[english]

> »Urban Sounds Unheard Of. A Media Archaeology of Ubiquitous Infospheres«, in: Continuum. Journal of Media & Cultural Studies (Special Issue: Ubiquitous Digitalization of Urban Life and Auditory Culture, edited by Ulrik Ekman et al.), Oxford: Taylor & Francis 2013 (in review)

> »AlgoRHYTHMS Everywhere - a heuristic approach to everyday technologies«, in: Hoogstad, Jan Hein / Stougaard, Birgitte (Ed.): PLURALIZING RHYTHM: MUSIC, ARTS, POLITICS, Amsterdam/New York: Rodopi, 2011 (forthcoming) (prepaper online)

> with Martin Howse: »Detektors. Rhythms of Electromagnetic Emissions, their Psychogeophysics and Micrological Auscultation«, in: Proceedings of the 16th International Symposium on Electronic Art ISEA 2010 RUHR, Berlin: Revolver 2010, p. 136-138.

[german]

> »1800|1878|1949|1977|2012. Medienarchäologische Da capo-Variationen zum Musikbegriff«, in: positionen. Texte zur aktuellen Musik (Heft 20/2012), p. 11-13.

> »Das Sonische und das Meer. Epistemogene Effekte von Sonar 1940|2000«, in: Andi Schoon and Axel Volmar (Ed.), Das geschulte Ohr. Eine Kulturgeschichte der Sonifikation, Bielefeld: Transcript 2012, p. 129-145.

> »Katastrophische Algorithmen. Über das hochtechnische Agencement medieninduzierter Zusammenbrüche«, in: Tobias Nanz and Johannes Pause (Ed.), Politiken des Ereignisses, Bielefeld: Transcript 2012 (forthcoming).

> »Algorhythmen im Dazwischen. Eine [trans]-sonische Medienarchäologie der Mobilfunktelefonie«, in: Ulla Autenrieth, Andreas Blättler, Regine Buschauer and Doris Gassert (Ed.), Dis Connecting Media. Technik, Praxis und Ästhetik des Telefons: Vom Festnetz zum Handy, Basel: Merian Verlag 2011, p. 191 - 198.

> »Das Algorhythmische. Microsounds als zei(t)kritische Schwellenphänome zwischen Sounds und Rhythmen«, in: Volmar, Axel, (Hrsg.): Zeitkritische Medien, Berlin: Kadmos, 2009, p. 383 - 396.

> »Medien, ihre Klänge und ihre blinde Flecken - Medienmusik vs. / (=) Instrumentalmusik?«, in: Wicke, Peter und Papenburg, Jens-Gerrit (Hrsg.): Instrumentalisierungen - Medien und ihre Musik (popscriptum IX), online-publication, Berlin 2008.

[Reviews] (Media Theory)

>  »Cybersounds: Essays on Virtual Music Culture«, edited by Michael D. Ayers, New York 2006 (Peter Lang), online at Resource Center for Cyberculture Studies (RCCS) Book Reviews, edited and founded by David Silver.

[Presentations/ Lectures] (Media Theory)

> “(In german) Epilepsie und ihre Effekte. Eine lückenhafte Studie zu telefonischen Experimentalsystemen der Epilepsieforschung 1870 bis 2000″, (Der Wahnsinn der Kultur), University of Giessen, 4th of Nov. 2011

> “Algorhythmics. Some Preliminary Thoughts about Micro-temporal Transductions of Information, their Aesthetics and Relations to Capital”, King’s Anatomy Theatre and Museum London, (Rhythm and Event), 29th of Oct. 2011

> “The Ritornelli of Everyday Life. Some Epistemic Experiments with Information Technology”, remote/live video streamed paper presentation, „Panel: Matter with Media, ISEA 2011 in Istanbul“, 17th of Sep. 2011

> “Urban Areas as Trans-sonic Infospheres”, remote/live video streamed paper presentation, „Mediated Cities, Atmosphere 2011“, 5th of Feb. 2011

> “Media Music vs. Instrumental Music. Some remarks on a useful distinction”, HAU1 Berlin, „Club Transmediale Conference, What is live?“, 1st of Feb. 2011

> “(In german) Der Flash-Crash vom 6. Mai 2010. Skizzen zu einer politischen Medienarchäologie des AlgoTrading”, University of Giessen, „Transnationale Medienereignisse von der Frühen Neuzeit bis zur Gegenwart“, 17th of Dec. 2010

> “(In german) Das Sonische und das Meer. Skizzen zu einer Medienarchäologie von Sonar”, Hochschule der Künste Bern, „Kulturgeschichte der Sonifikation“, 4th of Dec. 2010

> “Jouhou Shakai to Oto no fukai kankei (Deep Relations of Sound and our Information Society)”, Tokyo University of the Arts (Art and Media Center), Tokyo (Japan), 15th of October 2010

> “[Trans]-Sonic Archeology of Computational Assemblages”, Oscillation Series. Sonic Theory and Practices No. 2, General Public, Berlin, 5th of Sept 2010

> “Sonic Archeology of Networks”, “Thinking Network Politics: Methods, Epistemology, Process,”, Cambridge (UK), 25th of March 2010

> “Sonic Media Archeology and DIY-Practice”, Session DIY, Design, Art and Theory, Creative Digital Media Research Practice, culture lab, Newcastle (UK), 10th of March 2010

>(In german) “Algorhythmik vs Diagrammatik”, „operative diagrammaik“, Medientheater des Seminars für Medienwissenschaft, Humboldt Universität zu Berlin, 15th October 2009

>(In german) “Algorhythmen überall - Entwurf einer sonischen Medienarchäologie eines ubiquitären Alltagsmediums”, „/dis/connecting/media/“, Basel City Studios, 1st–3rd October 2009

> (In german) “Algorhythmen überall - Zwischenbericht einer Dissertation über eine Archäologie und Philosophie alltäglicher Medientechnologien oder Was bedeutet Algorhythmus? - Ein heuristischer Neologismus um alltägliche Informationstechnologien zu verstehen.” - Colloqium, Medien die wir meinen, Prof. W. Ernst, Sophienstraße, Berlin, 24.06.2009

>  What is german media theory? - Lecture Performance at Free-Knowledge-Market organized by Platoniq during Club Transmediale 2009 Berlin, 31.1.2009

[Academic Courses] (Media Theory)

2009

> (In german) Introduction to Physical Computing with Arduino (= Einführung in Physical Computing mit Arduino) at Seminar für Medienwissenschaft, Humboldt Universität zu Berlin, October 2008 - Febr. 2009.

2008

> (In german) Introduction to Media Theory (= “Einführung in die Medientheorie”) at Seminar für Medienwissenschaft, Humboldt Universität zu Berlin, April - July 2008.

[Conference Moderation/Organization] (Media Theory)

2010

>24th of August, Moderation, Panel P18 “Musical Devices” at ISEA 2010 Ruhr.

>August, started organization of “Oscillation Series. Sonic Theory and Practices” with Jan Thoben (10-15 lecture/presentation/talk events scheduled).

————————————————————

[Workshops] (Media + Sound Art)

2010

> detektors. mapping infospheres by listening - “Spectrum” in collaboration with CTVR (Trinity College Dublin) and Darklight (Filmfestival), 30th Oct. 2010, Grand Social, Dublin, Ireland

> listen to your gadgets! - audifying EM-emissions of electronic devices, 29th Oct. 2010, D.A.T.A. (Science Gallery), Dublin, Ireland

2009

> get the basics of your gadgets! - introduction to arduino, 4-6th Nov. 2009, Born Digital, Utrecht, Netherlands

> get the basics of your gadgets! - introduction to arduino with Akitoshi Honda, 17th-19th Sept. 2009, General Public, Berlin.

2008

>  at “contemptronics - 08 Hamburger Klangwerktage - festival für zeitgenössische musik” a Workshop with Kim Cascone & Avatar Orchestra Metaverse (24. - 29.11.2008)

[Group-exhibitions] (Media + Sound Art)

“2nd Order Diatom”, 28th Jan. - 7th Febr 2010, ubiquitous oscillations² or about rhythmic structures of media, General Public, Schönhauser Alle 167c, Berlin

“2nd Order Diatoms“, 8th of Nov. 2009, at “born digital? – art, life, games and technology” in “Cees Braakman Zaal”, Toonkamer (Rotsoord 3), Utrecht (NL)

“Ubiquitous oscillations” or “Fourier changed our world”, 9. - 16. Januar 2009, General Public, Schönhauser Allee 167c, 10435 Berlin

[Presentations] (Artist)

27th Nov. 2011, Tracing Mobility: Cartography and Migration in Networked Space (HkW Berlin), Presentation of “Detektors”.

24th August 2010, ISEA conference Ruhr 2010, Sonic Strategies, Presentation of “Detektors” with Martin Howse.

23rd July 2010, Interferenze, Bisaccia (Italy), Presentation of “Detektors”

19th Nov. 2007,  Metaverse 2007, Social Music: Useing Second Life as a artistic medium, Second Life

[Screenings (Film)] (Artist)

16th of Sept. 2009, screening in General #13, Double-Presentation of short and documentation films by Stephane Leonard and Shintaro Miyazaki,  General Public, Berlin.

[Residencies] (Artist)

25th- 28th May 2009, microresidency at xxxxx micro research berlin, Epistemology of electromagnetic waves in collaboration with Martin Howse. Documentation is here (also some video).

[Performances/ Concerts] (Soundartist)

2010

++12.10 Test Tone Series, Super Delux, Tokyo (Japan)

++26.09 Studio Kura, Itoshima City, (Fukuoka, Japan)

++25.7 Interferenze, Bisaccia (Italy)

2009

++28.8 HartwareMedienKunstVerein (HMKV), Final Presentation of Southeasteurope Instant Composing Tour of Endliche Automaten, Phoenix Halle, Dortmund

++27.6 General Public, “Oscillations everywhere (performance)” at breakthrough organized by _____micro_research [Berlin]

Southeasteurope Instant Composing Tour as a member of Endliche Automaten - laptoporchester berlin

06.4. : Ústí nad Labem / Czech Republic: Armaturka

16.4. : Pécs / Hungary: Müvészetek és Irodalom Hásza

20.4. : Osijek / Croatia: Barutana

23.4. : Timisoara / Romania: Simultan Festival 2009

24.4. : Sibiu / Romania: Teatrul GONG

30.4. : Ruse / Bulgaria: Elias Canetti-Haus

++31.1 Kunstraum Kreuzberg Bethanien / presentation of the residents of xxxxx_temporary_structure@Club Transmediale 2009 Dayprogramm - Berlin

2008

++29.11 kampnagel / Hamburger Klangwerktage 2008 - CONTEMPTRONICS - Hamburg

++21.09 loop-line - tokyo

++12.09 bullet’s - tokyo

++09.09 Superdelux / test tone - tokyo

++23.08 Galerie KUB / Electric Garden Festival - Leipzig

++16.08 Electronic Chruch/ where is the edge now, yeah?! - berlin

++13.06 Electronic Church / uraniwa-series no. 2 - berlin

++16.02 Directors Lounge Berlin**

2007

++19.12 Centre de Cultura Sa Nostra, Palma de Mallorca **

++24.11 Wien Modern, Wien - Austria, (with Avatar Orchestra Metaverse)

++22.09. Festival 5+1 (TU Berlin), Wasserspeicher, Berlin**

++25.08. Lange Nacht der Kontrastorchester / Lange Nacht der Museen Berlin**

++10. August, privatelektro Headphone Festival, Leipzig, Sachsen

++13. Juli, time’s up remixed III, medien/kunst/labor tesla, berlin**

++10.06. Ausland Berlin**

++01.06. Biorama Projekt near Eberswalde in Brandenburg**

++27.05. Schlosstheater Rheinsberg in Brandenburg**

++30. April : Kunsthaus KuLe - Labor Sonor - Berlin, Germany**

++10. April : NBI - Neue Berliner Initiative - Berlin, Germany**

++31. March, privatelektro label night, Electronic Church, Berlin

++29. March : Club der polnischen Versager - Berlin, Germany**

2006

++06.10, theater basel (foyer) with laptoporchestra berlin at sinus-series Basel**

++07.09, walcheturm, zürich

++13.07, with laptoporchestra berlin at Anatomisches Theater, Berlin**

++03.06, K6, Basel (Improsession with Random Kings)

++25.05, plug In, Basel

++12.01, unreal, Basel

2005

++08.11.05, frison, Fribourg (CH)

++23.09.05, K44, Berlin

++17.09.05, with “laptop orchestra” centrum manggha, Krakow**

++10./11.09.05, with “laptop orchestra” Tacheles/japannow, Berlin**

++26.08.05 05, Museumsnacht, Stadtgalerie Kiel

++29.06.05, “Neue Bohnen”, Berlin

++16.06.05, “Globus Bar”, Berlin

++02.06.05, “Ausland”, Berlin

++28.05.05, “Galerie Zero”, Berlin

++20.03.05, joint-venture#6 @ zentrale-randlage, berlin

++10.02.05, club transmediale -headphone concert, berlin

** with laptoporchester berlin

————————————————————

[Journalistic Texts]

online german:

> Vom Kubismus im postdigitalen Zeitalter , clickhere.ch netmagazin for swiss digital arts and culture, 13.09.2006

> Zack, Zack, Zack - Zeit der Medien, Zeit des Menschen , www.berlinergazette.de/ - das digitale Minifeuilleton, 04.07.2007

> Berlin ist … hyperreal geworden. NewBerlin im Metaversum , berlin-ist.de, 04.06.2007

> Fast rewind and forward (Zum Ende von Tesla Berlin), www.berlinergazette.de/ - das digitale Minifeuilleton, 21.11.2007

> Klangwissen versus Wasserwissen (redaktionell geän. in: Funkwellen hoeren- Wasser ist die Grundlage elektronischer Technologien), www.berlinergazette.de/ - das digitale Minifeuilleton, 15.07.2009

online english:

> Megumi Fukuda -  Re-mapping Berlin as a young tulipe lady, la-condition-japonaise, platform for japanese contemporary art, music and performance, July 2007.

> Interview: Franscio Lopez - The new Brahms of experimental electronic music, shift magazine, April 2008.

> Interview: c.neeon - Berlin based fashion brand - elegance and subculture, shift magazine, May 2008.

> Interview: Basso & Brooke - Opera-like emotions and maxi-maximalism, shift magazine, July 2008.

> Interview: Pool Gallery Berlin - Art for young and trendy contemporaries, shift magazine, August 2008.

> Article: Pulsations everywhere - a glimpse of Berliner electronic music, shift magazine, Nov. 2008

> Review: Decryptopattern, Neural.it, March 2009

> Interview: Kim Cascone - We are in a post-digital era, shift magazine, Jun. 2009

offline english:

Artreview: Decryptopattern, Neural 33, Scripting Green (summer 2009), p. 14

offline german:

> 2000 - 2004 Texts for gezetera Students Paper (StudentInnen Zeitung der Universität Basel) in lifestyle, politics, music, cinema, special themes.

[Network]

>Boardchairman of la-condition-japonaise e.V. (since 2008) and disk e.V. (since 2010).