CHRIS KOZA

From Saguaros to Snowfall

2/1/2012: Rogue Valley

El Centro: 77 degrees. Yuma: 78 degrees.

The dream of San Diego faded with every rotation of the tires on the Town and Country. Leaving the ocean behind is like giving back the finest gift to a giver who already has everything. We maintained a solid 79 mph through California and the desert en route to Phoenix, where we were set to play that night.

“The Rhythm Room,” written in a jolly script on a big sign planted near the street adjacent to an empty parking lot identified a building that otherwise looked vacant. We rapped on the door and waited for signs of life, which only took a few moments.

Inside, the venue was pretty classic. 8x10 black and white head shots of blues singers from another generation lined the walls. We set up our gear and after soundcheck, I chatted with the handful of friends and their friends trickling in while the rest of the band left to get tacos. The opener had canceled the day before so we were the only act. We could have used some local support, but we performed the best we knew how for the folks that made the trip.

Phoenix: 72 degrees. Tuba City: 44 degrees. Moab 40 degrees. Grand Junction: 34 degrees.

The next morning, we rose early to catch the saddest continental breakfast I’ve ever seen: six bagels, two chocolate muffins, and half a pot of room temperature coffee. Out of sheer negligence, this defeats the Capri Suns and Pop Tarts we once experienced. Yes, they were serious.

We bolted from Phoenix, covering nearly 575 miles and a 40 degree temperature difference. We drove through Arizona, past the Grand Canyon and Four Corners; some of the better flying saucer sighting spots in the southwest. Utah was a vast wilderness. When we finally arrived in Grand Junction we drove straight to the venue, discovering an open blues jam going on until 10:15pm. We were the 10:30pm show, billed on their dry-erase board as “Rouge Valley Blues.” The misspelling as “Rouge” is common enough, but the “Blues” tacked on the end… All you can do is laugh.

One thing I try hard never to do is judge anything about a pending performance in advance. Whether it’s an ornate theater or a husk with a makeshift stage. I don’t make assumptions based on the sign out front, the marquee, the bouncer, the clientele, the beer prices, the staff, or the other bands playing. The way I see it, I am a guest in someone else’s home, and I want to do right. We ended up having a jolly old time that night, and although we didn’t play blues, we powered through a double-long set, aided by a generous bartender, and afterwards met several unique, forthcoming, and good-humored folks.

The container of ibuprofen was in hot demand the next morning. We called in for late check out and treaded gingerly once on the road, keeping volumes and speed lower than on other days. Heading towards Denver, the temperature continued to fall, hovering around 36 degrees once we emerged from the winding, snow-speckled Rocky Mountains. We sat down in a coffee shop near the venue and were promptly warned by a young lap-topper there, that we were on the verge of a major storm-front. 12-24 inches of snow by the next morning. For all of the good-weather luck we’d cashed in on during this tour, our luck was soon to change.

From 7pm-midnight, Denver went from zero to nearly a foot of snow. Needless to say, this did not improve the attendance at the show. Text messages vibrated my phone, with apologies that the weather was too severe to navigate. Legislature and all schools and universities would be canceled the next day. But we would wake early to dig out the van, spin our wheels, and push on to make our final stops.

02/9/12

1 note

spacer

Tour Van in Lincoln, NE.. proof you can’t run forever.

02/4/12

1 note

Tour Diary: Comfort Zone

Everyone slept in late the next morning, Portland was its grey, soaking wet, bone-chilling wintery self, but despite the uninviting weather, I felt compelled to put on my running shoes, a stocking cap, call my brother, and get a few miles in before anyone else was up.

That afternoon we headed north to Seattle for our show at the High Dive in the Freemont Neighborhood. If you don’t know where that is, just ask someone where in Seattle the giant statue of Lennon and the neon-swim-cap wearing-lady-diver convene. The sound man had it dialed in, and we ripped through our set, starting with False Floors and ending with Rockaway.

We made the late-night drive south to Portland after the show in Seattle, relying on Tom Petty and an episode of Arrested Development to keep our eyes open. I bought a bag of jalepeno potato chips which perked me up better than coffee ever has. Why people don’t start their day off with spicy crisps versus a boiling black beverage, I don’t know.

The next night we did our club show in Portland at a vibey new near the east waterfront called Bunk Bar. I had never heard of it, but when I checked out their website, Polica and Cursive were both on their schedule, so I knew it was legit. Since we had a long drive to San Francisco the next day, we played our set, saw some friends, and did a respectable job of behaving and getting to bed at an early hour.

โ€‹Salem: 49 degrees. Mt. Shasta: 38 degrees. Sacramento: 61 degrees. San Francisco: 57 degrees. After a day of exceptional driving, we arrived in one of our favorite cities from our fall 2011 tour. We had a show at the same venue, Hotel Utah, and this time were sharing the bill with Safe (SF) and Butter (Missoula). All of the familiar faces were there, from sound man, to bartender, to audience. We all shared this strange sensation that right then and there, no time had passed; that there are different orbits coexisting and that minutes and hours, and details as such are relative and irrelevant.

The next day we found Baker Beach steeped in a fog so thick, it swallowed every man-made and natural landmark. The waves crashed violently over the cement-like sand, and the seagulls punctured the clouds with their shrill cries. I started taking some video footage that I had in mind for a music video but stopped after a few shots. Sometimes the lens gets in the way.

02/1/12

2 notes

spacer

The Pacific Coast on an ultra-foggy day in San Francisco

02/1/12

1 note

spacer

Driving Possessed

Kaimal Mark II Lens, Blanko Film, No Flash, Taken with Hipstamatic

01/19/12
spacer

Jesse James on the air in Northfield, MN.

01/14/12

1 note

spacer

Where Are We ?

John S Lens, Ina’s 1969 Film, No Flash, Taken with Hipstamatic

01/7/12

1 note

spacer

Feeling Manley Today

John S Lens, Ina’s 1969 Film, No Flash, Taken with Hipstamatic

01/3/12

1 note

spacer

Gabe Douglas & the4onthefloor ringing out 2011 to a packed house at the Triple Rock!

Jimmy Lens, Blanko Film, No Flash, Taken with Hipstamatic

01/1/12

1 note

spacer

Winter is finally staking it’s claim. Poor fella…

12/30/11

Accent theme by Handsome Code

Music on Itunes
Chris on Facebook
Chris on Twitter
Listen & Download on Bandcamp


spacer

Following shows are Chris solo unless otherwise indicated. For Rogue Valley tour dates, please visit: Rogue Valley

twitter.com/chriskoza



Contact

Biography

Discography

Tour Dates

Rogue Valley (Chris's Band)

Photo Album

Past Tour Dates

Ask me anything

gipoco.com is neither affiliated with the authors of this page nor responsible for its contents. This is a safe-cache copy of the original web site.