Slow Sound
The mindful practice of experimental music and sound. Six night festival at three venues in Long Beach, CA September 16-19, 23-25, 2009. In partnership with CSULB Music Department and University Art Museum in conjunction with the Fall 2009 exhibition of Brian Eno's 77 Million Paintings.
MPRNTBL
MPRNTBL
is a net label dedicated to quiet music, slow sound, lowercase, free improvisation, field recordings, analog noise, and collaborative soundscapes. September 2008 to present.
Opt.in
Milwaukee Phonography performed two sets for Opt.in, UWM, Saturday, 1 March 2008, 7:30 PM, Mitchell Hall, Room B91. Participants included Glenn Bach, Chris Delaurenti, Dale Kaminski, John Kannenberg, and Seth Warren-Crow.
Six Soundtracks for Angels Gate
Live improvised soundtracks to Atlas Angels Gate, a short film assembled from footage taken in and around Angel's Gate Cultural Center, with music by Long Beach-based musicians Glenn Bach, Spastic Colon, smgsap, Noah Thomas, and Joseph Richard Negro, Sunday, June 24, 2007, 2-5 PM, Angels Gate Cultural Center, 3601 S. Gaffey Street, San Pedro, CA. (In conjunction with group show "I Just Can't Get Enough.")
Pedestrian Culture
Walk, observe, reflect, report. Pedestrian Culture is a portal for place-based research and creative projects, focused primarily on the humble and revolutionary act of walking. Artists, writers, composers, psychogeographers, historians, architects, general walkers, and anyone interested in issues of place are welcome to contribute articles, reviews, news, bibliographic entries, projects, artist statments, syllabi, etc. We also encourage contributions of place-based raw data to be shared under a Creative Commons license.
Poets and the Landscape
Jane Sprague, Jen Hofer, & Glenn Bach, Orange County Museum of Art, Newport Beach, CA, 30 March 2006.
photo by Shea Gauer
Soundscapes at OCMA
Spastic Colon, smgsap, and Mem 1, Orange County Museum of Art, Newport Beach, CA, 23 March 2006.
so.cal.sonic
six-day experimental music festival (featuring Steve Roden, Jim Haynes, The Ivytree, Kraig Grady, Hay/Intriere/Shadduck, kadet, Albert Ortega, SLaB, sCO, et al.), various venues in Long Beach, CA, 19-24 April 2005.
sculpture by Sigtru Nesland
Reveal/Revile: Collaborative
interdisciplinary show with collaborative works by seven teams of writers, artists, and composers, co-curated with Tyler Dilts and Sigtru Nesland, Gatov Galleries, CSULB, 23-28 April 2005.
Quiet
house concert series (featuring Steve Roden, Jeffrey Roden, Haco, Quiet American, Marcos Fernandes, Lisle Ellis, j.frede, Josh Russell, g.e. stinson, Steuart Liebig, Jeremy Drake, Vinny Golia Quartet), Long Beach, CA, April-November 2003.
DERVISH
weekly DJ showcase, Portfolio Coffeehouse, Long Beach, CA, April 1999-April 2000.
Blue Fireworks and the Color Yellow
Recent Abstraction at CSULB, Galleries B & C, CSULB, 7-10 October 1996.
One Hundred Suns
small press literary journal, 1993-1996.
Black Tape Press
small press literary journal, co-edited with Stephanie Bray, 1989-1991.
Selected Paintings
paintings by Bill Cabrera, Alternative Without a Space, Long Beach, CA, 9 March 1990.
Savage
paintings by Frank Merenda, Alternative Without a Space, Long Beach, CA 1989.
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SOLO SHOWS
Atlas EVAD, {open}, Long Beach, CA, 30 September to 22 October 2006.
Atlas Peripatetic, Gatov Galleries, CSULB, 19-23 September 2004.
Submersive, Gallery B, CSULB, 27-30 March, 2000.
Holy Land Iron Work, Gallery B, CSULB, August 1998.
Works in Progress, Portfolio Gallery, Long Beach, July-August 1992.
GROUP SHOWS
Disruptive Stillness, Jean Paul Slusser Gallery, The University of Michigan School of Art and Design, 8-28 January 2011.
Fifth Anniversary Art Auction, {open}, 2226 E. 4th Street, Long Beach, CA 13 December 2008 to 25 January 2009.
Signals: A Video Showcase: California Scenarios, with Incidental and ISOP: San Diego featured on one of two listening stations at the Orange County Museum of Art's Orange Lounge, South Coast Plaza, Costa Mesa, CA, 3 May to 18 September 2008.
I Just Can't Get Enough, June 24-August 29, 2007; Angels Gate Cultural Center, 3601 S. Gaffey Street, San Pedro, CA; opening reception Sunday, 24 June 2007, 2-5 PM.
Fully Studded: Art and Architecture Collide in the Modern Home, Salon Oblique (private residence), Marina Del Rey, CA (as part of CA/Boom 4), 31 March to 4 May 2007.
Chain Letter, High Energy Constructs, 990 N. Hill Street, Suite 180, Los Angeles, CA (curated by Doug Harvey and Christian Cummings), 21-31 August 2006.
Long Beach CA Artists in Brooklyn, Tillie's of Brooklyn, 248 DeKalb Avenue, Brooklyn, NY, 3 June-3 July 2006.
Thrift Store Movies II, "Gentle Words Open Iron Gates" (video), UCLA Hammer Museum, Los Angeles, CA 25 May 2006.
Resonant Image: Graphic Scores and Performances, Stasisfield, forthcoming Fall/Winter 2006.
The Art of the Printed Word, {open}, Long Beach, CA, 19 November-15 December 2005.
State of Emergence: Unsuspected Cracks in the Art World Infrastructure, The First Annual L.A. Weekly Biennial, curated by Doug Harvey, Track 16 Gallery (Bergamot Station Arts Center), Santa Monica, CA, 15 October-12 November 2005.
Sling Shot, Acuna Hansen Gallery, Chinatown, Los Angeles, CA, 3-28 August 2005.
Collected Recordings, D.E.N. Contemporary Art, Culver City, CA, 2 July-20 August 2005.
Red Pen, Santa Ana College Arts Gallery, Santa Ana, CA, 9 Dec 2004 to 5 Feb 2005.
Boundary Crossings, Gatov Galleries, CSULB, 14-24 November 2004.
SoundLab Channel, Biennale for Electronic Arts, Perth, Australia, 7 Sept to 17 Nov 2004.
Sonic Network Analysis (as part of Version>04: Invisible Networks), Chicago, IL, 16 Apr-1 May 2004.
Graduate Student Juried Show, curated by Roland Reiss, Gatov Galleries, CSULB, Long Beach, CA, 14-18 March 2004.
Imaginary Spaces Real Places, Gatov Gallery, CSULB, Fall 2003.
The Audible Still-Life, Stasisfield, Fall 2003.
The A:D:A:P:T Festival (in conjunction with Elegy: Contemporary Ruins, Museum of Contemporary Art, Denver), Summer 2003.
Network23, CyberNY, New York City, Summer 2003.
Works on Paper, Forget It Jake, Chinatown, Los Angeles, CA, Spring 2003.
Project: Structure and Situation, Department of Design Gallery, CSULB, Spring 2003.
The Palimpsest Project, Stasisfield, October 2002.
Con|text, Stasisfield, June 2002.
Sprawledoubt: Random Acts & Gaps: Mapping the Los Angeles Basin, Galleries B & C, CSULB, 2-29 August 1996.
The Transient Image, CSU Summer Arts, Galleries A & C, CSULB, July 1996.
Queue, Tari Brand Gallery, Santa Ana, CA, January 1996.
Group 895, Gallery C, CSULB, October 1995.
Deuce, UC Irvine, Irvine, CA, July-August 1995.
Thin End of the Wedge, City Center Gallery, Burbank, CA, June-July 1995.
Insights '95, University Art Museum, CSULB, Spring 1995.
Homage to the Circle and the Square, Chartroom Restaurant, CSULB, February-May 1991.
Insights '90, University Art Museum, CSULB, Spring 1990.
Annual Group Show, Studio 83 Cooperative Gallery, Ventura, CA, 1988.
New Artists, Ventura County Government Center, Ventura, CA, 1987.
Student Show, Ventura College, Ventura, CA, 1987.
Ventura Arts Council Young Artist Competition, Buenaventura Mall, Ventura, CA, 1987.
Student Show, Ventura College, Ventura, CA, 1986.
INSTALLATIONS, PERFORMANCE ART
Wounded Speaker, sound design and installation, PSOA Open House, KSE 4th Floor, UWM, 18 Octoer 2008.
Wounded Speaker, sound design and installation, Soundwalk 2008, Long Beach, CA, 20 September 2008.
Gentle Words Open Iron Gates, sound and slide show installation, Soundwalk 2005, Long Beach, CA, 20 August 2005.
untitled, sound installation on a Long Beach Transit bus, Tour des Artistes, Long Beach, CA, 11 June 2005.
untitled (exchange of beach rocks between Laguna Beach, CA, and Big Sur, CA), 1992.
untitled (circle of rocks at the site of Christo's Umbrellas), Gorman, CA, October 1991.
untitled (wrapped twigs left in public places), Long Beach, CA, 1990-91.
untitled (circle of stones), construction site of North Campus Library, CSULB, Spring 1990.
untitled (circle of stones), East Campus Drive at State University Drive, CSULB, Spring 1990.
rock, paper, scissors (branches, twine, rocks, music, water, text), Alternative Without a Space, Long Beach, CA, 16 June 1990.
Hero Worship (Part 2) (chalk, dirt, water, wood, music), Student Union, CSULB, Spring 1990.
Hero Worship (paint, costume, paper, photography, music), Galleries B & C, CSULB, Spring 1990.
Long Beach Postcards, documented walk, Long Beach, 10 March 1990.
16 candles (clay, water, candles, charcoal, gesso, paper), Alternative Without a Space (FA4-217, CSULB), 9 March 1990.
COLLABORATIONS, SOUND FOR DANCE
Dispersal Patterns, with Chicago sound artist John Kannenberg, 2008-2009.
Two Cities, with Chicago sound artist John Kannenberg, 2004-2008.
"Hansel and Gretel," collaborative installation (steel, rocks, sound), with Sigtru Nesland and Tyler Dilts, Reveal/Revile: Collaborative, Gatov Galleries, CSULB, 23-28 April 2005.
Edited sound for "Small Room," dance performance written and performed by Chinese dancer/choreographer Shen Wei, Asia Society, NYC, 7-8 December 1997.
Composed sound for "Square Dance (an excerpt from Still Life)," by dancer/choreographer Amy Hamilton, and "Re-Entry," by dancers/choreographers Jennifer Copaken and Valerie Norman, The Green Cheese Banquet, The Angel Orensanz Foundation, NYC, 28 June 1997.
untitled, collaborative video installation with Tim Perez, Odyssey: In Search of Self, Gallery B, CSULB, December 1998.
untitled, collaborative mixed-media painting with T. Thrasher, City Dialogues: Word to Image, Image to Word; Gallery B; CSULB; December 1996.
untitled, one-day collaborative performance (wood, string, rocks, 10-mile walk, candles, text) with William Cabrera, Long Beach to Sunset Beach, CA, Spring 1990. |