spacer
    Samsung NX1 vs Canon C300 (image quality)
  • spacer
    Canon 5DS takes a backwards step for video – severe rolling shutter, moire and lack of uncompressed HDMI
  • spacer
    John Brawley reviews the Olympus E-M5 Mark II
  • spacer
    Samsung NX500 is the world’s first Super 35mm 4K camera under $800
Reviews
spacer
6.7
0

KineMINI 4K raw cinema camera review

The KineMINI 4K is an exciting update to the 2013 model. This now records 12bit 4K raw internally and one of the raw formats is compressed. A much improved DSLR battery grip provides ‘build in’ power via lithium cells similar to those used by Telsa Motors. The CPU has had a major upgrade making the camera far…

  • spacer
    8.8
    SLR Magic HyperPrime CINE 10mm T2.1 Review
  • spacer
    Atomos Shogun Review – Part 1
  • spacer
    7.3
    Sony A7 II review – 5 axis stabilisation in video mode
  • spacer
    7.3
    Updated Panasonic CM1 review and gallery (final part and conclusion)
Creative Filmmaking
spacer
0

Why you’re better shooting video in stills mode on the Sony A7S

After a while now shooting with the Sony A7S (final part of my review coming soon, review part 1 here) I have found it’s better to shoot video outside of the Sony movie mode on the dial. Here’s how to set up the M stills mode on the dial for movie…

gipoco.com is neither affiliated with the authors of this page nor responsible for its contents. This is a safe-cache copy of the original web site.