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Welcome to the first issue of Bending Light Magazine. This issue's theme is color, and we are pleased to present the work of more than forty talented photographers for your enjoyment. We would also like to introduce you to the photography of Paul Wood and Byron Barrett, our featured artists. Explore the emotive qualities of color with Paul in his article, "Color and Emotion." Then head on over to Vancouver with Byron for a look at the beauty of the downtown eastside in "The Urban Experience in Your Own Backyard." We hope that you enjoy this issue as much as we enjoyed putting it together. We would like to thank all of our contributers for letting us share their creative vision with the artistic community.

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Paul Wood - Byron Barrett - Chris Anderson - Hamad Al Falasi - Torkel Uggla - Betty Schlueter - Brent Thompson - Janine Randles - Jean-Pierre Bajerski - Luke Winter - Sonia Knight - Ryan Gallagher - Mathew Spolin - Taco Meeuwsen - Bradford deCaussin - Sheldon Wood - Philippe Tarbouriech - Sanjay Arora - Ram - Brandon Crain - Mike Edminster - Phil Hilfiker - Maya Newman - Kathleen Connally - Lorinda Geere - Fabbio - Santiago Arenas - Steve Elson - Matthew Clark - Ray Byrne - Joe Lencioni - Tim Riches - Victor Geere - Siobhan Connally - Steve Wall - Alex Di Gangi - Jeff Clow - Marvin Taylor Brown Jr - Gianluca Di Santo - Osvaldo Ponton - David Helan - Helga Kvam - Patrick Daniels - Ian Schlueter - Alastair Robinson - David Serville - HD Connelly

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Submissions are now closed for the second issue of Bending Light Magazine. We are currently in the process of collecting photographs and articles from contributing artists. Please check back soon for updates - Issue 2 is expected to be online by March 15th!

 

 

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View the Photo Gallery

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Home Letter from the Editors Color and Emotion
by Paul Wood The Urban Experience
by Byron Barrett Photo Gallery
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© All photos and articles retain the copyright of the contributing artist. Everything else is copyright Bending Light Magazine 2005. No text or image from Bending Light Magazine may be used without written permission.
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