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CeReNeM Journal - Issue 2 (March 2011)

CeReNeM Journal home

Robert Dahm - General Introduction

Part One: Huddersfield Autumn National Composers’ Symposium 2010

Part 1 Introduction

José Guillermo Puello   El corre corre

Luke Styles   Three stages

Pedro Alvarez   Interalia: colliding structures and musical remnants

Jac McKeigue  Incorporating the visual performance layer

Carolina Noguera Palau Nocturno: an orchestration of distance

Ross Whyte  A private space

Matthew Sergeant  Beyond the veil(s)

Part Two: Summer courses, festivals and Residencies

Robert Dahm   Introduction: Summer courses, festivals and residencies

Jennie Gottschalk  International new music festivals

Robert Dahm and Ben Isaacs   Composer interaction in pedagogical contexts

Timothy McCormack   Sommerakademie Schloß Solitude

Kate Soper   Domaine Forget Summer Academy

Robert Dahm  Royaumont Voix Nouvelles

Marielle Groven   Exploring interactive collaborative models at Koumaria 2010

Naomi Pinnock   Hcmf commission and the Blue Touch Paper programme

Chikako Morishita   Tokyo Wonder Site: Creator in residence

Matteo Cesari   The relation to the source: a brief interpreter's experience of Darmstadt 2008-2010

Richard Haynes   Mediating the technical abyss

CeReNeM Journal home

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