Plazm Magazine: Documenting Creative Culture Since 1991
Plazm is a magazine of design, art, and culture with worldwide
distribution. Founded by artists as a creative resource, the magazine is
now published by the nonprofit New Oregon Arts & Letters.Order Plazm #30 now.
Guerrilla Girls on Newt Gingrich
The Guerrilla Girls created this original piece for Plazm issue #9. Now
that Newt has announced he is running for President, if you can believe
that, it's time to dust it off again.
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Portraits of Bob Dylan by Todd Haynes
Todd Haynes is not just a writer and director, but a painter as well. In
these handmade images of Bob Dylan—the subject of Haynes’s
film,
I’m Not There—one multifaceted artist finds
inspiration in another.
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For Color, a Plazm Project.
Back in 1997 Plazm curated a 32-page coloring book full of contributions
from lots of amazing folks including Raymond Pettibon, Frank Kozik, Kay
Slusarenko, Sam Coomes, Designers Republic, and many more. The entire book
is now available for free download.
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The Wife, the Mistress, and the Prostitute.
Curator Stephanie Snyder in conversation with Plazm
editors Joshua Berger, Jon Raymond, and Tiffany Lee Brown on the
occasion of the Plazm Backroom event. Essays from Jon, Josh, and Tiffany
plus a complete podcast of the discussion.
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Dee Hock, Founder and CEO Emeritus of VISA on capitalism and
spirituality.
Interviewed by Jon Raymond in Plazm 27
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Plazm poster exhibit
Plakatsammlung Museum fur Gestaltung
Zürich—the international poster museum based in
Switzerland—has recently ascended over 90 Plazm posters into their
permanent collection. A sampling of these posters created from
1992–2000, are shown here. By Plazm folks and guest artists such as
David Carson, Pablo Medina, Scott Clum and others. Enjoy. view>>
Jessica Jackson Hutchins
Patience is the new ambition. Morality is the new transgression. Respect
for the old is the new shock of the new. Featured in Plazm 29 and 2010
Whitney Biennial artist, Jessica Jackson Hutchins in conversation with
Stephanie Snyder, director and curator of the Cooley Gallery.
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Chinese Box
Wherein a small town architecture critic makes a sojourn to the
"Asian City" and discovers that size matters. From Plazm 23
By Randy
Gragg with photography by Susan Seubert
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Harri Pälviranta: Battered
Joshua Berger of Plazm interviews Pälviranta, a photographer from
Turku, Finland who documents the banality of alcohol fueled violence
taking place in his home town. An exclusive Plazm.com interview.
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Hope in Heartbreak: an Interview with David Weissman
Sarah Gottesdiener of Plazm interviews David Weissman, a filmmaker and
organizer who splits his time between Portland and San Francisco. An
exclusive Plazm.com interview.
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Storm Tharp: Arrangement in Flesh Color and Black
Stephanie Snyder, director of the Cooley Gallery on Storm's recent body of
work. Opening September 4, 2008 at Galerie Bertrand & Gruner, Geneva,
Switzerland.
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Yoko Ono
At 74, Yoko Ono is more active and engaged than many artists five decades
younger—opening exhibitions, producing documentaries, performing
live music, and continuing her tireless campaign for peace. In February
2007, Ono released Yes, I’m a Witch, a compilation of songs remixed
by a variety of artists including Cat Power, the Flaming Lips, and
Peaches. Open Your Box, a collection of remixed dance tracks, followed in
April. Plazm publisher Joshua Berger recently spoke with Ono about
unfinished music, witches and wizards, and why the flag-waving activism of
the ’60s is over.
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Christina Seely: LUX
Christina Seely's
Lux, titled after the system unit for measuring
illumination, presents photographic portraits of cities within the most
brightly illuminated regions on the NASA map of the night earth.
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The Past, Present and Future of the Political Poster
Lincoln Cushing has spent the better part of his career making and
preserving historic posters. Cushing has published three books about
poster art; Revolucion! Cuban Poster Art and Chinese Posters: Art from the
Great Proletarian Cultural Revolution. Much of his renowned archival work
was done with a collection of Cuban political posters from the 1960s to
the 1980s.
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In Conversation with Emigre
Rudy VanderLans was born in the Hauge, The Netherlands in 1955 and studied
graphic design at the Royal College of Fine Arts. He moved to California
from the in 1981 and studied photography at UC Berkeley, where he met the
Czech-born designer Zuzana Licko. They married in 1983. In 1984 VandeLans
launched Emigre magazine. VanderLans and Licko were some of the first
designers to adopt the Macintosh computer as a tool...
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Doing What it is He Does: David Byrne
Beth Urdang conducts an interview, and we publish photographs made by
Mr. Byrne for Plazm #15.
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Patrick Long: Cop Love
Plazm is proud to feature the first printed publication of Patrick's
series "Cop Love." The drawings met with protest at their first
exhibition in New York. Some of the work featured here is not in the
printed issue of the magazine, and some of the work featured in the
magazine is not found on the web site.
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Timeline of Dissent
The twentieth century saw nearly constant war and nearly constant protest
of war. The self-published handbills and underground newsletters of World
War I gave way to the guerrilla theater of the Vietnam era; more recently,
new forms of activist communications spread graphics rapidly and globally
online. In the following pages, Plazm assembles a timeline of dissent.
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Iggy Pop
A handwritten rant by the musician, an interview by Joshua Berger, and an
illustration by Joe Sorren. Spitting, cursing, drugs and rock &
roll.
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The Political Problem of Luck
Julia Bryan Wilson talks to Steve Kurtz of Critical Art Ensemble, the
artist pursued by the US government as a suspected terrorist.
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Listening to OMD with Stephin Merritt
The musician behind the Magnetic Fields narrates while listening and
responding to the album "Architecture and Morality" by the band
Orchestral Manoeuvres In the Dark. Little revelations occur.
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Reversible Destiny
Architecture of Arakawa & Madeline
Gins. If you barrel down the Grand Neutralizing
Parkway, a pedestrian thoroughfare piercing through a park in the town of
Yoro, Japan, you may safely lose your mind.
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In Conversation with Matthew Carter
Matthew Carter has spent a lifetime working with typography. He is famous
for creating ubiquitous typefaces such as Georgia and Verdana as well as
specialized custom works like Walker for the Walker Art Center. Carter is
a unique witness to the evolution of technology, working with everything
from the puncutters to pixels.
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DevoLanguage
"The Word was made flesh and dwelt among us, full of grace and
truth." --John 1:14
"Language is a virus from outer
space." --William Burroughs
"Rash poets get caught in the
traps set for animals. Some, unable to endure the cruelty, maim themselves
in order to escape." —Ursula K. LeGuin
"What we have
here is a failure to communicate."--Cool Hand Luke
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On Piracy, Victory and Shaping of Letters
In March of 2004, Plazm was served a cease and desist letter by Neal,
Gerber & Eisenberg, attorneys representing global hamburger giant,
McDonald's Corporation. McDonald's attorneys claim that Plazm's usage of
the "golden arches" as the letter M in the Capitalis Pirata font
is "likely to confuse the public into believing that Plazm is in some
way associated with McDonald's" and that such use "dilutes
McDonald's Corporation's trademark rights." Stanley Moss wrote the
following article in response.
View article, McAttorney
letters, and download free fonts
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Photographs by Daniel Peterson
Somewhere, someone is always doing it. In the '70s, it was Larry Clark,
turning the camera on his beautiful, wayward friends. In the '80s, it was
Nan Goldin, documenting her clique in the East Village. Most recently,
it’s been Ryan McGinley, immortalizing his circle of vandals and
young artists. The magic of bohemian youth is fleeting but intense. Daniel
Peterson, a photographer in Portland, has lately been catching his friends
and times in full flower. –Jon Raymond
View
article>>
Plazm Contributors, 1991-2007
For the record.
View
list>>
Malia Jensen
When Malia Jensen was little, growing up in the wooded foothills of rural
Oregon, an issue of Esquire magazine informed her of a little fact that
has stuck with her ever since. Earthworms, her father’s magazine
reported, feel pain.
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Out of Darkness: DIN and the Mythic Power of Type
Rarely is typography viewed as part of an organic process of evolution, a
working construct of ephemeral existence in a greater time continuum. As
fonts evolve they carry forward echoes of the history that created them
and the myths they bear. One cannot easily place a monetary value on myth,
though some will try.
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Reading Frenzy Interview
Yariv Rabinovitch interviews Chloe Eudaly, proprietress of legendary
Portland independent press store, Reading Frenzy.
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Against Livability: A Polemic
Last fall, not long after their attorneys general returned home with the
Big Tobacco peace agreement, the States fired the opening salvo in a new
war on yet another great enemy of American health and prosperity: Sprawl.
The new enemy, rather than threatening life itself, menaces an even more
ephemeral state of being known as Livability.
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Looking for a New World
As host of a New York nightclub I had the opportunity to socialize with a
group of artists whose determination and ambition to create themselves in
a multimedia environment is making a strong, clear statement of how the
world should be.
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Out of Hand: an Interview with Leonard Peltier
Imprisoned since 1976, Leonard Peltier is a martyr for many. While
serving two consecutive life sentences, he continues to thrive as a
writer, painter, optimist and an active member of the American Indian
Movement (AIM). His words still ring true, verbatim from within prison
walls.
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Whipper Snapper
Nerd
Hand writing is excerpted from writings by John McKenzie which first
appeared in Whipper Snapper Nerd a magazine produced by Harrell Fletcher
and Elizabeth Meyer of work by students from Creativity Explored, a
non-profit art center for developmentally disabled adults in San
Francisco.
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Women In Design
"I’m pleased to be writing a commentary for this
magazine, but I’m worn down that it’s about Women in
Design."
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Men, Women, Children
Taken from Plazm, issue 22. Featuring photography by Robbie McClaren,
Jürgen Teller, Cindy Jackson, Mark Ebsen. Text by Jon Raymond. Design
by Joshua Berger. Concept by Jon Raymond and Joshua Berger.
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MTVPE
This article, about our experiences in creating the Mtvpe proprietary type
family, was originally written for Upper & lower case magazine, circa
1998.
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The Need
The Need talk bearded men, lesbian sex, and Lisa Marie Presley.
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Art and Commodity Capitalism:
Mark Hosler of Negativland in conversation with Joshua Berger - circa
1996
Negativland are collage artists, acting in the rich, centuries
old tradition of visual and aural composers, creating arrangements using
found objects comprising the world that surrounds us. They are famous for
being sued by Island records over their 1991 single, “U2”
which contained samples of the U2 song “I Still Haven’t Found
What I’m Looking For” along with with a bootlegged tape of
Casey Casum bitching about having to play U2 again and again...
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Ambushed at 50
The only man in the world with a permit to possess uranium outside
corporate entities and the defense industry, James Acord works to create
radioactive art.
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Declaration of Scene Dependence
The first page of the first issue of Plazm magazine - a manefesto for the
future, circa July 1991.
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Salmon Pageantry: Carl Hanni converses with Walt Curtis
Carl Hanni talks with Walt Curtis about his works, growing up gay in
Oregon, and Portland poets. From PLAZM #3.
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Laurie Anderson
Joshua Berger interviews Laurie Anderson. From PLAZM #10. view>>
The Cramps
Lux Interior and Posion Ivy of The Cramps fill out McDonald's
applications. Niko Courtelis and Kurt Schellenbach interview Poison Ivy.
From PLAZM #10. view>>
Mark Borthwick
Mark Borthwick film stills and words - circa 2002
Mark Borthwick is
an award-winning photographer, filmmaker and musician living in Brooklyn,
New York. view>>