Lone Eriksen's two-part works are at once the same, but the subjects are photographed differently. She experiments with composition, shape and colour in relation to the chosen motif. We think we see the world as it appears - true and realistic - in the photograph, but by pairing motifs Lone Eriksen point to photography as an interpretation of reality rather than a representation.
The photographers treatment of the motif and her play with the photographic elements reveals that we see through a camera, a mechanism that can produce the immediate reality in very different ways. When we look at a photograph, our vision is always controlled by the photographer's decisions and technical treatment of the subject.
Text by Fotografisk Center, Copenhagen
Thea, Giclée print, 70x70 cm 2013 @ Lone Eriksen
Emily, Giclée print, 70x70 cm 2013 @ Lone Eriksen
Freja, Giclée print, 70x70 cm 2013 @ Lone Eriksen
Solvej, Giclée print, 70x70 cm 2013 @ Lone Eriksen