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Thu, 2011-08-04 17:48 — Filmcourage

Advertise on FilmCourage.com...

Interested in advertising on FilmCourage.com? We welcome the chance to help promote your film, web series, or business to our targeted audience of film lovers, screenwriters, actors, and bloggers.

Our website, radio show, and live events reach thousands of creative people world-wide each month. Our audience consists of 18 to 60 year-olds who enjoy movie going and movie making, writing, acting, photography, DIY/DIWO culture, and healthy living.

If you’d like to learn more, please submit an inquiry through our contact form.

A brief overview of our rates are as follows:

BANNER IMAGE ON FILMCOURAGE.COM

1 week banner image (190 by 200 jpg) (submit through our contact)

1 month banner image (190 by 200 jpg) (submit through our contact)

ON-AIR MENTION ON FILM COURAGE THE RADIO SHOW

1 time on-air mention (submit through our contact)

1 month on-air mention (submit through our contact)

PERIODIC FACEBOOK/TWITTER BLASTS

Periodic social medial blasts through our various Twitter accounts

and Facebook (submit through our contact)

COMBO PACKAGE

For a 1 month banner image/1 month on-air •radio mention and a few periodic social medial blasts, please use our contact form.

Support Film Courage...

We appreciate your commitment to Film Courage. Your generosity will enable us to continue to bring intimate looks at entertainers' unique stories of triumph and hurdles. However, Los Angeles is costly and we need help to cover pesky operating costs (like web hosting, studio time for the radio show, IMDB pro account, etc.).

If you’d like to help out Film Courage, we’d be ever so grateful with any good cheer you can send our way:

•You can donate a couple of bucks to our PayPal account (and get a free filmmaker bedtime story)?;

•Share your project or business with our audience by placing a banner ad, radio air-time plug, or image at our month Los Angeles film screenings;

•Buy a really cool Film Courage t-shirt via Spreadshirt??.

•Mp3 from the HotPixel Post Production/Film Courage Crowdfunding Panel with Audio.

Again, we thank you from the bottom of our hearts for helping us continue to do what we love and tell the world about new artists who live out their dreams, too.

Our Best,

David and Karen
FilmCourage.com

SOME OF THE BRANDS WHO HAVE WORKED WITH US:

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CROWDFUNDING
INDEX

What To Do When Your Big Break Isn't That Big
by Eric Havens

I really thought I’d made it. It was 2006 and I was up there at the podium, giving that acceptant speech every screenwriter imagines. It had happened, I made it, this was it. Getting on the plane, leaving the California Independent Film Festival, I was sure that all that was in my way was a few meetings with some executives.

Kirby Dick, Ondi Timoner & David Weissman Discuss Doc Filmmaking (IDA Panel)

How To Lose Everything on Kickstarter and Still Raise a Production Budget
by Joe Wilson

You know those stories about success on Kickstarter? Like the one about the final push that got a project over the hump at the last second or the project that hit their goal and kept going to raise more than that proposed budget?

This is not one of those stories.

Facebook

Going Indie Takes Courage
by Anne Lower

Filmmaking is hard, hard work. Every day that you walk onto set, there is an unknown. Will you get the shot? Will the story gel? Will it come together, will it work… or will it tank? You really never know what will happen.

Recent Comments

Advice For Filmmakers From a Filmmaker Who Shouldn't Give Advice
by Keith Miller

While I'm pretty sure my list of Do's and Don't's is not an ideal place to start taking notes for your budding career, I'll try to sum up the highlights of what I've learned:

Thinking About Lost (And Found) Opportunities For Indie Film
by Ted Hope

I was fortunate in the timing of my professional & artistic pursuits that I could benefit from the DIY aesthetic, the approach of the first wave of punk rock (circa 1977), and political events like the class antagonism of the Reagan Years, and the fear & consequences of the AIDS epidemic. Add to that the prevailing post-modern, multi-culti, deconstructionist sway of academia, the birth of a new distribution platform (VHS video), and Hollywood's abandonment of the complex and personal.

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