About
the ARMA
Real
World Skills From Real History
ARMA - the Association for
Renaissance Martial Arts, is an educational non-profit organization
dedicated to the study and practice of historical fencing and the
exploration and promotion of our Western martial heritage.
The ARMA focuses on the
interpretation and legitimate reconstruction of Medieval and
Renaissance combat systems as a modern discipline. The ARMA
endeavors to approximate historical fighting skills through a
curriculum of reconstructed techniques, principles, and methods for
using a variety of swords, spears, shields, staff weapons, daggers, and
unarmed grappling and wrestling skills as taught in numerous surviving books and
manuscripts.
The ARMA’s efforts
are directed toward resurrecting and recreating a legitimate craft of
European fighting skills in a manner that is historically valid and
martially sound. We rely for our source material
upon the dozens of rare surviving manuals of Medieval and Renaissance
Masters of Defence.
The ARMA was established
to promote the study of European fighting arts and arms & armor
of the 15th – 17th
centuries. We are first and foremost a martial arts
association.
The
earnest approach we advocate differs substantially from much of the
fluff and fantasy-oriented escapism that in the past has occupied this
subject. The ARMA does not conduct costumed role-playing nor
hold tournaments and sporting competitions. We also do not
perform choreographed fighting stunts. Accurate investigation
and interpretation of historical European fighting skills is our
primary objective. Our emphasis is also on Spathology –the study of
swords.
The ARMA is a
leading voice in the resurrection and revival of lost European fighting
arts from the late Medieval period through the mid-17th century. Founded
in 1992, and online since 1996, (originally under the name “HACA”) we
have been at the forefront of the Medieval and Renaissance fencing
studies revival. The ARMA website is the leading online
resource for the subject. The ARMA’s influence and popularity has been
an inspiration to many. In a sea of misinformation,
misconception, and sheer fiction, ours is one of few islands of
reliable experience and information. We continually revise
and amend our training aids, study materials, and curricula.
The modern
study of Renaissance martial arts
- History, Heritage, Exercise, Camaraderie, and Self-Defense.
The word “tradition” is from the Latin, tradere,
and in the Medieval era its meaning was to transmit, as in the legacy
of knowledge and wisdom each generation may pass on to the next. There
is no question that in Western civilization transmission of arts and
sciences has long taken the form of written technical words as well as
illustrations of movement. By no means was it limited only a “living”
practice spoken person to person. What
the ARMA attempts to do is revitalize a martial tradition whose methods
and techniques - as an intangible cultural heritage - have been preserved almost exclusively in written
records, illustrations, iconography, and surviving artifacts. Our study
today takes the form of cultural revitalization to revive and
perpetuate elements forgotten traditions of a lost and endangered
culture. In doing this, ours is a collective educational effort to
revive, reconstruct, redevelop, and reclaim a lost heritage. For
this challenge, the ARMA provides a means of practice and supply a
curriculum of training. We offer resources and advice. We offer
training tips and information. We offer experience and expertise. And
we present a community and fellowship. But in return, we expect
commitment, sincerity, integrity, and martial spirit, along with
support for our credo and our standards. Members are more than just
subscribers. We are partners working together to one again explore a
fighting discipline.
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Our
Purpose:
- Study European arms and armor
from the point of view of their historical function and use.
- Study historical source
literature as instructional fighting guides.
- Examine historical European
martial culture within a broader historiographic context.
- Study, Interpret, Practice,
Promote, and Teach the martial arts of Renaissance Europe.
Our Objectives:
- The ARMA offers classes,
workshops, and seminars through our continually revised system of
established drills and exercises (Armatura).
Our curriculum also includes a Certification & Ranking
structure for students and instructors.
- The ARMA provides a Training
Program allowing students to learn and practice within a common
structure that is historically valid and martially sound.
- The ARMA seeks to advance the
quality of skills demonstrated with Medieval and Renaissance weaponry.
- The ARMA offers Associate
Members a variety of benefits, advantages, and opportunities in pursuit
of their studies.
- The ARMA attempts to improve the
relationship between practitioners and academics in order to stimulate
the exchange of knowledge and encourage understanding of historical
European combat skills.
- The ARMA makes it a primary aim
to raise the level of scholarship within the historical fencing
community with its emerging interest in source texts.
Our
efforts to combine academic and athletic rigor in this subject is a
conscious following of the idea of the Renaissance man with his
combining of liberal and martial arts.
Read
more here:
Introduction to
Historical
European Martial Arts
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A large part of the ARMA’s energy
is directed at interpretation and integration of translated source
material into practical hands-on curriculum. Interpretation
and reconstruction of Medieval and Renaissance fighting arts are still
only in their infancy. Bringing to public study the numerous manuals of
the Masters of Defence is an important part of our efforts. The ARMA
encourages and supports efforts at translating these invaluable texts.
The
wealth of fighting manuals currently being studied by many in the
historical fencing community is only the tip of a very large iceberg.
We have only just begun to scratch the
surface in examining the profusion of material now coming to light.
Avoiding misinterpretation and error in our study is a continual
challenge. While the Internet is frequently awash with inaccurate
information on our subject, the growing community of serious
enthusiasts and amateur researchers of Medieval and Renaissance
fighting arts has long been in need of reputable sources of
guidance.
In the effort to bring a higher degree of integrity,
dignity, and authority
to these efforts, the ARMA has gathered a list of knowledgeable
specialists in several major fields on which we can call on as
reference sources. As ARMA Expert Consultants we
have historians, anthropologists, linguists, forensic pathologists,
curators, armorers, swordsmiths, metallurgists, researchers, scholars,
fencers, martial artists, and reenactors. Our panel includes such noted
individuals as Dr. Sydney Anglo, David Edge of the Wallace Collection,
John Waller of the Royal Armories, and a variety of historians,
professors, scientists, bladesmiths, and craftsmen.
We are
passionate about our subject and it is our sincere wish to see
historical European martial arts acquire the respect and attention they
deserve.
Our intent is directed toward raising the credibility, legitimacy, and standards
of practice within
this field while redeveloping genuine martial skills and teaching
ability. To this end, we have established a long-term research effort
as well as a proven Training
Program.
“That there are persons of
mistaken ideas in almost every Art or Science, is what few will deny.
Yet I am inclined to believe there are more erroneous opinions
entertained with regard to the Art of using the Sword than on most
other subjects.”
- Joseph Roland, Amateur of Fencing, 1809
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We do not study historical fencing so
that it will be incomprehensible to all but a narrow group of
specialists, merely fuel escapist role-playing, or be devoid of any
practical application. Rather, we explore it because we love history
and enjoy the improvement it provides our understanding and practice of
the craft as its own end. Inherent in this is the idea within
Renaissance culture of the pursuit of excellence—the joy of individual
distinction and accomplishment—as exemplified in chivalric romance and
articulated by Humanists scholars and pursued by courtier gentlemen.
In the
ARMA we are not content to merely speculate upon the manner in which a
technique or action might theoretically be done at speed. We are not
satisfied until we confidently understand their performance in a
martial and repeatable manner.
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"With Knightly joy,
as you
will note,
The
art of fencing I did promote
With
axe and halberd, staff and sword,
As it
did please my royal Lord;
All
done by rule and properly
So the
true basis you may see"
- Hans Hollywars, 15th century
The ARMA was the first comprehensive attempt at an
organization established specifically to advance scholarship into, and
practice of, Medieval and Renaissance fighting arts, and offer a modern
historically based curricula. ARMA's intention is not the
"play and display" way. We place concern exclusively on acquiring
technical knowledge and physical skills, rather than theoretical or
academic understanding focused only on form –as these were not what the
craft historically was all about.
The ARMA web site is structured for two
primary functions. The first is to introduce ARMA's purpose and methods
to interested parties, and the second is to educate the community while
supporting individual Members and Study Groups.
The ARMA idea is to allow people to
freely and seriously practice this subject without the concerns of
staged fighting and sporting play, or the distractions of role-playing
and fantasy.
For this, we have supplied general
material on our training methods and sparring systems, noteworthy
articles and essays, historical manuals and scholarly
works, research material and suggested reading, relevant or
worthwhile links, a listing of ARMA Members & Study Groups as
well as other interested persons, discussion Forums, plus a range of
other items from our international network of members and fellow
enthusiasts within the historical European martial arts community.
The ARMA website offers a "homebase" for
sharing and exchanging information in the study of historical fighting
skills and the function and use of historical arms and armor. Above
all, promoting the accurate reconstruction and replication of our
Western martial-heritage is the site's mission.
Our
Website features:
Online Historical Manuals
Articles & Essays
Study Materials
Training Tips
Research Forum
Reading List / Bibliography
Book Reviews & Interviews
Photo & Video Gallery
National Training Program
Member’s Area Resources
Youth Page
Private Member’s Area
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We
have known for some time that there is a good deal of misconception and
misinformation on historical European martial arts, and many are
sincerely working at changing this. But there is also a large section
of the interested public who are entirely at a loss as to how to get
involved, how to start training, what to practice, and how they can
enjoy studying this subject on their own. In effect, this is
what a large portion of the ARMA site is already about.
Our
recent effort to follow “old swordplay” is not the first.
Such an effort actually was underway over 100 years ago.
Several Victorian-era military men were fencers interested in the
history of swordplay. Their legacy is with us in the current
resurgent interest in historical fencing.
Rather
than an academic game of the fencing salle or a skill of the fading
duel of honor, these soldier-scholar antiquarians viewed swordsmanship
as practical knowledge that was still a necessity for military men.
Instead of using then current systems of classical fencing, they
pursued as their guide the old forgotten styles found in the historical
manuals.
In many
ways, today's enthusiasts of Historical European martial arts
attempting to construct a modern curricula are the inheritors of the
efforts by these “private gentleman devoted to the noble science.”
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Why ARMA?
ARMA’s conceptualization has been largely
influenced by the work of Dr. Sydney Anglo as presented in his monumental and revolutionary
book, The Martial Arts of Renaissance Europe (Yale
University Press 2000). As our official senior adviser, Dr.
Anglo has been instrumental in retooling our vision of historical
fencing. His research, along with other recent advances in
this subject, has changed the face of fencing and martial arts and had
a profound impact on our subject.
The word arma
(pronounced ‘arm-uh’) in
Latin as well as Italian, Spanish, and Portuguese means, appropriately
enough, “weapon”. In the 11th century Anselm
referred to Armati
or the "heavily armed ones". For knights in 13th century
France, it also referred to “the valor of a fighter,” appropriate, not
only in the sense of the historical period itself, but also the idea of
renewal and revival, of reawakening. The word Renaissance, meaning
literally “rebirth” or “renewal”, describes the radical and
comprehensive changes that took place in European culture during
roughly the 14th to 16th centuries. The Renaissance is the
name given the great intellectual and cultural movement which occurred
in these centuries. Rebirth was often a key concept in
Medieval and Renaissance literature, which spoke of “restoration” and a
“reflowering” of civilization. The notion of a new age of
rebirth itself actually began in the 14th
century with the
poet Petrarch. This view took hold in the Italian states during the 15th century
and was termed the rinascit.
Currently we are witnessing an unprecedented resurgence and recovery—a renaissance—in lost
knowledge of historical European fighting arts!
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Many historians
describe the Renaissance as beginning in the early 1400s or even prior.
The idea of a “Renaissance” is itself unique to Western
Civilization. Only Western Europe experienced this
distinctive transforming period which gave rise to so many
accomplishments of human progress. Although the Renaissance
is considered a period of rebirth in Western Civilization, it also saw
greater devastation and larger, bloodier wars than did either the
Middle Ages or classical ancient world. The ARMA is of course
equally committed to Medieval combat skills and Medieval fighting
manuals as it is to those of the "Renaissance period". While
the ARMA focuses on both eras, in this subject the two ages are not
that clearly separated. Medieval and Renaissance fighting
arts are intertwined and historians find it difficult to offer a
precise demarcation between them. The fighting arts we study date from
at least the 13th century and show a clear continuity in principles and
concepts into the 17th. Since 1954, the Renaissance Society of America
(www.rsa.org), the leading academic organization in the Americas for
the interdisciplinary study of the period 1300-1650 in Western history,
has also used the same time frame for its working definition of the
"Renaissance."
However, since the vast
majority of our source texts are from post 1400, with the only evidence
for “Medieval” systems of fencing coming from a mere two or three
earlier texts, the phrase “Renaissance martial arts” is thus actually
more fitting and accurate for this subject. While a
distinction between what constitutes the martial arts of the true
Middle Ages and those of the actual Renaissance can actually be
difficult to draw, when it comes to actual “Medieval” text sources, at
present only one surviving text fr
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