Macabro – We Live Lies [line-048]

Macabro is a project from a Latvian fellow named Alexander, also known for his rhythmic industrial project Hezzel. Under the alias Macabro, Alexander has already pushed out six album releases since starting this project in 2006. I first discovered Macabro through a demo Alexander sent to my netlabel Enough Records …

Interview with Brusio Netlabel

It’s been a while since we focused on some of the people that continue to keep bringing you the great music the netlabel scene has to offer. We recently had a long talk with the team behind the Brusio netlabel. Could you introduce the netlabel to our readers? Brusio Netlabel …

How Green – The Walking Deaf

Fluid and soaking wet are the sensations I get when tuning into young Australian producer How Green’s EP released on the NeuroPlastik Netlabel. The release takes pages out of the emerging slow and restrained instrumental beat making movement ala Shlohmo, rekindling that homemade, DIY feel to music that we love …

Various Artists – Choose Ur Way [Stasis010]

Upon checking my ever-growing RSS inbox of netlabel releases, I stumbled upon a release titled ‘Choose Ur Way’. Going from the spelling I quickly concluded that this probably wasn’t going to be all that good. “Oh, God. Another one of these hastily slapped-together dubstep slash drum and bass releases”, I …

Recent Reviews

Macabro – We Live Lies [line-048]

Ambient & Experimental, Downbeat & Downtempo, Electronika // By: ps // 20/03/2012 // 1 Comment

Macabro is a project from a Latvian fellow named Alexander, also known for his rhythmic industrial project Hezzel. Under the alias Macabro, Alexander has already pushed out six album releases since starting this project in 2006. I first discovered Macabro through a demo Alexander sent to my netlabel Enough Records in 2011. He had noticed I was into “Access To Arasaka” through my last.fm profile and thought I might dig his similar sounds. Dig his similar sounds I did. That release was very easy to approve and I’m still quite proud of having published it.

This style of music is hard to define, but it does seem to be creeping into a genre of its own. I would venture to call it post-cyberpunk. It mixes influences from all sorts of advanced electronic scenes: not just a downtempo version of cyberpunk, it screams of IDM, smells heavily of electronic ambient, but at the same time also draws its force from more recent niche genres such as post-rave and post-dubstep (think Burial). The feeling and concept of the sounds are somehow less of our own urban world and more of an imagined existence if you will.

The surgical glitches intertwined with downtempo beats and distant ambient pad sounds lay down the mantra. Leaving some room for wandering around, “We Live Lies” reaches out to triphop, trance, ambient and cinematic sounds while retaining its niche electronic character. I would dare to say the release sounds less like dark ambient than his previous work and seems more psyambient-influenced. It’s a great follow-up album either way. This 48th release of the Russian netlabel x-line is well-produced, mixed and mastered. It’s well worth a listen if you like ambient electronics in general.

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How Green – The Walking Deaf

Fluid and soaking wet are the sensations I get when tuning into young Australian producer How Green’s EP released on the NeuroPlastik Netlabel. The release takes pages out of the emerging slow and restrained instrumental beat making movement ala Shlohmo, rekindling that homemade, DIY feel to music that we love in the netlabel world.

The Walking Deaf EP is a trek on the darker side of things that touches on a dramatic kind of feel. “Slow Drive” incorporates a pulsating synth with emulated strings that jump around a choppy beat and a washed out vocal sample. Although some might argue that the ever-so-distant and obscured female vocal sample is being used in hefty amounts of instrumental hip hop, personally I find that as long as it is used in the right context it is always pleasing – and on this release it compliments the darker tunes really well.

Attention to detail is stunning on the tune “Grass Hopping” with an intricate glitch beat and escalating chopped-up vocal cuts that get your head bobbing endlessly to the beat. At times it reminds me of the ethos of long form house music, as How Green locks into a nice sound and shreds it before introducing new elements to keep the listener hooked on the original beat.

The EP closes out with the title track, the deep and dark vibe continues with the beat buried in the mix and a myriad of sounds being subtly administered. The sound isn’t huge but it works here, sounds appear to be suspended in flight and come together to form a thick,  oozing palette of textures. I hope more producers tease out this direction in instrumental hip hop, it really works for late night listens and deep thought. [AS]

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Various Artists – Choose Ur Way [Stasis010]

Upon checking my ever-growing RSS inbox of netlabel releases, I stumbled upon a release titled ‘Choose Ur Way’. Going from the spelling I quickly concluded that this probably wasn’t going to be all that good. “Oh, God. Another one of these hastily slapped-together dubstep slash drum and bass releases”, I sighed. I was wrong. Was I ever wrong. I was so wrong in fact, that I owe it to the label and all of you to tell you what a gem this truly is.

‘Choose Ur Way’ is a great introduction to the Energostatic Records catalogue. Actually, it’s more like four releases in one. The 16 tracks are neatly divided in four groups, with each group consisting of two tracks by two artists. I like this already. Choosing to include two tracks by the same artist not only provides some continuity, it also gives you a more nuanced view of said artist’s work. The styles of the four parts range from ambient over dub techno to chillstep and drum and bass. This might seem like a large leap to make in one release, but I think Energostatic gets away with it. Read on to find out why that is.

Each part of the release is given a specific vector, ranging from AA to AD. This is attention to detail in creating an atmosphere around the label really adds something extra to the experience. In a recent review, Simon Haycock pointed out that making your own netlabel is as easy as ever these days, thanks to prefab blogging software and services like soundcloud and bandcamp. While I certainly applaud these evolutions, I still find that custom-built websites which host the releases on their own pages, often take the time to add character and a uniqueness which I find lacking in many of the generic blog layouts. Energostatic Records is a great example of a label which provides this all-round house-style. The sleek design focuses on a colourful view of our galaxy. This theme of space travel fits perfectly with the styles of electronic music it releases.

Vector AA is a natural fit with the Energostatic theme, and it is a great ambient release in its own right. Copious amounts of reverb ensure a feeling of almost limitless space in Wallwerk’s ‘Lingleep’.  In Vector AB, I feel like Qumesht’s brand of dub techno is a slightly better fit to the release than that of Jimmy Myhrman. The latter’s track ‘Subway’ is a little too hard-hitting, but he immediately fixes this with the wonderfully deep ‘Shadows’.
Vector AC is my least favourite, for its first three tracks present the largest discontinuity with the styles of the rest of the release. Vital picks up the ‘Fragments’ at the end though, and so leads the way for the music that should be the soundtrack for any would-be kosmonaut: Vector AD. Marc Atmost’s clean style of living room drum and bass reminds me of my childhood favourite ‘Omni Trio’. The synth pads and surgical drum hits of ‘Aural Objects (Rework)’ make this a strong track in its own right, but when the bass finally drops in, I went weak in the knees and was twelve years old again, pressing the headphones into my ears and leaning back in the sofa with a gargantuan smile.

Energostatic Records are already on their 10th release, and I should be punished for only discovering them now. If you, like me, have not heard of them before, this release will serve as an excellent introduction to their sound. If you have heard of them before, there’s no need for me to tell you anything. You’ve probably had this on repeat since the day it was released. And rightfully so. ‘Choose Ur Way’ is a great addition to any music library. I can only hope Energostatic will continue to take us on intergalactic trips like this for years to come. [SVB]

Vector AA – Wallwerk – Teaby

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Vector AD – Marc Atmost – Aural Objects (Rework)

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Energostatic Records website

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CAST09

The Netlabelism-Podcast Series furthers our efforts for featuring new releases, special mixes, guests, interviews, news and explorations into the vast world of netlabels and notable netaudio projects.

Deep Link To: CAST 09

Curated/mixed and hosted by Andy Farina
Produced by Alan Herrick
Running Time: 29:51

Via: iTunes // Podcast-Feed
Unenhanced Version (MP3 & OGG) via archive.org

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