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Loosely modeled on a slab serif typeface by Miller & Richard of Edinburgh." class="#">spacer

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Sgraffito on a wall in the Giudecca section of Venice.

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Detail of a neon sign for a barbershop in Grottaferrata, Italy.

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Detail of page from Les Ecritures Financiere, et Italienne-Bastarde (1647) by Louis Barbedor, a French writing master.

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Detail of store sign for Cortese Frizzoti in Venice. The letters in black have been painted over a gold ground which covers a former store name in mosaic tile.

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Medieval inscription in Round Gothic capitals. In the cloister of S. Giovanni in Laterano in Rome.

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Capital E and G stencils from collection of Eric Kindel, Reading, England.

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Ghost signs with printer’s fist on wall of Rue de la Commune in Montreal.

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Detail of painted directional sign for Coney Island covering mosaic sign indicating Up Town Trains. 53rd Street station of the R line in Brooklyn.

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Punches for punctuation cut by Giambattista Bodoni at the Museo Bodoniano in Parma, Italy.

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Detail of cover of Warren’s Standard Printing Papers specimen book by S.D. Warren (1929). Design, ornament and lettering by W.A. Dwiggins.

9 February 2012

THE LATEST IN Tours & Talks

Helvetica and the New York City Subway System passes a milestone

When The MIT Press offered to republish Helvetica and the New York City Subway System they initially planned a print run of 3000 copies. While it was far more than the modest 500 copies that Blue Pencil Editions did originally, it was a standard quantity for design titles. But The MIT Press quickly changed their minds and, to my astonishment, upped the figure to 5000 copies. Their faith in the book, especially that of their executive editor Roger Conover, has …
Continue reading

LEGACY OF LETTERS

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HELVETICA SUBWAY

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Paul Shaw

  • Design historian & writer, Graphic design educator, Graphic designer, Lettering artist
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