Adam Wood offers an explanation as to why major publishers keep rendering prose texts as awkward metrical songs with a beat. He is speaking as someone who once thought this effort was kind of cool.
I'm not sure I follow the thinking but I trust that he knows what he is talking about.
The Chant Café
Catholic musicians gathered to blog about liturgy and life.
Saturday, March 17, 2012
Faux-Tribalism in Catholic Music
Posted by
Jeffrey A. Tucker
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Catholic liturgical music is serious, solemn, transcendent, but Catholic musicians are never more fun and inspiring than when they are talking about what they love most. This is what happens at sacred music events around the world: the social and intellectual are critically important elements. The musicians (and music enthusiasts) at the Chant Café, a project of the Church Music Association of America, bring that sense of life and love to the digital world. As St. Augustine said, "Cantare amantis est."
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Among the contributors:
- Arlene Oost-Zinner, programs director CMAA and chant director St. Cecilia Schola | archive
- Adam Bartlett, composer, conductor, and Phoenix musician | archive
- Charles Culbreth, California-based parish musician and composer | archive
- Fr. Christopher Smith is a priest in Beaufort, SC, currently studying in Paris | archive
- Jeffrey Tucker, managing editor Sacred Music journal and polyphony director St. Cecilia Schola | archive
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