Celebrating Mike Nichols
Into the Woods: An Interview with The Witch’s Robert Eggers By Hillary Weston
What’s Happening on Hulu
Repertory Pick: Nagisa Oshima in Texas
The Kid: The Grail of Laughter and the Fallen Angel By Tom Gunning
For over half a century, Mike Nichols’s varied talents and singular voice made him a cultural icon. From his early days in sketch comedy with Elaine May to his career as a theater director and his prolific output as a filmmaker, his work . . . Read more »
After possessing audiences and winning the directing award at Sundance last year, Robert Eggers’s haunting seventeenth-century folktale The Witch opens nationwide today. Set in an unspecified part of New England—five decades before the Salem . . . Read more »
For our free festival on Hulu, we’re highlighting a selection of Slow-Burning Thrillers: films that quietly simmer with suspense before culminating in grand, dramatic crescendos. This week’s films run the gamut, from European crime drama to . . . Read more »
The Kid marked Charlie Chaplin’s wholehearted embrace of sentiment, which he intertwined with the slapstick he was known for to enrich his Tramp character and carry the narrative of feature-length directorial debut.
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It’s been nearly fifty years since the original release of Nagisa Oshima’s Death by Hanging, yet the 1968 feature remains as viscerally powerful as ever. Oshima, one of the Japanese New Wave’s most prominent directors, made the film as a . . . Read more »
Charlie Chaplin’s 1921 masterpiece of silent cinema, The Kid, is now available on Blu-ray and DVD. In this film, his feature-length directorial debut, Chaplin stars as his already iconic Tramp character alongside a young Jackie Coogan, who . . . Read more »
In Death by Hanging, Nagisa Oshima spins a complex aesthetic web around his documentary-like structure, packing detail, history, politics, and emotion into his surrealist inquiry into capital punishment.
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Last night marked the opening of the forty-fourth annual Dance on Camera festival, hosted by the Film Society of Lincoln Center and copresented with the Dance Films Association. Read more »
With Valentine’s Day just around the corner (reminder: it’s this Sunday . . .), we’re looking at occasions when Eros’s quiver went astray, with French Affairs, our free festival on Hulu. This week’s selection of tales about forbidden amour . . . Read more »
The Janus Films touring retrospective Wim Wenders: Portraits Along the Road has made its way to Toronto, where it’s playing through March 6 at the TIFF Cinematheque. Simultaneously, TIFF is also presenting Wim’s Films: American Friends & . . . Read more »
Jan Troell’s narration of one Swedish couple’s arduous journey to America portrays the migratory quality of marriage—of “finding that you think of this person who is not you, or this place that is not the land of your birth, as your home.” Read more »
Today marks what would have been the eighty-fourth birthday of French New Wave pioneer François Truffaut. In celebration of his incredible life and body of work, revisit a selection of essays and Criterion supplements dedicated to the brilliant . . . Read more »
This week, we’re highlighting a selection of films from the 1950s and ’60s, with Mid-century Cool, our free festival on Hulu. The films on offer, all of them effortlessly embodying that era’s particular sense of style, range from Japanese New . . . Read more »
The Emigrants and The New Land, the incredible pair of films made by Swedish director Jan Troell in the early 1970s, remain among the most authentic and powerful portrayals of the mid-nineteenth-century wave of emigration from Europe to the . . . Read more »
Last month, the International House Philadelphia, in conjunction with the University of Pennsylvania, kicked off a series called Cinema, Censorship, and the Scandal of Sex, selecting four films that “have been seen as an outrage to decency, . . . Read more »
For more than two decades, photographer Gregory Crewdson has been creating otherworldly images that reveal an eerie side of Americana. His works, typically tableaux of small-town life, transform the everyday into the uncanny. Read more »
In November of 1974, German filmmaker Werner Herzog began walking from Munich to Paris. He had just learned that his friend and mentor, the film historian Lotte Eisner, was gravely ill and had been hospitalized in Paris, and Herzog decided to . . . Read more »
This week, enjoy a vacation from winter’s muted palette with Directing in Color, our free festival on Hulu, featuring a selection of our favorite directors’ first films in color. On offer are: Ludwig Berger, Michael Powell, and Tim Whelan’s The . . . Read more »
Next Friday, Film Forum begins a weeklong run of our new 4K restoration of Antonio Pietrangeli’s 1965 masterpiece I Knew Her Well, presented by filmmaker Alexander Payne. This newly rediscovered gem, one of Pietrangeli’s most complex and . . . Read more »