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Mto 18.3 baileyshea, musical forces and interpretation
2013-03-16 ⚑music
baileyshea , Musical Forces and Interpretation MTO Home Current Issue Previous Issues By Author By Volume Submit Submission Guidelines Submit Online Jobs Current Job Listings Submit Job Listing Dissertations All Dissertations New Dissertations List Your Dissertation Events Webinars About Links SMT Volume 18, Number 3, September 2012 Copyright 2012 Society for Music Theory Musical Forces and Interpretation Some Thoughts on a Measure
Music theory online volume 18, number 3
baileyshea University of Rochester Musical Forces and Agential Energies An Expansion of Steve Larson s Model 18.3.3 Robert S. Hatten University of Texas at Austin 2. Jazz Applying Schenkerian Theory to Mainstream Jazz A Justification for an Orthodox Approach 18.3.4 David J. Heyer University of Oregon Possible Paths Schemata of Phrasing and Melody in Charlie Parker s Blues 18.3.5 Stefan C. Love University of Chicago Charlie Parker
Mto 18.3 rogers, guest editors 8217; introduction
baileyshea both address these questions in their articles on musical forces and agency. Hatten, whose essay is derived from a keynote address he delivered at the memorial conference, considers the implications of hearing a melody as a subject with its own agential 8220;free will. 8221; What forces must it exert to oppose gravity, magnetism, or inertia, and what energy is required for these agential forces to be sustained. Hatten
Mto 18.3 baileyshea, musical forces and interpretation
2013-03-16 music
baileyshea , Musical Forces and Interpretation MTO Home Current Issue Previous Issues By Author By Volume Submit Submission Guidelines Submit Online Jobs Current Job Listings Submit Job Listing Dissertations All Dissertations New Dissertations List Your Dissertation Events Webinars About Links SMT Volume 18, Number 3, September 2012 Copyright 2012 Society for Music Theory Musical Forces and Interpretation Some Thoughts on a Measure
Music theory online volume 18, number 3
baileyshea University of Rochester Musical Forces and Agential Energies An Expansion of Steve Larson s Model 18.3.3 Robert S. Hatten University of Texas at Austin 2. Jazz Applying Schenkerian Theory to Mainstream Jazz A Justification for an Orthodox Approach 18.3.4 David J. Heyer University of Oregon Possible Paths Schemata of Phrasing and Melody in Charlie Parker s Blues 18.3.5 Stefan C. Love University of Chicago Charlie Parker
Mto 18.3 rogers, guest editors 8217; introduction
baileyshea both address these questions in their articles on musical forces and agency. Hatten, whose essay is derived from a keynote address he delivered at the memorial conference, considers the implications of hearing a melody as a subject with its own agential 8220;free will. 8221; What forces must it exert to oppose gravity, magnetism, or inertia, and what energy is required for these agential forces to be sustained. Hatten

'Baileyshea' white pages

  • baileysheaei-tirochester.edu
  • serei-tiuoregon.edu

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