Browse Title Index


 
Issue Title
 
Vol 3, No 1: Fall 2010 / Winter 2011 A Beautiful Piece of Property: Toward a New Definition of Aesthetic Properties Abstract   pdf
Bryan J. Parkhurst
 
Vol 2, No 2: Spring / Summer 2010 A Kantian Critique of Positive Aesthetics of Nature Abstract   PDF
Jonathan Parker
 
Vol 1, No 2: Spring / Summer 2009 Aesthetic and Other Theoretical Virtues in Science Abstract   PDF
Jason B. Simus
 
Vol 1, No 2: Spring / Summer 2009 Art, Emotion and Ethics Details   PDF
Charles Repp
 
Vol 3, No 2: Spring / Summer 2011 Artistic Expression, Aesthetic Value and the Law Details   PDF
Jenn Neilson
 
Vol 4, No 1: Fall 2011 / Winter 2012 Can Digital Pictures Qualify as Photographs? Abstract   PDF
Geert Gooskens
 
Vol 2, No 2: Spring / Summer 2010 Diotima's Children by Frederick Beiser Details   PDF
Daniel Whistler
 
Vol 2, No 2: Spring / Summer 2010 Disturbing Nature's Beauty: Environmental Aesthetics in a New Ecological Paradigm Details   PDF
Jason Simus
 
Vol 2, No 1: Fall 2009 / Winter 2010 Dots and Data: Seurat, Sartre and Merleau-Ponty Abstract   PDF
Michael Gutierrez
 
Vol 3, No 2: Spring / Summer 2011 From Individuality to Universality: the Role of Aesthetic Education in Kant Abstract   PDF
Anton Kabeshkin
 
Vol 3, No 2: Spring / Summer 2011 Functional Beauty Details   PDF
Andrea Lynne Nolen
 
Vol 4, No 1: Fall 2011 / Winter 2012 Humanization of Christian Sacred Art and its Erosion as a Vehicle of Contemplative Intellection Abstract   PDF
Martyn Amugen
 
Vol 3, No 1: Fall 2010 / Winter 2011 Imagination and the Mind's Ear Details   pdf
Margaret E. Moore
 
Vol 2, No 2: Spring / Summer 2010 Julian Dodd's "Works of Music: An Essay in Ontology" Details   PDF
Margot Dahms Wielgus
 
Vol 3, No 1: Fall 2010 / Winter 2011 Music and Motion Abstract   pdf
Alejandra Emilia Iannone
 
Vol 1, No 1: Fall 2008 / Winter 2009 Must Aesthetic Definitions of Art be Disjunctive? Abstract   PDF
Jonathan Farrell
 
Vol 2, No 1: Fall 2009 / Winter 2010 Nominalism and Its Aftermath: The Philosophy of Nelson Goodman Details   PDF
Nigel Thomas Gully
 
Vol 4, No 1: Fall 2011 / Winter 2012 Pretence Problems and Make-Believe Emotions Details   PDF
Simone Neuber
 
Vol 1, No 1: Fall 2008 / Winter 2009 Replies to Farrell and Compton Abstract   PDF
Nick Zangwill
 
Vol 2, No 1: Fall 2009 / Winter 2010 Still Two Problematic Theses in Carroll's Account of Horror: A Response to "Monsters and the Moving Image" Abstract   PDF
Brian Laetz
 
Vol 4, No 1: Fall 2011 / Winter 2012 Sympathy for the Devil. The Paradox of Emotional Response to Fiction Details   PDF
Gemma Arguello Manresa
 
Vol 4, No 1: Fall 2011 / Winter 2012 The Art Instinct: Beauty, Pleasure, and Human Evolution Details   PDF
Nigel Thomas Gully
 
Vol 1, No 2: Spring / Summer 2009 The Dynamic Phenomenon of Art in Heidegger's The Origin of the Work of Art Abstract   PDF
Aili Bresnahan
 
Vol 3, No 2: Spring / Summer 2011 The Fifth Avenue Anti-Stuffed Shirt and Flying Trapeze Club: A Reading of George Cukor's HOLIDAY Abstract   PDF
Hugh Alexander Curtas
 
Vol 2, No 1: Fall 2009 / Winter 2010 The Good Life as Conceptual Art Abstract   PDF
Hichem Naar
 
Vol 4, No 1: Fall 2011 / Winter 2012 The Mathematical and Temporal Basis of Judgments of the Sublime Abstract   PDF
Daniel Cole
 
Vol 3, No 1: Fall 2010 / Winter 2011 The Philosophy of Motion Pictures Details   pdf
Landon Schurtz
 
Vol 2, No 2: Spring / Summer 2010 The Role of Painting in the Phenomenology of Merleau-Ponty Abstract   PDF
Daniel Guentchev
 
Vol 4, No 1: Fall 2011 / Winter 2012 The Routledge Companion to Philosophy and Music Details   PDF
Marlies De Munck
 
Vol 1, No 1: Fall 2008 / Winter 2009 Varieties of Response-Dependence: A Critique of Zangwill Abstract   PDF
Elizabeth Zeron Compton
 
Vol 2, No 1: Fall 2009 / Winter 2010 Zips: Experimental Lines of Flight Abstract   PDF
Ryan Johnson
 
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