David James Poissant is the author of THE HEAVEN OF ANIMALS: STORIES (Simon & Schuster, 2014), longlisted for the PEN / Robert W. Bingham Prize, winner of the GLCA New Writers Award and a Florida Book Award, and a finalist for the L.A. Times Book Prize. Poissant’s stories and essays have appeared in The Atlantic Monthly, The Chicago Tribune, Glimmer Train, The New York Times, One Story, Playboy, Ploughshares, The Southern Review, and in several anthologies, including New Stories from the South and Best New American Voices. He is a winner of the Playboy College Fiction Contest, the RopeWalk Fiction Chapbook Prize, the George Garrett Fiction Award, the Matt Clark Prize, and the Alice White Reeves Memorial Award from the National Society of Arts & Letters. He teaches in the MFA program at the University of Central Florida and lives in Orlando with his wife and daughters. Currently, he is at work on a novel, also forthcoming from Simon & Schuster.
“The Story of a Year,” Ecotone, Spring, 2015
“Ten Books That Changed Your Life? The New List Trend,” The Good Men Project, September
15, 2014
“On ‘Leaves,’ a Consideration of Happiness, Righteousness, and Grace (with Digressions),” The
John Updike Review, Vol. 3, No.1, Spring 2014
“I Want to Be Friends With Republicans,” The New York Times, November 3, 2013
“Fish, Girls, Flight,” Sundog Lit, February, 2013
“The Ecstatic: On Stephen Sondheim’s Into the Woods,” Tin House, online, November 16, 2011
Finalist, Los Angeles Times Book Prize
Long List, PEN/Robert W. Bingham Prize
Winner, 2015 GLCA New Writers Award
Silver Medal, Florida Books Awards
An Amazon 2014 Best Book of the Year
An Amazon 2014 Top Twenty Story Collection of the Year
Best Short Story Collection of 2014, Tweed’s Magazine
9 Best Books of 2014, Atlanta Journal-Constitution, 2014
Out Now Pick, The Washington Post, 2014
Must-Read Pick, New York Post, 2014
The Kirkus Star: “Awarded to Books of Exceptional Merit,” Kirkus Reviews, 2014
Most Anticipated Books of 2014, The Millions
D.H. Lawrence Fellow, Taos Summer Writers’ Conference, 2015
Walter E. Dakin Fellow, Sewanee Writers’ Conference, 2014
Teaching Fellow, Wesleyan Writers Conference, 2014
Scholar, Tin House Summer Writer’s Conference, 2013
In-House Research Award, UCF Office of Research & Commercialization, 2012-2013
Margaret Bridgman Scholarship in Fiction, Bread Loaf Writers’ Conference, 2012
Notable Story of 2011, Best American Nonrequired Reading 2012
Recommended Reading: “Nudists,” The Millions, November 11, 2012
Winner, RopeWalk Press Fiction Chapbook Prize, 2011
Charles Phelps Taft Dissertation Fellowship, 2010-2011
Finalist, The Micro Award, 2011
Third Prize, The Atlantic Monthly Student Writing Contest, 2010
Winner, Regional Literature Competition, National Society of Arts and Letters, 2010
Winner, Alice White Reeves Memorial Award, National Society of Arts and Letters, 2010
Second Place, Hatfield/Westheimer Short Story Prize, 2010
Winner, Matt Clark Prize, New Delta Review, 2010
Finalist, Mississippi Review Prize, 2010
Finalist, Donald Barthelme Prize for Short Prose, Gulf Coast, 2009
Distinguished Mystery Story of 2007, Best American Mystery Stories 2008
Winner, Playboy College Fiction Contest, 2007
Winner, AWP Quickie Contest, Redivider, 2007
Second Prize, The Atlantic Monthly Student Writing Contest, 2006
Runner-Up, Nelson Algren Award, The Chicago Tribune, 2006
Winner, George Garrett Fiction Award, Willow Springs, 2006
Course Number | Course | Title | Mode | Date and Time | Syllabus |
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18994 | CRW5130 | Form & Theory in Creative Wr | Face2Face | Tu,Th 6:00PM - 7:15PM | Not Online |
CRW 5130: Form and Theory in Creative Writing: Fiction (Poissant) This is a graduate-level course open to students in the MFA Program. Students in poetry, fiction, and nonfiction tracks are invited to enroll. This will be a reading-intensive course. We will read a book a week, moving from Postmodern fiction texts through contemporary fiction texts, charting the course of experimentation and realism in American fiction over the past fifty years. We will also do extensive work on craft at the sentence level, debating the relevance of Strunk and White and applying craft techniques to our own sentences. The course will not contain a fiction workshop component, though students will do some fiction writing. this is a course designed to expose you to the contemporary literary landscape. We will consider the myriad styles and voices at play in American fiction over the past fifty years in multiple forms (Story, novella, linked stories, and novel). We will also attempt to unravel the origins of the dubious divide between the realist and the fantastic, and between the traditional and the experimental, as that seeming divide pertains to plot, language, and structure in storytelling. This course is intended as a study of fiction (its elements and structures) and as a craft class. We will pay particular attention to work at the sentence level. Mostly, it is my hope that the course will broaden your literary aesthetic, cracking open what you think of as your style or voice, tugging at you to try new things in your own writing, and encouraging you never to compromise at the sentence level. |
No courses found for Fall 2015.
No courses found for Summer 2015.
Course Number | Course | Title | Mode | Date and Time | Syllabus |
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10699 | CRW6025 | Adv Graduate Writing Workshop | Face2Face | M 7:30PM - 10:15PM | Not Online |
No Description Available |
No courses found for Fall 2014.
No courses found for Summer 2014.
Updated: Sep 29, 2015