|
Issue |
Title |
|
Vol 3, No 1: Fall 2010 / Winter 2011 |
A Beautiful Piece of Property: Toward a New Definition of Aesthetic Properties |
Abstract
pdf
|
Bryan J. Parkhurst |
|
Vol 2, No 2: Spring / Summer 2010 |
A Kantian Critique of Positive Aesthetics of Nature |
Abstract
PDF
|
Jonathan Parker |
|
Vol 1, No 2: Spring / Summer 2009 |
Aesthetic and Other Theoretical Virtues in Science |
Abstract
PDF
|
Jason B. Simus |
|
Vol 1, No 2: Spring / Summer 2009 |
Art, Emotion and Ethics |
Details
PDF
|
Charles Repp |
|
Vol 3, No 2: Spring / Summer 2011 |
Artistic Expression, Aesthetic Value and the Law |
Details
PDF
|
Jenn Neilson |
|
Vol 4, No 1: Fall 2011 / Winter 2012 |
Can Digital Pictures Qualify as Photographs? |
Abstract
PDF
|
Geert Gooskens |
|
Vol 2, No 2: Spring / Summer 2010 |
Diotima's Children by Frederick Beiser |
Details
PDF
|
Daniel Whistler |
|
Vol 2, No 2: Spring / Summer 2010 |
Disturbing Nature's Beauty: Environmental Aesthetics in a New Ecological Paradigm |
Details
PDF
|
Jason Simus |
|
Vol 2, No 1: Fall 2009 / Winter 2010 |
Dots and Data: Seurat, Sartre and Merleau-Ponty |
Abstract
PDF
|
Michael Gutierrez |
|
Vol 3, No 2: Spring / Summer 2011 |
From Individuality to Universality: the Role of Aesthetic Education in Kant |
Abstract
PDF
|
Anton Kabeshkin |
|
Vol 3, No 2: Spring / Summer 2011 |
Functional Beauty |
Details
PDF
|
Andrea Lynne Nolen |
|
Vol 4, No 1: Fall 2011 / Winter 2012 |
Humanization of Christian Sacred Art and its Erosion as a Vehicle of Contemplative Intellection |
Abstract
PDF
|
Martyn Amugen |
|
Vol 3, No 1: Fall 2010 / Winter 2011 |
Imagination and the Mind's Ear |
Details
pdf
|
Margaret E. Moore |
|
Vol 2, No 2: Spring / Summer 2010 |
Julian Dodd's "Works of Music: An Essay in Ontology" |
Details
PDF
|
Margot Dahms Wielgus |
|
Vol 3, No 1: Fall 2010 / Winter 2011 |
Music and Motion |
Abstract
pdf
|
Alejandra Emilia Iannone |
|
Vol 1, No 1: Fall 2008 / Winter 2009 |
Must Aesthetic Definitions of Art be Disjunctive? |
Abstract
PDF
|
Jonathan Farrell |
|
Vol 2, No 1: Fall 2009 / Winter 2010 |
Nominalism and Its Aftermath: The Philosophy of Nelson Goodman |
Details
PDF
|
Nigel Thomas Gully |
|
Vol 4, No 1: Fall 2011 / Winter 2012 |
Pretence Problems and Make-Believe Emotions |
Details
PDF
|
Simone Neuber |
|
Vol 1, No 1: Fall 2008 / Winter 2009 |
Replies to Farrell and Compton |
Abstract
PDF
|
Nick Zangwill |
|
Vol 2, No 1: Fall 2009 / Winter 2010 |
Still Two Problematic Theses in Carroll's Account of Horror: A Response to "Monsters and the Moving Image" |
Abstract
PDF
|
Brian Laetz |
|
Vol 4, No 1: Fall 2011 / Winter 2012 |
Sympathy for the Devil. The Paradox of Emotional Response to Fiction |
Details
PDF
|
Gemma Arguello Manresa |
|
Vol 4, No 1: Fall 2011 / Winter 2012 |
The Art Instinct: Beauty, Pleasure, and Human Evolution |
Details
PDF
|
Nigel Thomas Gully |
|
Vol 1, No 2: Spring / Summer 2009 |
The Dynamic Phenomenon of Art in Heidegger's The Origin of the Work of Art |
Abstract
PDF
|
Aili Bresnahan |
|
Vol 3, No 2: Spring / Summer 2011 |
The Fifth Avenue Anti-Stuffed Shirt and Flying Trapeze Club: A Reading of George Cukor's HOLIDAY |
Abstract
PDF
|
Hugh Alexander Curtas |
|
Vol 2, No 1: Fall 2009 / Winter 2010 |
The Good Life as Conceptual Art |
Abstract
PDF
|
Hichem Naar |
|
Vol 4, No 1: Fall 2011 / Winter 2012 |
The Mathematical and Temporal Basis of Judgments of the Sublime |
Abstract
PDF
|
Daniel Cole |
|
Vol 3, No 1: Fall 2010 / Winter 2011 |
The Philosophy of Motion Pictures |
Details
pdf
|
Landon Schurtz |
|
Vol 2, No 2: Spring / Summer 2010 |
The Role of Painting in the Phenomenology of Merleau-Ponty |
Abstract
PDF
|
Daniel Guentchev |
|
Vol 4, No 1: Fall 2011 / Winter 2012 |
The Routledge Companion to Philosophy and Music |
Details
PDF
|
Marlies De Munck |
|
Vol 1, No 1: Fall 2008 / Winter 2009 |
Varieties of Response-Dependence: A Critique of Zangwill |
Abstract
PDF
|
Elizabeth Zeron Compton |
|
Vol 2, No 1: Fall 2009 / Winter 2010 |
Zips: Experimental Lines of Flight |
Abstract
PDF
|
Ryan Johnson |
|
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