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Nick

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Oxford Digital Switchover and DVB-Apps [Sep. 28th, 2011|03:18 pm]
If you use Linux with the DVB-Apps to watch TV, and you're in Oxford, then as of today (28th September 2011) you'll need to re-tune. (Well, everyone in Oxford has to too!)

One slight snag is that the command line scanning tools (like scan) take an initial tuning file, and the one that ships in Debian / Ubuntu / Hg isn't yet updated.

Armed with the data from ukfree.tv and some trial and error, I've got what looks to be the correct new tuning file. Debian / Ubuntu users will want to place this in /usr/share/dvb/dvb-t/uk-Oxford (other users wherever you want!) and then run a scan. (You could also use w_scan, which iterates each frequency in turn, but scan with a start file is normally much quicker)

# Post-Switchover

# Local, C51, details TBA
T 713833000 8MHz 2/3 NONE QAM64 2k 1/32 NONE

# PSB1 BBC-A, C53+. Apparently 730.2 but actually looks to be 730.167
T 730167000 8MHz 2/3 NONE QAM64 8k 1/32 NONE

# ArqB (COM6), C55, 746.0
T 746000000 8MHz 2/3 NONE QAM64 8k 1/32 NONE

# PSB3 BBC-B, C57, 256QAM DVB-T2, TBA
# May well be wrong, needs a DVB-T2 tuner o be sure!
T 762000000 8MHz 2/3 NONE QAM256 8k 1/32 NONE

# ArqA (COM5), C59-, Apparently 777.8 but actually looks to be 777.833
T 777833000 8MHz 2/3 NONE QAM64 8k 1/32 NONE

# PSB2, D3+4, C60-, Apparently 785.0 but actually looks to be 785.833
T 785833000 8MHz 2/3 NONE QAM64 8k 1/32 NONE

# SDN (COM4), C62, 802.0
T 802000000 8MHz 2/3 NONE QAM64 8k 1/32 NONE


(Once I'm certain they're all correct, I'll submit a bug report upstream)

Having done that, you should be able to run something like scan -v -a 0 uk-Oxford > new-channels.conf to build your new channels.conf file. The result should be something like this:

1-2-1 Dating:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:14816
301:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:901:951:7168
303:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:19584
4Music:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:101:102:25664
5*:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:6673:6674:12928
5 USA:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:6689:6690:12992
Absolute Radio:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:6082:14688
ADULT Babestn2:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:23872
ADULT Babestn:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:27904
ADULT Blue:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:24128
ADULT Filth:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:15728
ADULT PARTY:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:24256
ADULT redhotTV:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:15680
ADULT Section:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:27584
ADULT Section:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:27616
ADULT Section:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:15200
ADULT Section:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:15424
ADULT smileTV2:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:27520
ADULT smileTV3:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:22400
Al Jazeera Eng:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:27712
BBC 6 Music:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:432:18048
BBC 6 Music:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1602:5760
BBC Asian Net.:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:435:18240
BBC Asian Net.:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1902:5952
BBC FOUR:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:16832
BBC FOUR:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:4544
BBC NEWS:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:501:502:4352
BBC ONE:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:101:102:4171
BBC Parliament:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:205:421:17024
BBC Parliament:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:601:602:4736
BBC R1X:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:434:18176
BBC R1X:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1802:5888
BBC R5L:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:430:17920
BBC R5L:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1402:5632
BBC R5SX:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:431:17984
BBC R5SX:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1502:5696
BBC Radio 1:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:436:18496
BBC Radio 1:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1002:6720
BBC Radio 2:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:437:18560
BBC Radio 2:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1102:6784
BBC Radio 3:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:438:18624
BBC Radio 3:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1202:6848
BBC Radio 4:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:439:18688
BBC Radio 4:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1302:6912
BBC Radio 4 Ex:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:433:18112
BBC Radio 4 Ex:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1702:5824
BBC Red Button:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:4416
BBC THREE:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:4288
BBC TWO:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:201:202:4287
BBC World Sv.:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:440:18304
BBC World Sv.:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:2002:6016
bid tv:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:6273:6274:14272
Big Deal:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:24000
Capital FM:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:6114:14752
CBBC Channel:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:301:302:4608
CBeebies:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:201:401:16960
CBeebies:730167000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_8K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:401:402:4672
Challenge:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:6785:6786:15520
Channel 4+1:850000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:580:581:8452
Channel 4:850000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:560:561:8384
Channel 5:850000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:540:541:8500
Channel Zero:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:28224
CITV:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:6833:6834:16032
COMMUNITY:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:24064
CONNECT:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:28352
Create & Craft:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:2301:2302:24384
Dave:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:401:402:22272
Dave ja vu:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:23936
Daystar:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:24320
E4+1:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:501:502:22336
E4:850000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:570:571:8448
ESPN:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:6801:6802:16096
Film4:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:701:702:27136
Food Network:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:23040
Gay Rabbit:850000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:8577
Gems TV:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:2401:2402:24448
G.O.L.D.:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:15552
Heart:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:6098:14720
heat:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1201:26240
Home:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:14976
Ideal World:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:501:502:25920
ITV1 +1:850000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:600:601:8362
ITV1:850000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:520:521:8263
ITV2 +1:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:6529:6530:15952
ITV2:850000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:530:531:8325
ITV3:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:6881:6882:16048
ITV4:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:601:602:28032
Kerrang!:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1301:26304
Kiss:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1101:26176
Magic:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1801:26624
More 4:850000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:590:591:8442
Pick TV+1:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:201:202:22244
Pick TV:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:301:302:22208
Premier Radio:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1601:28160
price-drop tv:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:611:612:22464
Q:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1901:26688
QUEST:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:6929:6930:14498
QVC:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:6049:6050:13120
QVC Beauty:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:28288
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Really:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:2111:2112:23712
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Russia Today:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:2101:2102:27456
Sky News:578000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_1_2:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:101:102:22080
Sky Sports 1:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:202:403:20160
Sky Sports 2:721833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:204:411:20224
Sky Text:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:28096
Smash Hits!:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1501:27040
SMOOTH RADIO:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1401:26368
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Teletext Hols:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:6354:14784
Television X:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:15232
The Hits Radio:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:1701:26560
TOPUP Anytime1:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:16224
TOPUP Anytime3:713833330:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_2_3:FEC_1_2:QAM_64:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:16288
VISION:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:0:0:28320
VIVA:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:201:202:25728
Yesterday:538000000:INVERSION_AUTO:BANDWIDTH_8_MHZ:FEC_3_4:FEC_3_4:QAM_16:TRANSMISSION_MODE_2K:GUARD_INTERVAL_1_32:HIERARCHY_NONE:301:302:25792


Finally, you'll want to do a full rescan in MythTV, which is a faff... :(
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Upcoming Conferences [Aug. 28th, 2011|02:43 pm]
For anyone who doesn't hawkishly follow my Lanyrd upcoming events page, here's a quick round-up of some of the conferences I'm speaking at / helping with in the near future.

Coming up in just under a fortnight (mental note - must finish my talk...) is Transfer Summit, 7-8 September. Handily located in Keble, so no need to leave Oxford, this conference is back for it's 2nd year covering open source, open development, innovation and collaboration. Last year featured loads of very interesting talks, and this year's looking promising too. If you're interested in open source, open development, academic to business transitions for software, or just a fun conference in Oxford, come join us!

The weekend following Transfer Summit we have BarCampApacheOxford, once again being held in the University Club. This year we're on Sunday 11th September, with a meal the night before. As usual, we'll have a wide range of sessions, including (but not limited to!) ones on the Apache Software Foundation and it's projects. We'll also likely have things on mapping, Django, Arduino, OpenOffice, Paper Aeroplanes and listening to Satellites, so it should be a great mix! If you want to come, sign up on the wiki ASAP, so you can ensure you get one of the spots that includes a free lunch :)

A month later, I'm off to Amsterdam for a few days. On Thursday 13th and Friday 14th October I'll be at GotoCon Amsterdam, mostly going to the great sessions on offer, but also talking as well. There's a good mix of sessions across lots of different areas of software development, and we've an Apache track on there too on the Friday. If you are thinking of coming, you can use the code burc200 for 20% off the registration price.

On Saturday 15th, the day after GotoCon, we're also doing an Apache Hackathon + mini BarCamp in Amsterdam. Hippo are kindly hosting us, and should be a fun chance to get Apache types from Europe together for a chat, some coding, and hopefully also share some knowledge amongst ourselves. It's open to not only Apache committers, but also anyone who contributes code or documentation to Apache (basically anyone on a dev list), sign up on the wiki and come along if you're in Amsterdam that weekend!

Next up is the Alfresco DevCon 2011 USA in San Diego. Not sure yet what I'm speaking on (though I think I'm down for a few sessions...). It's a chance to learn about developing solutions with and on top of Alfresco, in the lovely surroundings of San Diego, so who wouldn't want to go :)

Finally (for now, but possibly not for this year...) is ApacheCon NA 2011 in Vancouver, 7-11 November (plus hopefully a BarCamp on the 12th). We've an amazing set of speakers and talks lined up as usual, and it's looking promising for a great conference. Early bird rates end soon, so sign up!
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Fringe 2011 [Aug. 27th, 2011|06:32 pm]
[Tags|edfringe]

Last weekend I was up at the Edinburgh Fringe, and once again I managed to see quite a few shows, with a few gems amongst them. I tweeted reviews of most of them at the time (where wifi permitted!), but this is aiming to be a slightly more expanded set. Mostly to help with picking shows next year, it must be said, but there is a day or two of the fringe left for other people to use them!

Stupid People Will Be Offended - Free standup by Mikey Mileos at Dropkick Murphy's. We happened across this show when we got to The Vaults early, and nipped over the road for a drink. Only caught the first half of the show, but for free standup it was pretty good. I'd say probably half the jokes worked, which beats some paid-for fringe standup shows I've seen! Could be one to watch for next year, if he can improve over the year. 3*

Sherica - Shred Productions at Paradise in the Vault. Possibly summed up by the line early on: Sorry. Stop ... This isn’t me. I don’t visit prostitutes. For God’s sake – I read the Guardian!. This dark and thought-provoking piece follows the downward spiral after a teacher falls for a sex worker who turns out to be the sister of one of his pupils. Add in some blackmail, a new academy school struggling with the change, and it's a good piece. Not as good as Paper Birds were when they tackled a similar subject with In A Thousand Pieces, but good none the less. 4*

What You Will - Shrewsbury School at C. Their own musical telling of Shakespeare's Twelfth Night worked out really well, with some good songs but still keeping the original a lot. Good lunchtime fun, 4*

Lethal Injection - Five One Productions at C ECA. A compelling, minimalist production about 4 men on death row, and their guard. As their time approaches, we learn of their crimes and how they ended there, all for very different reasons. 4*

Sanctuary - Little Room Productions at Paradise in the Vault. A new opera set just before the apocalypse, as a father and daughter hide. Then others try to seek sanctuary with them. Very very operatic, which sometimes worked, but often got in the way. 3*

Matt Kirshen at Underbelly. Self-deprecating stories from his life, with the odd bit of politics in there as well. Funny, smart and enjoyable comedy. 4*

Wasted Love - One Academy Productions at C. This musical tells the story of a relationship support group, which despite how it may sounds was excellent. Great singing, great storytelling, heartbreak into uplifting redemption then sometimes tumbling back down again. This is what new and different musicals at the fringe should be like, 5*

Principal Parts - Strip Theatre at C soco. Surrealist telling of a group trying to assassinate Archduke Franz Ferdinand in Sarajevo, despite their incompetences. Good fun, 4*

Sunday in the Park with George - One Academy Productions again (twice in an afternoon!) at C. A full 2 hour production of Sondheim's musical about Georges Seurat's painting. A good (but not amazing) production of this good (but not amazing) musical. 4*

Sammy J and Randy: Ricketts Lane at Udderbelly Pasture. On top form again, this time Sammy J and his friend Randy (the foul mouthed purple puppet) are battling tax avoidance amidst their domestic misadventures. Silly tales, word plays, long running gags (can I get a pwappwa new guinea, pwappwa new guinea!), and generally very very very funny. 5*

Belt Up's Outland - Belt Up in C Soco once again. A smaller set of shows to last year, and in a small and intimate setting for this immersive theatre production. This time it's related to Lewis Carroll's worlds and life. Similar to last year's The Boy James, more static and less interactive than some of their have been. Generally good, but one or two bits felt a little too similar to some of their past shows. 4*

Isy Suttie at Pleasance was another funny, well done telling of the tale of her friend's relationship. Cheery comedy, with some good songs in it too, generally feel-good with laughs. 4*

Horne Section was late night music and banter in the Spiegel Tent. Quite a bit of live jazz, with some standup and silly games thrown in, not to mention the crazy but great Jazz/Morris Dancing Crossover version of a Beyonce song! Some good guests too the night we saw it. 4*

Street Dreams - Little Cauliflower at Underbelly. A puppetry show, but not really as you know it. Instead, an amazingly done piece of abstract storytelling, as an old man goes about his day pestered and chased by a variety of everyday objects. Sweet, funny, sad, brilliantly done and engaging. A little hard to describe, true, but an enchanting hour not to be missed! 5*

Which One's Fergal by Garrett Millerick at Just the Tonic at the Caves. A series of strong character sketches, satirical but well done, with a great mix of laughs and cringes. Garrett weaves his way between God's gift to Advertising Execs, a Traffic Warden, a failed motivational Hip-Hop singer and more. Biting but funny, a solid 4*

Flanders and Swan - Tim FitzHigham and Duncan Walsh Atkins at the Pleasance. An excellent hour of Flanders and Swan songs and tales, with just the right amount of sillyness (the music stand french horn anyone?). 4*

Seagull Effect - Idle Motion at Zoo Roxy. The Oxford based group were back again, after last year's great The Vanishing Horizon, this time with a tale of the 1987 hurricane. Once again they had a great mix of theatre, multimedia, and the odd bit of dance and physical theatre. The stories of different people interleave with archive footage and sound, with stories swirling together as the storm approaches. Great stuff, but not quite as good as last year. 4*

Belt Up's 20 minutes to 9 - back to C Soco for another Belt Up production. This one-woman immersive show takes us through recollections, stories and social observations of an aging apparently well-off woman. At times funny, others odd, almost always engaging, but you're never entirely sure quite what's going on, in that way that Belt Up can do well. Great stuff, but not quite as good as they have been before. 4*

Sammy J with Potentially at Underbelly is last but not least. Back again with stories, songs, and silly anecdotes that slowly stitch together to reveal the ridiculous but true linked narrative. Cruise Ships, Possums, a mystery man with a death wish in a red g-string, children's stories and a hell of a lot of laughs fill the hour. On top form again, 5*

Only 19 shows this year, in just over 3 days, but I'm sure we'll get the show count back up again next year!
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Streetcar - first experiences [Aug. 13th, 2011|06:31 pm]
A bit over a month ago, the friend who was letting me borrow their parking space moved out of Oxford, and the cost of renting a space was a bit insane given how little I drive at the moment. So, I sadly sold my car (it's found a good new home down in Devon!), and I decided to get by with just renting cars as needed.

(I had been hoping that CommonWheels would be able to get a space near me, and either adopt my car or get a new one to go there, but alas they couldn't get the council to give them a parking space)

CommonWheels don't have any cars near me, but Streetcar have 3 within a 10 minute walk of my flat, so that seemed a good bet for getting a car when I needed one, especially as they offer rentals as short as an hour, and have a nifty online booking system. I managed to find a signup voucher with £40 of credit (no longer available sadly, but this link will get you £20), and I figured that the £40 of credit would help offset the ~£60 signup fee for the year.

As they said it might take a few days for the license check, I signed up just after selling the car, as I figured I should probably try to be organised and get it all sorted before I actually wanted to book something. As it turned out, the license check was completed very quickly (a quick conference call with streetcar and the DVLA and it was sorted), so I was actually good to go sooner than expected. This did present a slight snag, as the £40 "welcome credit" I'd got turned out to only be valid for 30 days, and not for the year as I'd expected... Luckily the streetcar team are nice and friendly, so when I emailed them about this they extended the validity of the welcome credit by a few more weeks, so it was still valid when I came to want to use the car for the first time.

A little over a month after signing up, I finally had a spare weekend with a vague excuse to do something needing a car, so I booked the nearest car to me for as long as my welcome credit would allow. The car nearest to me is one of their swisher cars, a BMW, so I only got 9.30am - 3pm for my credit, rather than until 4pm if I'd gone for the Golf that's a few minut
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