Item: grey linen sottona (based on Left: Zucchari,1579 and Tossini's Portrait of woman, mid 16th century.) made with metal rings on the eyelets to more closely resemble techniques of the time. | ||
Item - black linen Tudor (1st
experiment on imbusto stiffening), remade as Italian sottana with 6mm
of felt lining. |
||
Item - Florentine Sottana of
damashino with maniche slashed. *NEWEST* (Based on 1559 Bronzino's Portrait of a Lady, now thought to be that of Guilia the illigitimate daughter of Allessandro Medici, possibly by Allesandro?.) |
||
Item - Florentine
sottana of damaschino with maniche, slashed and
guarded. remade from sottana below (based on 1540's, based of Portrait of a Florentine Noblewoman) (Redesgned : based on Bronzino's portrait of Maria d' Medici 1551) |
Item - Florentine
sottana of pale colour, edged in cream trim, sewn in a period fashion. (based on Bronzino's portrait of Bia, the illigimate daughter of Cosimo I, 1542) |
||
|
|
Item - Florentine sottana of purplish-red linen,
with embroidered guarding, sewn in a period fashion. (based on Red velvet dress from Pisa La Moda a Firenze, & Cristofano dell Altissimo's portrait of Guilia Gonzaga, 1535) |
|
|
Item- Florentine sottana of ivory damaschino lyned
with lavender linen, worn with a gorgiera of sheer cotton and a linen
camicia edged with 'bobbin' lace. (Based on Eleanora d'Toldeo's burial gown.) |
|
Item- Florentine sottana of damaschino lyned with lavandar tela (linen). Four - paned sleeves with pearl aglets. (Based on Agnolo Bronzino's portrait Eleanor d' TOledo and her son. 1555-60) *Updated |
|
|
Item- Florentine gown (1516) of cotton, lyned with lavandar linen. (based on Lady with a basket of Spindles by Jacopo Pontormo) |
|
|
Item-a sottana of lavandar linen garded
with amarnate* cotten, lined with canvas, in the middle class
Florentine style. (1580's) (Based on -
Campi, The Fruit Seller and THe
|
|
|
Item- a
Fiorenze sottana of gingerline damaschino edged wth matching cord,
sleeves puffed and slashed, lined with cotten lawne and babasina * (1540's, based of Portrait of a Florentine Noblewoman, Angolo Bronzino. San Diego Museum of Art San Diego) Item - Guanti/ gloves of leather dyed black Item - a camicia of fine bianco cotten lawne wroughte in amarnate UPDATED: I was not happy with the silhouette of this dress. A new corset was made. |
|
|
Item- a Fliorenze gown of murrey damaschin, garded with black reben with gozzo alla dogalina (sleeves wide all the way down), tied with popinjay reben. (based on portrait by Vincenzo Catena, seen in the Louvre.) The diary for this camicia can be found HERE |
|
Item- a
linen camicia with bone lace. A florentine sottana of bianco damaschino
lined with lavanda tela (linen). A veste of blue and purple woven
ermisino (tafetta) therealso a payre of roll maniche (sleeves),
bombasted withe cotten and ermisino, with downright panes bound with
ebony and gold reben. *Updated (based on Allori/ Bronzino's Maria d' Medici ) |
|
Item - a guibone of
velluto amarante lined with lavenda tela (linen), trimmed with
'gold'
bobbin lace bands (approximated). therealso a payre of maniche, lined
with 'gold satin', with downright
panes bound with gold trim. Closures of 'gold' cord with pearl
and amethyst points. A linen gorgiera trimmed with freshwater pearls and drawn work. (based on Florentine School Lucrezia di Cosimo I, c.1555-60) *NEW! |
||
Item: A giorgeria (over partlet)
of velluto nero, interlined with trivello del cotone (cotton drill) and
lined with lavenda tela. and buttone (for use as rapier armour and based on tudor partlets.) |
|
Item
- Florentine zimmara
of black damischino, lined with purplish-red taffetta, trimmed with
cut bias. (based on Cristofano dell Altissimo's portrait of Guilia Gonzaga, 1535) |
|
Item - Cappotto, of wool, lined with
purplish-red taffetta, trimmed with cut bias and buttone. NEW 2/07: (based on Vecellios fig 187 Florentine loose gown and Neopolitan woman... Habitus Variorum Orbis Gentium (1581) & items listed in Eleanora's Guardaroba. La Moda a Firenze.) |
Item- red linen stays (based on extant burial stays of Eleanora de Toledo, 1562) |
||
Item- red
velvet stays with linen lining. (based on extant burial stays of Eleanora de Toledo, 1562) |
||
|
Item- linen calzone, trimmed with amarnate cording.
(16th C Italian: based on Diversarum nationum habitus and women's drawers, found in Prato, Museo del Tessuto. La Mode a Firenze) |
|
Item-
linen camicia broidered with amarante silk of pomegranite and bees. Item- linen camicia with bobbin lace. (hand sewn). |
||
Item-
linen camicia broidered with 'golden and black silk (based on portrait of Eleanora d'Toledo (1542) (right) by Bronzino and two extant examples in Prato Museum. (Found in La Moda a Firenze and At Home in Renaissance Italy ) |
||
Item-
Florentine stays based on Janet Arnold's research on the burial outfit
of Eleanora d'Toledo (Patterns of
Fashion). Item- Florentine stays based on La Moda a Firenze and the extant item. (coming) |
Glossary
Amarante - amethyst purple
Camicia- chemise
fustian-a-napes - Naples fustian made of cotten, or flax with
wool
bambagia- linen or cotten interfacing material
bombasina - cheap cotten or linen/cotten material, equivalent to
fustian, used for lining and interfacing. Also used to name garment
made of the material.
Damaschino- damask
ermisino - tafetta
guanti- gloves
gorgieria - gorgiera
gingerline - reddish-purple
gamurra - dress
gozzo - long sleeve
alla dogalina - sleeve in style of the doge, long and wide all the
way down.
sottana - gown, petticoat (initially worn under another dress, later
worn on its own)
tela - linen